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Everything posted by John Salim
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If the original Single 8 cassette design was just a little larger ( to accommodate 50ft of acetate film ) the 'S8' system would have been perfect ! John S 😎
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Yes, they print the format's actual image size down onto 35mm. That way the grain is the same as what the original format would be. John S
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I believe they output everything to 35mm stock only Peter ( ... just the image's actual 'patch' size is recorded ) John S
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I've never heard of any processed film accumulating density. I'd check your projector's bulb ! John S
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I've had a request from a customer who has a 16mm Pathé Webo "Super 16" camera that needs repairing ( ... not actually 'super 16' format ) Does anyone know of a UK ( preferable ) or European repair shop able to handle this vintage camera ? Many thanks, John S
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Here's a couple of videos worth looking at .... and ... John S 🙂
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Was 9.5mm a European format?
John Salim replied to Daniel D. Teoli Jr.'s topic in Film Stocks & Processing
Incredibly I get around a dozen or so 9.5mm Ektachrome 100D ( 7294 ) every year for processing from customers in Germany, Spain, France and Belgium. Apparently there's a '9.5 group' who arrange to have their 16mm 100ft stocks slit and perforated by some retired gentleman in Germany. John S ☺️ -
Wenqi, read this article .... https://www.wired.com/2014/08/wtf-just-happened-soap-opera-effect/ John S 😉
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.... so, who manufactured it ?
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Was this camera actually manufactured by Paillard Bolex ? ... it just doesn't look 'Bolex' to me 🙄 John S
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In theory yes, but using 'camera film' won't be much good because of the severe contrast mis-match. That's why special duplicating films were made to help match contrast tones. Those films were tungsten balanced and very slow ( around 5 to 20 ASA ) and designed for printers. Kodak also made Ektachrome SO-366 which was suitable for copying equipment using flash ( ie... Bowens Illumitrans ). It was actually very similar to 5071 but intended for short exposures. John S 🙂
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Hi Matthew, ( see pictures attached ) The Duplicopier 3570 works 'upside down' to conventional rostrum cameras, by using an enlarger to print onto film. It uses print masks from 35mm to 6cm x 12cm. The sprocket drive in not perf accurate ( pretty out really ), so you couldn't run processed film through a slide mounter for example. Everything has to be hand finished. The lens is a 75mm f4 Rodenstock Apo-Rodagon D which is designed for 1:1 duplicating. It will print from 35mm to 120 6x6 format. The dupe film I use is Fujichrome CDU II Duplicating film, ( and unbelievably ) is still good to use even though it's well out of date. There's a slight D-max loss - but nothing serious I'm pleased to say ! Cheers, John S
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Matthew, thank you so much for posting your contribution and especially the video link. I've never seen these machines in action ( I would have loved to have operated one ) I do occasionally film duplicating ( stills ) on 35mm and 70mm. My machine is a rather simple 'roll box' type controlling a De Vere 504 enlarger. I may even be the last person doing slide dupes ! It can print up to 6cm x 12cm panoramic on 70mm - though you cannot do much creative with it really. All the best, John S
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Hi Christian, Mark Dunn's the Steenbeck expert to ask ..... https://londonsteenbeck.eu5.org/ Good luck, John S ?
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Thank you Simon and Jöerg for your help and very useful information. It will be useful as future reference when reloading ( unknown ) cassettes with regular super 8mm stocks. Best wishes, John S
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Is there a definitive guide for the notch coding on a 'Single 8' cassette ? I see there's three possible areas on a cassette for switching ( see photo ) Many thanks all, John S ?
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35mm Short Ends - for Practise
John Salim replied to Steven Wyatt's topic in Film Stocks & Processing
... and for your camera's protection, make sure you use acetate and NOT polyester base film ( preferably without spices ). John S -
Hi Deniz, Sadly I believe I may be the last one left to produce 35mm and 70mm duplicate transparencies now. If your search fails in the US, get in touch - I'm in the UK. Hope that's helpful, John S ?
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Nicely done Uli ! ... always enjoy watching your films. John S ?
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Macbeth colorchecker filmed on Kodachrome
John Salim replied to Andrew Wise's topic in Film Stocks & Processing
Just so nobody asks, there are non of these frames available now as Andrew had my spare ( I've kept one for film dupe balancing ). John S ? -
Macbeth colorchecker filmed on Kodachrome
John Salim replied to Andrew Wise's topic in Film Stocks & Processing
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Can this LAD target be read with a 310T?
John Salim replied to Seth Baldwin's topic in Film Stocks & Processing
No worries Seth, BH perforations are almost 3mm wide to give you an idea of scale. JS ?