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Posts
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Everything posted by Dustin Supencheck
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Spectra Cine Professional IV-A Discontinued?
Dustin Supencheck replied to Brett Allbritton's topic in General Discussion
? PHEW! -
Rotary prism cameras in Openheimer
Dustin Supencheck replied to massimo losito's topic in General Discussion
@Karim D. Ghantous Check out The Slow Mo Guys on YouTube if you want to see some fun mind bending slow motion shot on some of the cameras @David Mullen ASC mentioned. -
Looking at this camera brings me great joy!
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ARRI LFD LIGHTWEIGHT FOLLOW FOCUS
Dustin Supencheck replied to Scott Hoffman's topic in Cine Marketplace
Hey Scott, I messaged you on the Steadicam Forum as well. Available? -
WTB: AATON XTR PROD 400ft magazine
Dustin Supencheck replied to Michael Cong's topic in Cine Marketplace
Any luck on your search? -
Electronic Gear Head (options)
Dustin Supencheck replied to Boris Kalaidjiev's topic in Camera Operating & Gear
I tried out the Nodo wheels at CineGear and they felt really amazing. Haven't had any practical on set experience yet, however. I love that you can adjust the drag and they have a super solid feel to them. -
In Camera effects - Prisms, Glass...
Dustin Supencheck replied to Boris Kalaidjiev's topic in General Discussion
I've used these for some time and love them! https://getfractals.com/ -
A friend of mine said he had a good experience shooting a documentary with the black magic 12k windowed down to 4k which gave him a 16mm format and used the Canon 8-64. I thought it sounded like a great idea and the stills he showed me looked awesome! Really small camera size with a huge zoom range.
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As far as I remember the bolex has a 3/8"-16 or maybe 1/4"-20 tapped hole so you should be able to mount it to just about any tripod or gimbal you would use with another camera. Its pretty close to around 10lbs so you'll just need to get something to support that. Even the dji Ronin rs2 might be pushing it weight wise? Love the idea of some gimbal shots with a bolex! Be sure to shoot on a pretty wide lens at a deep stop since you won't be able to pull focus.
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Teradek Mounting
Dustin Supencheck replied to Dustin Supencheck's topic in Camera Assistant / DIT & Gear
@Gabriel Devereux I'm gunna be honest a lot of that went over my head lol, but I appreciate the knowledge! I obviously have a lot to learn about wireless signals. So you prefer mounting your wireless transmitter in this way on to the gold mount at the back of the camera? Thank you! -
Teradek Mounting
Dustin Supencheck replied to Dustin Supencheck's topic in Camera Assistant / DIT & Gear
@Nate Jones ah yes I hadn't thought of the heat. Those things really do heat up! Thanks for tip on those mounting brackets, they look really convenient. -
Hey y'all! What are your thoughts on these Teradek mounting plates? https://www.bhphotovideo.com/c/product/1083689-REG/teradek_11_0761_dual_gold_mount_battery_plate.html I find that as an operator it's difficult to deal with the Teradek transmitter on an arm. It always seems to be in the way and I like the idea of the camera being more streamlined. Maybe it just leads to having one more point of failure in the power? Hard to get line of sight, therefore less reliable signal? Let me know your thoughts!
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Arriflex 16 SR and SRII film cameras need new homes!
Dustin Supencheck replied to Matt Meyer's topic in Cine Marketplace
Hi Matt, looks like these have been very popular! Have you sold any of them yet? -
@Attila Somos Does the LTR have a video tap? How many mags do you have?
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Funny thing is I recently made a (rough) film resolution comparison to illustrate the difference in size between S16 and 2 perf 35mm to show a director. Thumb for scale! That said we both agreed there have been some beautiful S16 2.40 films. I.E. The Wrestler and Black Swan.
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Equipment For Sale / Looking For
Dustin Supencheck replied to Rick Anderson's topic in Cine Marketplace
How much is the SR2 listed for? How many mags do you have? thanks! -
@Michael Rodin How much are you selling it for? What do you have for mags, batteries, aks?
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Curious if you've had any luck. I have a friend looking as well, but it's pretty bleak ATM. Anything available is definitely selling at a premium.
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I have an enduro baby tripod and I went to switch from my Manfrotto head to a rented OConnor 1030D head and realized the same tie down doesn't work. Funny I assumed they were the same thread pitch, but one must be M10 and the other 3/8"? I'm having surprising trouble finding this bit of information. Anyone know the thread pitch for these two manufacturers? Thanks!
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Shooting day for dusk 16mm on water
Dustin Supencheck replied to Ruben Woodin's topic in General Discussion
Sounds counter intuitive, but maybe filming with a faster stock (250d or 500t) would sell the effect better. Considering that's what you would probably use if you were actually shooting at dusk? I'm sure you can achieve this in the grade, but just a thought. -
PL lens sideways/sensor...?
Dustin Supencheck replied to john spader's topic in Camera Operating & Gear
Any updates on this? I'm quite curious! -
Best on camera monitor
Dustin Supencheck replied to Moritz Moessinger's topic in Camera Operating & Gear
What are y'all's thoughts on the Flanders BM090? I often times find myself working as a Cinematographer/Operator. I always trust a Flanders for lighting, but is the BM090 just way too big to mount? -
Lighting to create a party scene
Dustin Supencheck replied to Paul Bates's topic in Lighting for Film & Video
Also, Lustr's and skypans are super awesome for this type of thing! Find yourself someone who's good with dmx/board op and you'll get some really nice stuff. Obviously a good amount of haze will help you out. https://www.etcconnect.com/Products/Lighting-Fixtures/Source-Four-LED-Series-2/Source-Four-LED-Series-2-Lustr/ -
Travel Day Rate
Dustin Supencheck replied to Dustin Supencheck's topic in Business Practices & Producing
Thanks for the advice fellas. Seemed pretty obvious and I've realized it's all a balancing act, but I appreciate the feedback.