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Found 28 results

  1. Set of 10 ZEISS CP.3 Compact Prime Lens 15,18,21,25,28,35,50,85,100,135mm (PL Mount, Feet) (Covers Full Frame) Barley Used! Excellent Condition! Comes with 2 Custom cases
  2. Hello all, So as I talk to my friends and coworkers who are DPs and have talked to more ASC members about their beginnings, one common trait I have come across is that they have a mentor. Some have been taken under the mentor's wings by either the MENTOR asking them or vice versa. I want to hear from any other DPs and their experience with this? I was talking to a Script Supervisor on set recently and she was telling me that she emailed Script Supervisors that she hasn't even met and some have responded (union members) answering her questions and offered her to learn from them (as in to additionally come on set). Are there any experiences like this from any of you that you can share? What are some different ways to obtain and seek a mentor without coming off "forcefully" or "desperate" to get into the business? Thank you!
  3. Hey Guys, Im curious on getting seen or how to get in contact with agencies? How have you guys gotten your agents? I have done a lot of research and there is not much info about how DP's get agents. Do DP's email agencies their reel and make the first contact or do they come find you? What is everyones experience with this. I want to contact agencies myself but dont know if this is the right path. Thanks for you advice!
  4. WRITER/PRODUCER/VISUAL DESIGNER SEEKING DIRECTOR OF PHOTOGRAPHY WITH HER/HIS OWN EQUIPMENT WHO CAN EDIT AND PRODUCE — TO PARTNER ON PRODUCTIONS Hello everyone! Thank you, in advance, for taking the time to read my post. If it interests you I look forward to hearing from you... if it doesn't then I simply wish you amazing success on all your projects. I cheer for everyone to get their TV and film projects made! Okay...I'm a writer and producer, and a visual designer. I have multiple completed feature scripts and many more ideas/treatments. I have an open invitation for a pitch meeting with an Emmy winning TV producer who has produced hit after hit. I have received extremely positive feedback and praise on my feature scripts from other producers, known/recognizable TV actors, as well as Emmy nominated writers. Here is an excerpt from my recent thriller script feedback from one Emmy nominated writer who is also a director and a Sundance Grand Jury Prize nominee: " It’s a really well done story and has a lot of box office potential ... It is often thrilling, suspenseful, and downright creepy — all ingredients you need in this genre. You have built a world that feels authentic and isolated, which helps enormously. I think audiences who love to be scared will eat this up. " I quoted them only to assure you that I can write well, as I know you don't want to waste your time anymore than I do. In addition to good feedback I was recently recommended to a lit agent by a couple of producers to be the screenwriter for the adaptation of an autobiographical book about a highly publicized national story. There are many projects I want to develop and shoot, but I need the right partner with whom I can grow with, someone with talent, a similar mindset, and equipment who can shoot and edit, and produce as well. I'm seeking someone who is extremely serious and 0% flaky. I have low budget, low-mid budget, and no-budget feature film projects we can discuss, reality TV projects, even YouTube possibilities. A few are pretty ready to go, some need more development, and many are just loglines or ideas we can build out. I co-produced a feature film (2010) that won a few festivals and had a small theatrical release before going on to its TV release. I have many years in the industry/LA and know some indie directors, distributors, DPs, producers, Emmy nominated writers and EPs, hair & makeup keys, production designers, other great crew, etc. I have good instincts, can think creatively in the moment, have ideas on how to structure funding to shoot, and am excellent at casting as I know what good acting looks and sounds like because I was conservatory trained and acted professionally in the past. In addition I have a B.A. in graphic design and have years of professional experience in NYC, DC, and LA designing posters, one-sheets, brochures, logos, etc. so we'll never have a one-sheet that looks like someone's dog made it in Microsoft Word. I am seeking someone who wants to commit to a real partnership of collaboration and focus on making product that will be captivating and commercially successful, and have a lot of fun as we go. If this sounds like the partnership you are looking for and you are a talented Director of Photography with your own equipment who can edit and produce, please send me an email with a little bit about yourself as well and a link to some of your work. Thanks for reading and for your consideration. I'm looking forward to getting projects DONE! :) EMAIL ME AT THE FOLLOWING EMAIL ADDRESS: partner2produce@gmail.com
  5. ID Productions is a production studio based in Tirana, Albania. We are involved in the industry by producing TV commercials. We're interested to hire a DOP (freelancer) for our next 3 projects. If you are interested, please send us a Demo Reel. You may contact us here: idproductional@gmail.com Thank you!
  6. " P I G S " Filmed in 35mm Eastman Color by Glenn Roland Director of Photography/Cinematographer New 2k DCP Restoration was Screened at Cinefamily Silent Movie Theatre on March 12, 2016. Out on Blu-Ray from Vinegar Syndrome - March 29, 2016 Director of Photography Glenn Roland is available worldwide for hire to film Motion Pictures, Television and Television Commercials. For Booking Call: (310) 475-0937 ENJOY THE HORROR! :o
  7. Hello all, I am in my final year of studying film production and I am currently doing research about cinematography and color grading. I am trying to find out more about the collaboration/ workflow between the DP and the Colorist and the issues regarding the authority over the look. I am also looking into whether new, aspiring cinematographers should be their own colorists. I was wondering if you could please share your opinions about this from your experiences so far. As a Cinematographer, how were your collaborations with Colorists ? (and vice-versa). What can DPs/Colorists do to ensure they can work together successfully? If you are working both as a Cinematographer and a Colorist, why did you choose to have both roles and how difficult was the transition from cinematography to color grading? Your help would be much appreciated!
  8. Hello all, I am doing cinematography for a friend's film, and I was contacted by a local camera operator who was interested in working on our set. Coming from sets with a minimal crew, I'm used to operating a camera by myself when doing cinematography, so this is going to be a first time thing for me. As I'm new to this process, I wonder -- how does the relationship between a DP and a camera op go? I understand DP's will sometimes take the camera to get the shot they want, and therefore trade off with the camera op on-set, but my question is directed more towards pre-production meetings and such. For instance, are there any meetings that are meant to take place between a DP and his operator prior to arriving on-set? And if so, what exactly gets talked over? As a side note, I have yet to meet this local camera op in person. Thanks, John
  9. Hello all, I just recently posted a DP reel that combines a bunch of my 2nd Unit work. I'm waiting for a few new movies to come out before I can add to it, but this is what I have for now. Would love to hear what you guys think. Happy shooting, everyone! Neil Moore Cinematography Reel - TRT 2:00 --Neil Moore Director of Photography - www.ShootingFilm.com - IMDB
  10. I shot a spec commercial with my crew a couple of weeks ago. Please tell me what you think. Feedback is appreciated, Thanks! Chanel Spec.
  11. Hi, I'm a Producer with MetLife and am hoping to find some local crew options based in or near Mumbai and Delhi. If you're a DP or Camera Operator, I'd love to see your reel. Thanks! RIck
  12. Jill Wilk

    WASHINGTON, D.C. -- Academy Award nominee and “American Sniper” cinematographer Tom Stern will appear in a conversation at NAB Show, which takes place in Las Vegas in April. The session, “Heroes, Legends and ‘American Sniper’: A Conversation With Tom Stern” is the Keynote Presentation of the Creative Master Series (CMS) and is produced in partnership with the International Cinematographers Guild (ICG) Local 600. It is scheduled for Tuesday, April 14, 1:45 – 2:45 p.m. This one-on-one conversation will explore the career of Oscar nominee Tom Stern, whose close association with Clint Eastwood has yielded such critically acclaimed hits as “Mystic River,” “Million Dollar Baby” and “Flags of Our Fathers.” Attendees will learn about Stern’s history as a gaffer, his on-set creative process, his insights into working with crews worldwide, and his experiences using digital capture to visualize 2014’s highest grossing film, “American Sniper.” Stern joins Creative Master Series participants Robert Yeoman, ASC, (Oscar nominee and cinematographer of “The Grand Budapest Hotel”); Sandra Adair (editor of and Oscar nominee for “Boyhood”); animators and VFX artists of the smash hit video game “Destiny;” and music and SFX craftspeople from various projects including “Gone Girl” and the “Call of Duty” franchise, who will appear as part of a session discussing music selection and production. “Tom Stern is a consummate craftsman, one who has built an incredible body of work over the course of his career, from “Flags of our Fathers” to “The Hunger Games,” said Chris Brown, NAB executive vice president, Conventions and Business Operations. “His vast base of knowledge will be of enormous value to our attendees, and I join our partners at ICG in welcoming Mr. Stern to the lineup at the 2015 NAB Show.” The Creative Master Series at NAB Show celebrates the craftsmanship of content creation and attracts cinematographers, film and VFX editors, production management for film, TV and online, content creators, content owners, programmers, and aggregators. The 3-day CMS program provides an insiders’ perspective from directors, show runners, creative crew, studio and network production executives as they share their insights on award-winning television and film projects, as well as commercials, gaming properties, and live event productions. Additional conference partners for the Creative Master Series include American Cinema Editors (ACE), American Society of Cinematographers (ASC), Entertainment Industries Council (EIC), Motion Picture Sound Editors (MPSE), New York Festivals, Production Music Association (PMA), and the Visual Effects Society (VES). “Heroes, Legends and ‘American Sniper’: A Conversation with Tom Stern, ASC, AFC” will take place Tuesday, April 14, 1:45-2:45 p.m. in South Hall Room 220 of the Las Vegas Convention Center. To attend this and other sessions, view registration packages. Tweet this: #AmericanSniper cinematographer Tom Stern joins @NABShow lineup as part of Creative Master Series, April 14: http://ctt.ec/9vc3f+ About NAB Show NAB Show, held April 11-16, 2015 in Las Vegas, is the world's largest electronic media show covering the creation, management and delivery of content across all platforms. With more than 98,000 attendees from 150 countries and 1,600+ exhibitors, NAB Show is the ultimate marketplace for digital media and entertainment. From creation to consumption, across multiple platforms and countless nationalities, NAB Show is home to the solutions that transcend traditional broadcasting and embrace content delivery to new screens in new ways. For complete details, visit www.nabshow.com. About NAB The National Association of Broadcasters is the premier advocacy association for America's broadcasters. NAB advances radio and television interests in legislative, regulatory and public affairs. Through advocacy, education and innovation, NAB enables broadcasters to best serve their communities, strengthen their businesses and seize new opportunities in the digital age. Learn more at www.nab.org.
  13. Hello I have recently released my showreel as a cinematographer and director of photography, and I would love to have some feedback from you. You can see it here: Thank you very much!
  14. Hey everyone! It's my first time posting here! My name is Marc and I'm an aspiring Cinematographer! I came here to post my work (Demo Reel) and It would be awesome to hear some opinions, feedbacks, critiques etc. All of the footage were shot with DSLRs. I'm serious about this stuff so I need to get better. I appreciate it! I'm also posting still images of what I recently shot! I guess you can just critique on the lighting for those ones. Do I have what it takes? Or should I just go and pursue other areas of film or in general? thanks!! Demo Reel: http://tinypic.com/r/sdzos1/8 http://tinypic.com/r/1g3ibp/8 http://tinypic.com/r/2chl3rd/8 Sincerely, Marc
  15. "Donnie Darko" cinematographer and ICG Local 600 President Steven Poster, ASC, will present a master class in cinematography at IFP's Made in New York Media Center in DUMBO on Saturday, November 15, 10 am to 3 pm. The film "Donnie Darko" will be screened in the morning and after lunch, Steven will present an overview of his collaboration with director Richard Kelly. Steven will also share his secrets about how to persevere and flourish in the film business. When: Saturday, November 15 10 am to 3 pm Where: IFP's Made in New York Media Center (DUMBO) 30 John Street Brooklyn, NY 11201 RSVP here. http://nymediacenter.com/events/event/?id=242651E3-8495-4F0B-A94FEC84FA3E2750&slugid=masterclass-with-steven-poster-asc-donnie-darko
  16. Here is my reel. I would love to hear your thoughts!
  17. Hello fellow cinematographers and film makers! If I could borrow 3,750 frames at 24fps of your time to review my new reel on my website listed below. It would mean a great deal to me if you could offer some critique afterward. I'm in the middle of a huge push to take my work and career to greater quality and new opportunities. I would be happy to return the favor. Thank you and happy shooting! Alex www.alexfuerst.com
  18. Hi, I made a new reel for my DP work, I would appreciate any feedbacks and likes. if any one is curious, it's mostly shot with a D7000 and a D800 and one shot with a 5D mark iii. thanks - Omar http://www.youtube.com/watch?v=hJQJtJVm6oQ
  19. We want the best cinematographers in America. Sign up now at http://iamadreammaker.com/pre%20open%20audition%20sign%20up.html Dream Makers is a talent contest/reality TV show where the audience builds the best movie making cast & crew in America. The show stars Directors, Cinematographers, Production Designers, Music Supervisors & Actors and features all the other talented people who make movies. Dream Makers starts online then adds cable TV broadcast and finally adds movie theaters across America for the show finale’. Each episode—hosted by Roger Rohatgi—features the contestants’ pitches, tasks unique to the movie industry that have to be completed by a certain deadline and stories about the personal journey about how they got to where they are today. Our judges will give their opinion about who they think are best suited to be on the team but the audience has the last say as to who gets to stay on the show and make it to the Dream Makers movie making team. Open audition sign ups run through the end of December 2013. After the contestants sign up they will make pitch videos about themselves to show why they should be on the show. Once the audition pitch videos are evaluated, the semi-finalists will be notified within a few days whether or not they will be included on the show. During January of 2014 our judges will select contestants from the nationwide audition process to compete for the movie making positions. 20 semi- finalists will be chosen in January. Then 10 contestants from each category will be announced in February. These contestants will compete for the one position in their category to become part of the Dream Maker Movie Team. When the television broadcast phase starts, Dream Makers will announce the top 5 Directors. These directors will then work with the remaining contestants everyday for the rest of the season. They will provide their opinions, insights, and advice to help the rest of the contestants make the team. Each week contestants will make a pitch video about how they would apply their craft to develop a section of a screenplay. The judges will give their professional opinion about who made the best pitch, but the audience will select their favorite contestants in each category. Each week the lowest vote getters from each category will leave the show. http://iamadreammaker.com/pre%20open%20audition%20sign%20up.html
  20. What exactly does a camera team do when they go to a rental house to check out a camera. What are the normal checks and exercises and what are some more specific checks? Both for a DP and for an AC?
  21. Films I have been director of photography, im slowly getting better so honestly tell me what you think. [video=vimeo;68975273] [video=vimeo;45164728]https://vimeo.com/45164728
  22. https://vimeo.com/66794565 Hello! Thanks for watching my showreel. Pete Smthsuth Bangkok, Thailand // petesmiths@gmail.com
  23. Im from Argentina and i would like some feedback of my work. Thanks! https://vimeo.com/51286298
  24. Here is my new showreel 2012-2013 as a director of photography. I'm from France but i'm working abroad as long as director's need my skills. I hope you'll like my reel. I put pieces of me in it. http://vimeo.com/62165709 Enjoy it.
  25. Hi. I shooting a little narrative film on the Arri Alexa camera. We don´t have the time to shoot a test before we start shooting and I watched some test online about how high you can go with the ISO in the camera in low light locations. Do anyone in here have good experience with the Alexa camera? And how high can I put the cameras ISO with out seeing to much noise in the blacks? Thanks, Henrik www.henrikameyer.com
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