Kenny Suleimanagich

SOLD

SOLD

Email kennysule@gmail.com for inquiries

Helping a friend selling a beautiful and complete set of seven newly-rehoused original Cooke Speed Panchro lenses (Series 2 & 3). These have not been used since being rehousing at True Lens Services (TLS) earlier this year. Finding these lenses in good condition, not already rehoused, as become very difficult, and this set took over a year to put together before rehousing. This set consists of only the last generation of Panchros manufactured - all serial numbers start with a 7. The mechanics are of course brand new, and the condition of the glass is as good as you can get for used lenses of this vintage. PHOTOS HERE 18mm Series 3 25mm Series 3 32mm Series 2 40mm Series 2 50mm Series 2 75mm Series 2 100mm Series 2 A TLS evaluation report is available to any serious interested buyers. A local NYC or US sale is preferred, but I can also ship internationally insured. Scales are marked in Imperial (Feet). If you send the lenses to TLS, they can make new rings for metric fairly easily for a fee. A Pelican Air 1535 (airplane "carry-on" size) case with custom-cut foam from Innerspace Cases (to hold all 7 lenses) is included. 40mm and up covers 1.78:1 on Full Frame. Plenty of additional pictures are available. Not interested in trades - with the possible exception of Zeiss Super Speeds Mk2, Tribe7 lenses, or anamorphics. Asking $60,000 USD. Selling only as a set of 7 - set can't be broken up. Optionally available *only with the set of 7*, is a very rare 152mm Cooke Telepanchro, recently overhauled. This lens isn't rehoused, but has been converted to PL mount, and is very usable without rehousing. Markings on this lens are in both feet and meters. TLS also offers rehousing for this focal length. No case is included for the 152mm. Asking $70,000 USD for the set including the 152mm.

Clairmont, Keslow, Camtec all have the SR3.

As long as it's 24v and Arri 3-pin (AKA not panavision) XLR, it will power your 435.

Shoot me an email and I can send you some. Kennysule at gmail dot com

I have some 5285 100D in the fridge. 35mm

Gold Mount is definitely the way to go if you can afford Anton Bauer. V-mount is cheaper to buy and rent (Sony and Switronix) but I've always felt they're a little more vulnerable to dislodging. I wouldn't cut costs on batteries and camera media - use known good brands.

Who supplies it for editing on a Steenbeck?

Is there even a supply of 16 or 35mm mag stock left?

I recently did a shoot with 16mm Reala 500D that had questionable storage and was probably around 6 years old. We overexposed two stops, sometimes three, and processed it normal. Scanned by Metropolis on a Lasergraphics Scanstation - we had a surprising amount of information on the negative even despite the crazy density from overexposure. The colorist on this, Andrew Francis at Sixteen19, was excited about how much we were able to play with the tones and in many cases we pushed it to the limit just to see where skin tones would land. I wondered if this was due to the fourth color layer adding some resilience. Anyway, you're shooting 35mm which will help with the grain. I was excited by the results and wish I had more of this stock to shoot.

Early Alexas also shipped with yellow radio. Arri offered an update.

They are currently installing the Photmec machines. One has been installed with one more to go.

Panavision has 2-perf systems, specifically modified GII