Off subject ,but my Panasonic 32 inch flat screen CRT packed up in June , just went black screen when my daughter was watching Wimbledon. After about two months i got it fixed ,which Panasonic paid for even out of warrenty , it turned out to be dry joints , guy who fixed said it had been asembled in E.U. and solder is not allowed to have lead in it anymore ,and subsitute is crap !! what a load of bollocks . John Holland. London.
Sorry cant agree, if there is enough light ie, sunny day in summer will stick an 85 in , other wise never do , and over last 25 years never had any problems . John Holland ,London.
2001 was shot in Super Panavision 70, 65mm neg , the film was released in Cinerama , ie, on a deep curved screen , i went to opening night at the Casino Cinerama cinema in London ,when it opened in 1968 . I was 17 . Amazing experience . John Holland . London.
I do hope when you get your RED camera ,you have some really good scripts , stories ,screenplays to photograph with your camera , because that really is the most important thing !! John Holland ,London.
think you will find MASH was also shot on 35mm , some tv stations in the states may have shown 16mm reduction prints of the series . John Holland, London.
Tim , all i have to say is to bloody right , Ken Russell and David Watkin , thats proper British cinema , even though Warner Bros paid for it and made the profit ,if there was any . Sorry talking The Devils ,here . John Holland ,London.
I think this whole RED thing is insane , i am sick to death of it and all the weirdos . Its just a camera that one day might be available , end of story . John Holland ,London.
Up date , unless Panavision have managed to make Genesis, look even more like a 35mm Panaflex, i saw a location shoot other day on this film . Its film . would love to know the background on this ? anyone ? John Holland . London.
Forget hmi's you need hard light , as key and a strange fill , also hard , and some really bad lab work , Worst lit films ever . John Holland , London.