John Rizzo

Just so you know Kodak is now switching to plastic spools on the 100 ft loads.

That print is definitly a IB Technicolor print. Technicolor Prints can either have clear sprockets or grey sprockets either of those two will have a grey sound track.

Maksim Karpenko has modifications for K3 s https://www.facebook.com/k3super16 This  End-to-end encrypted

Will do, We shot 7219 today non remjet getting processed tonight. Once we scan the footage I will post it for all interested parties to check out. 100 feet on the 416 and 100 feet with a Aaton xtr. Lens and f stops will be on he slate for each setup. we also shot 450 feet of 35mm Portra.

Yes that is true, so far on the east coast 3 major movies are shooting it in 35mm. According to Kodak they built into the emulsion an additional layer of Silver to take the rem jets place. "The Drama" which rapped 2 months ago Spielberg's new movie currently shooting and "No One Cares" directed by Jesse Eisenberg staring Julian Moore and Paul Giamatti DP Drew Daniels which we are scanning the dallies. Tomorrow myself and some local DPS are going to TCS and will be testing the non remjet 7219 7207,7213 and 50D on a Arri 416 these DP s are concerned because most 16mm cameras have chrome backplates. I doubt that Kodak will raise the price of MP Stock, it already is quite costly and if they raised it to still prices I don't think they will sell nearly as much. We are seeing more and more clients shooting film whenever the budget allows.

KODAK has cracked down on people who are buying 35mm motion picture stock who are reloading as still film. All sales on 35mm MPS has to get approval.

The price will be higher than the current 35nn camera negatve stocks. I got 1000 feet to do some tests on.

Hello Scott you say Cinelab uses a laser to 16mm. the only laser recorder out there is the Arri and they only shoot to 35mm. Anyone shooting to 16mm is using some kind of LCD or crt monitor to shoot off of.

Hello Jack You can purchase rollers like the ones in your pic from Photmec in the UK. They still manufacture film processors and supply spare parts. here is their contact info: Photomec (London) Ltd / Automation Engineers PLC & HMI Programming & Machine Integration Tel: +44 (0)1727-850711 Email: dgwright@photomec.co.uk URL: www.photomec.co.uk

Tommy from Color Lab wrote custom software for lenticular conversion: https://www.linkedin.com/feed/update/urn:li:activity:7217533019249635328/

Hello Scott there are a few groups on Facebook with 16mm film and 16mm projector collectors you can get a load of information about your projectors on them. There are many of the Bell and Howell 302 series projectors out there and still running. the 8302 I have one that is an 8302T the T means that the amplifier has transistors instead of tubes. here are some of them: https://www.facebook.com/groups/1614512968786420 https://www.facebook.com/groups/2389639777959698 https://www.facebook.com/groups/171843583376870

David Sekanina from Zurich who is a member of this forum he is working on a super 16mm camera with a anticipated delivery July 2025 https://www.yolk.org/about https://www.yolk.org/ also Logmar is working on another Super 8 mm camera https://logmar.dk/gentoo-s8/ which hopefully be available by the end of this year.

The best thing to do is to scan it, the purple color should be easily correctable.

Hello all I have a POE Switar Lens and the aperture is not working properly. I reached out to PROCAM Dieter Schaefer in Arizona who I know can fix this but he is (temporarily closed) hopefully. Does anyone know who else can fix this? regards

INTERESTING AND NEW? HOW ABOUT THIS: https://scan2screen.com/#about