John Rizzo

Recent Kodak Post https://nofilmschool.com/2016/06/be-filmmaker-not-video-maker-interview-kodak-president-motion-picture-and-entertainment?fbclid=IwAR1i2TAiOfoSeOY4yt17e8ZvzZTB6PuA4far0zPSpiUYlrCN2fH5wnNBGEA

16mm Ektachrome is now available in 100 and 400 ft rolls

The Amber safe light is fine of Kodak Color Positive stock.

according to our Kodak Rep Q2 they will have 100 and 400 ft rolls.

Hello All One of our clients has a Nikon R10 S8 Camera, does anyone here know if it has a automatic light meter? if so can you adjust the light meter manually? Thanks in Advance

This workflow was somewhat common in the late 70 through mid 80 s on lower budget films, I m not so sure on how less expensive this work flow was, being all the film labs back then had reduction printers maybe it wasn't. Anther step the filmmakers had to go through is once the reduction print was made before cutting it for editing the work print and matching 35mm negative then had to have a new edge-code applied to the 35mm negative, the 16mm work print and the 16mm mag this was necessary so that the negative cutter can accurately cut the 35mm negative to the 16mm work print. We at Metro Post are currently building a new lab in New Jersey we will be offering to start S8.16mm b/w reversal processing Ektachrome S8/16mm reversal processing I m also installing all 3 of my SEKI optical printers there with those we can do 35 to 16 reduction 16 to 35mm blow up super 35mm to anamorphic 35mm and 1 to 1 printing all wet or dry gate.

Does anyone here know of any Precision Machine shops or camera service company that can make new Mitchel Registration Pins?

Kodak lab process super 8 in a 50 ft per minute photmec machine not 100 ft per minute.

Their super 8 processing is totally fine, since they started Super 8 we processed over 125 cartridges there.

also what scanner was it done on?

Hey Guys I just got back from Hollywood and one of he things I attended was the REEL THING Aug 23 through Aug 25 at the Linwood Dunn Theater one of the presentations was called Burden of 10k Dreams presented by Anthony Matt of Prime Focus and Laurel Warbick of HBO they scanned a section from a camera negative of a HBO Feature from 1995 in both 4k Director(done by my facility Metropost in NY and on the Lasergraphics 10 Director done at Lasergraphics Headquarters in Irvine Calif. They showed the results in split screen side by side I can tell you ha there was no apparent gain in quality of the 4k vs the 10k. Not to mention the insane file size of one single 10k frame.

Does anyone know who carries the batteries for the Bolex Vario Switar len s there are 3 total power zoom and electric eye

Does anyone know where a vista vision camera can be rented?

you can try rewashing through the negative bath again that usually helps.

Does any one know if http://www.film-photo.co.uk/ is still open for business?