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John Salim

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John Salim last won the day on August 27 2014

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About John Salim

Profile Information

  • Occupation
    Other
  • Location
    Essex, UK
  • Specialties
    Photographic laboratory, Photography, Cinematography, Cinema and Broadcast Engineering.

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  • Website URL
    http://www.johnsalimphotographic.co.uk
  1. Many thanks for your reply Simon, but I can confirm Ilford did indeed manufacture a huge amount of 16mm and 35mm B&W print stock. A friend of mine worked for Ilford's back then and he's also very interested to know how the subtitles were 'coloured in'. ( I'll check to find out when the stocks were made ). The letters do look laser cut to me, and they seem to have the random 'round points' as you mention. The text is incredibly sharp ( and rock steady compared to the images behind them ). They're also noticably 'cut' into the emulsion side, so no, I don't think they're produced photographically. John S
  2. Hi all, After checking a 35mm B&W print of 'Swing Time' ( 1936 ), I noticed it has French subtitles ( with original English soundtrack ). According to the can's label, this print looks as if it came from a French distributor ( includes a print report from 1986 ). The unusual thing is, it's a B&W print ( Ilford Safety Film ) with yellow subtitles. I've never seen this before on B&W stock, but on projection the text looks like it was etched by laser. So how was the yellow colour added ..... a type of dye bath or transfer possibly ??? Has anyone seen this before or know how it was produced ?...... I'd love to know ! Many thanks, John S 😳
  3. where from ...... any links please John ? John S
  4. Hi Sarah, Welcome to the forum ! What flavour would you like ? Try contacting ON8MIL in London..... https://www.on8mil.com/product-category/8mm-film-packages/standard-8/ Best wishes, John S 😁
  5. Without stating the obvious, you haven't got a light yellow filter on your lens have you ? There won't be any filters in the viewfinder, but bear in mind this is a cheapo camera so I'd imagine the viewfinder optics may not be coated. I had a K3 many years ago and remember the viewfinder image looked on the warm side compared with a Bolex. John S
  6. I remember seeing this post recently ( click on the link's picture to see more photos ) ....... John S 😊
  7. Hi Martin, Many thanks for the information and suggestions. As it happens, I did run a clip test recently and results were light blue and flat contrast - though exposures looked almost 'normal'. I agree, pulling maybe half a stop would improve things but don't want to get into adjusting 1st & col devs just for the odd roll going through on it's own. I did leave the room for a minute, and you'll be happy to hear, didn't get any magenta cast ! .... haa haa haa. After talking to the client, I processed the rest of his roll ( all was ok like the clip test ) which he'll have scanned, so should be able to 'fix up' images to some extent in post. My main worry was, would VNF-1 films change control of my E-6 line...... it's good to hear it won't from the occasional roll. All the best wishes and thanks again, John S
  8. Thanks Dirk, Just sent an email. Best wishes, John S
  9. Hi All, I get the occasional request to process old Ektachromes ( VNF-1 ) which I've always declined. I know results can be poor, so does anyone know if processing a 'minimal' amount of VNF-1 film through an E-6 line will have a sensitometric effect ? Many thanks, John S :wacko:
  10. Hi Dirk, I'm trying to contact you but sending an email bounces back 'undeliverable'. Can you contact me please or give an alternative email address. Many thanks, John S
  11. I've noticed Dirk's website DeJonghe Film Postproduction has been down for the last few days. Anyone know if there's a problem ? John S
  12. I wouldn't have thought it will be too long now Philip ..... a few months perhaps ? I heard 120 ( medium format stills film ) is due out in April. John S :rolleyes:
  13. If you're starting to get out-of-phase pictures, I reckon something's getting loose in the camera's mech. John S
  14. Hi all, I recently had four super 8mm Ektachromes in for processing ( one new 100D 7294 and three 7285 ) with very tight film stuck, unable to run properly ..... and always coming to a halt when trying. The problem it seems is too much pressure from the pressure plate spring. If you push the plate down, you can easily pull film out of the gate - as soon as you release it, it's very tight ( so doesn't seem to be the feed roll ). I've occasionally had this before and wonder if anyone else has experienced this ? I'm also wondering if Kodak's had a bad batch of springs ! John S :(
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