Tim Terner

Hi James, Annie had some she was trying to find good homes for. Perhaps there is one left http://www.cinematography.com/forum2004/in...mp;hl=steenbeck

Seems http://www.multitechnic.no are Lee Filters stockists in Norway. Don't know whether the gel you want is Rosco or Lee but if it's Rosco then Lee will do something very similar

Thats plenty of light for a night exterior, it just depends on the lens you are going to use whether you get a good image

Always crosses my mind if the camera is say set at a T1.3, do you always slate on the point of focus ?

Sounds as though it's going to be awefully hot in there. No chance of Kino's ?

There's a bit on IMDB trivia that states "Suffered permanent damage to his voice after getting into an auto accident. Paramedics had to insert a tube down his throat and the tube damaged one of his vocal chords"

You can always fire a flash on a DSLR set at the frame rate you are filming at, which will sync the 2 cameras in post

Look quite "gutsy' to me Matthew, what stock did you use ?

Went to download and got this (although it is not my IP address) pehaps better making it available for download somewhere else You want to download the following file: http://rapidshare.com/files/137085678/jacobtest2.AVI | 44758 KB Your IP address 78.45.79.74 is already downloading a file. Please wait until the download is completed. Premium members can download any number of files simultaneously. Become a Premium member now. The download will be available shortly. Create Premium Account

I'll second that John, total CR_P !!!

Looks very video'ish, but beautifully shot. What lenses were used ?

I went to post the same question Satsuki and then saw yours, but googled it and found this http://www.wikihow.com/Find-out-How-Much-T...t-Before-Sunset

It's a prepaid card that is used on the London transport system Ira http://www.visitlondon.com/travel/oyster/

Nothing going on in the UK ? perhaps you just dont look for anything. A pal of mine, Steve Davis, has these facilities http://www.arion.co.uk/tk.html and needs 8 features running at a time to make it pay. Think he does a best light, with colourist, at 19 pence a foot

You see it in Arri standard mount so probably possible to convert to PL

The stills from the footage don't look underexposed Tom, but does the original negative look underexposed ?

If you are shooting on negative film I would say 2 over is perfect, you can also bounce a bit of the light back if it is too extreme

What a wonderful offer Ron. Praise indeed

Stumbled upon this website http://www.secondaday.com/lamps.html

If you want a 2 stops underexposed look, expose at minus 1 and a third and then grade it down in post/transfer

Found this while on Vimeo. Some of the best Bolex footage I have come across http://www.vimeo.com/1316488

http://www.blublu.org/sito/video/muto.htm

Ahoj Pedja, http://www.cinematography.com/forum2004/in...39;s+viewfinder

Hi Annie. Firstly, welcome to the forums. Secondly, I don't think you are alone on the 'lacking communication skills'. Just let your images do the talking

Hi Dave, Last time I had 16mm fomapan processed by Foma.cz (100 foot, 1 month ago) was 600 CZK, equivalent to $40