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Showing results for tags '35mm'.
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$5,000 http://ebay.us/ZxqKnZ?cmpnId=5338273189
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Arriflex 435ES $7,500 https://www.ebay.com/itm/Arriflex-435ES-Camera-Package-Very-Good-Condition-/374028088830?mkcid=16&mkevt=1&_trksid=p2349624.m46890.l6249&mkrid=711-127632-2357-0 Omar Alarian COO / Film Producer IMDB: www.imdb.com/name/nm7440967/ Raw Entertainment www.raw-entertainment.com Email: omar@raw-entertainment.com Youtube Channel: youtube.com/c/RAWegypt Instagram: instagram.com/rawegypt?igshid=YmMyMTA2M2Y= Latest Feature Film Trailer Welad Rizk: youtu.be/KbuuzxTxhP4
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I have for sale four Arri groundglasses. These are standard glasses, so from memory will fit a IIC or a 35III - but others might be able to put me straight on that. They're also great for many viewfinders, including the Kish UDF. 1. 'TV' (4:3) with mounting bracket. In excellent condition. 2. Another 4:3, no mounting bracket, some pencil marks where it has been marked up in a mystery ratio. Tiny mark bottom right, very clean otherwise. 3. 1:1.85, marked up to 16:9 (?) A chip on one side from bad handling, but it doesn't encroach into the picture area. Good for a viewfinder, or general use. No scratches/marks otherwise. 4. Probably a 4:3 but has been taped to 16:9 at some point. Apart from the tape residue (easily removed) it's in excellent condition too. Each one has a case - happy to sell separately or as a set, pickup or post. The going rate seems to be $150 (AUD) each, and $100 for the one with the mark. They're eyewateringly expensive new. But let's talk - I'm happy to negotiate for a package deal, or if these prices seem out of whack. Postage will be from Melbourne, Australia. Cheers, Jonathan. ( ** I only seem to be able to upload images of 2 of them - message me for more images **)
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Arriflex 435 ES - 4-perf, IVS video assist PAL, FEM (functionality expansion module), TimeCode module, Arriglow module - Base plate BP-8 + dovetail plate + 19mm rods long, short 3x 400ft magazine + case 1x 400ft magazine (35-III model) 3x 200ft magazine + case finder extension FE-3 finder extension FE-5 ground glass + arriglow: - super35 2,35 - super35 1,85 - super35 silent gate 1,33 - normal35 2,35 - normal35 1,85 - normal35 1,33 P+S Technik uRC - remote control for speed ramps Video-top 100% + SCA-2 (for steadicam low-mount) EasyLOOK video-assist system - digital system for recording and playback - generates Quicktime files on HDD - wireless option Transvideo TITAN transmitter + receiver set for analog SD wireless video Transvideo Rainbow II 6,5” monitor - bright PAL monitor - anamorphic desqueze support PHOTOS: https://photos.app.goo.gl/xaJqzid9JwCFyyxY8 Camera is located in Bratislava, Slovak Republic, EU Shipping within European Union will cost €550 Shipping outside EU is not possible at the moment. In case of personal pickup, I can supply old Kodak film stock (10 rolls) for free. Payment via PayPal, incl. buyer´s protection.
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Hi all, Can't remember from where, but I've heard of the ability to shoot on print stock just as one would on regular motion picture stock, with the idea of having a very punchy and contrasty look. Does anyone have experience with this? Looking at the Kodak catalog, it seems print stock primarily comes in 2,000' rolls, which would make the process of downspooling a bit tedious...
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Hi, everyone! Gonna be shooting a film with a look rooted in Jazz photography from the likes of William Claxton, Dennis Stock and others known for the marvelous images they created around that beautiful genre. Obviously, the film's aesthetic's going to borrow a hell of a lot from these great photographers... However, what I'm most interested in is the B&W film stocks that were around the time in which the most iconic artists were photographed: the 1950s. So, on the one hand, what I'm wondering is if there's anyone in the room with an idea about the the rolls of B&W film available at that time and their characteristics. But on the other hand, I'd like to know if anyone knows where can I find information on the way these photograpers worked, which is to say the lenses and equipment they used, the way they developed their film and created they final shot in the darkroom, etc. Also welcome is information on the film stocks used to shoot movies or documentaries around the 50s. My guess is even at that time Double-X was the real deal, but... You know. A guess is a guess.
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ARRI 535B - 3perf + 4perf – Complete Kit This set runs perfectly and has been checked and serviced by Georg Bogner (Munich). At the moment the 3-perf-movement is installed. But the set also includes a 4-perf-movement as well. FEATURES OF THE ARRI 535 • Silent Sound Sync camera (under 24 db). • In-camera ARRI Glow for 9 formats (there is no need to physically change the glow mask. It can be done easily in-camera using the CCU-1). • Electronic shutter. The camera uses an electronic shutter and can be programmed to ramp up or down. • Speed ramping from 3fps to 50fps with individual steps of 0.001 frame. The exposure will stay constant as it is being compensated for by the electronic shutter. • Shutter ramping from 11 to 180 degrees. Ramping can be programmed or changed during the shot. • Beam splitter: Options are 10/90, 90/10 or 50/50. The 535 is the only ARRI camera that offers a 50/50 beam splitter. • SMPTE Timecode and ARRI time code system (timecode module is included in this auction). • Swingover Viewfinder System and In-Camera Contrast Filter Kit includes: ARRI ARRI 535 B with IVS (PAL), Tophandle etc. SN 5164 ARRI 3perf movement (mounted) SN 3P97 ARRI 4perf movement (additional) ARRI 2 120m Magazine M-11 with Case SN 4857 + 5161 ARRI 2 300m Magazine M-10 with Case SN 8812 + 9168 ARRI 2 Steadycam-Magazines 122m LM 1 SN 6202 + 6084 And further accessories: ARRI SCU-1 ARRI VCU-1 ARRI groundglass 1.78, ARRI GLOW ARRI groundglass 2.35, ARRI GLOW ARRI Viewfinder Extension FE-3 SN 1064 ARRI Timecode TC Cabel XLR Fischer ARRI Raincape ARRI CCU-1 Computer Control Unit ARRI CCU-Cable 30m ARRI Eyepiece Leveller EL-3 ARRI CCU cable short more cable for SCU and Antiflicker ARRI RCU-1 Remote Control Unite ARRI RCU Cable ARRI RCU Manual ARRI PL Port Cap ARRI 535 Flight Case Please check the pictures and make an offer: https://www.zonerama.com/Link/Album/5125762 -
Just for educational purposes, here is some footage from a short I shot last year. We were stealing this, so we couldnt light anything. It's all available light. https://vimeo.com/174719862 We shot 5219 with a 2 stop push. I rated it at 1250, which gave me about a t/2 in some places, but often my meter said "E.U.", so I really wasnt sure how it would turn out. We I went in for the transfer i was very very impressed by how it held up, even with it only being 2-perf. I'm so used to thinking that you need to shoot digitally if you want to shoot available light at night, but this turned out exactly how I had hoped. We shot on super speeds at a t/1.4-2 split. The transfer was on a Spirit 2k at Fotokem in LA. We set basic looks as we went, and that's what this is, just a basic grade, right out of the scanner. If you want to download the 2.5gb 422HQ you can find it here: https://www.dropbox.com/s/n5qo2cm9au9wo7k/L9974909_CR_A15_A17.mov?dl=0 Here is the finished short: https://vimeo.com/130967218 -
Hi I just purchased an arri 35mm IIC, I’m new to using it I’m use to using 16mm. It has bncr mount. I need help understanding camera as in gates, what lens is good to use, or how to operate. Also what accessories do I need for it in order to shoot short films and longer features. Also does anyone know where to convert to pl mount.
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Greetings I am doing some Spring cleaning/clearing and I am parting ways with My Konvaii. (Plural for multiple Konvas cameras?) Anyway, here is is what I have left of my gear: Konvas 2M 35mm camera body - UBER NICE / CLEAN - 1993 - 1:37 gate - viewfinder: GOOD Konvas 2M 35mm camera body - UBER NICE / CLEAN - 1993 - 1:37 gate - viewfinder: GOOD 17AK-EP CRYSAL SYNC MOTOR #1 - GOOD 17AK-EP CRYSAL SYNC MOTOR #2 - METAL CHIPPED - SEE PHOTO # SPARE FUSES FOR SYNC MOTORS Sound barney for Konvas 2M CAMERA BODY, 200FT/60M MAGAZINE, 400FT/120M MAGAZINE and 17AK-EP CRYSAL SYNC MOTOR NON SYNC MOTOR FRENCH FLAG #1 FRENCH FLAG #2 KOMPEDIUM MATTE BOX #1 KOMEPDIUM MATTE BOX #2 UP DOWN CONVERTER BATTERY 3 PIN XLR - NEEDS RE-CELLING - ANAMORPHIC GATE MEDIUM FORMAT LENS ADAPTER M42 LENS ADAPTER CHANGING BAG 600FT OF RE CAN FILM - KEPT IN MY FILM FRIDGE DIRECTOR'S VIEWFINDER 4X 400FT MAGAZINES - 2: MINT 2: USED 60FT MAG - GOOD 2X SCREW ON HANDLE FOR STEADY HAND HELD WORK. $1200 shipping will be in 3 large boxes http://www.ebay.com/itm/282393879383?ssPageName=STRK:MESELX:IT&_trksid=p3984.m1555.l2649 http://www.ebay.com/itm/282396634065?ssPageName=STRK:MESELX:IT&_trksid=p3984.m1555.l2649
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Hi I just purchased a konvas 2m, new to this camera. What tripods would fit for camera. Also any stabilizers or glides that will fit.
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Hello, Selling my Arri 235 package. ARRIFLEX 235 4 perf Camera Body Ground Glass – ANSI 16:9 CGG 235 Universal Viewfinder s/n 2068 235 Eyepiece + eyecup Oppenheimer V mount battery system. 235 Carrying Handle 2x Camera To O/B Battery Cable KC-20 POWER CABLE 235 - Long Extension Eyepiece s/n 2005 Shoulder Pad 235 24v On-Board Battery 235 24v On-Board Battery 235 24v On-Board Battery 24v On-Board Battery Charger SBR-1 Side Bracket And Allen Screw BP8 Bridge Plate Pair of 440mm Rods (19mm) 235 Media IVS PAL 2 X 235 Shoulder Magazine 60/200 1 extra Arrimag 120/400 and 2 x 35-3 2C Mag 60/200 The camera is in perfect condition. Pm for photos and price. All the best Kimon
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The mags are old obviously, but are in proper working condition. One is a model S10, and the other is model S10B. Here's the ebay listing for more photos and details. https://www.ebay.com/itm/184708280797
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We continue to restore the old movie cameras of the Second World War and shoot videos reminiscent of newsreels of the 1940s on them. We use the American Bell & Howell Eyemo cameras and the German hand crank camera Askania 1930s. We shoot 35 mm black-and-white Russian film Tasma and German AFFA aerial photograph. Soon we will repair the Arriflex 35 camera of the Third Reich and remove its historical reconstruction WWII. Watch our "military" video review
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LOMO OKC cine SPECIAL edition AMAZING lens F=35 mm, f2, model: OKS11-35-1, OCT-19 mount, for Russian professional movie camera Konvas, Kinor #820379. VERY RARE! SPECIAL SERIES SUPER BOKEH and SOFT effect, round FLARES (see test pictures). Lens have hole in central glass, made in factory. Very beautiful pictures on Christmas, New Year holydays, music video, fairytales Made in LOMO, USSR, 1982. Model OKC11-35-1 S\N: #820379 F35 mm T2.3 OCT-19 mount, can be used in Canon EOS, Sony E, m4\3, RED, and other systems, with adapters. No fungus, no oil spots, no scratchers, no durst. Aperture and focus smooch. email: schubert@ngs.ru Worldwide shipping -
Hello! This is my first post here on the forum and I would like to begin it by thanking everyone who posts on here; this forum has been a huge source of information for me, basically like the film school I couldn't afford, so yeah thanks everyone. I just recently acquired an Arri 2c, one that was advertised by the seller as a high speed model. It has the tachometer that reads up to 80fps, but from doing research on this forum and others, I understand that it is possible to attach that tach to a non high speed model. I've read that the only fool-proof way of determining if the camera is an actual high speed model is by the presence of four extra screws on the film gate that can adjust the pressure of the gate. But having been unable to find another picture of an Arri 2c gate to compare mine too, I'm unsure if the screws on my gate are the high speed ones or just the standard. Here's a pic of the gate on my 2c: Is this the high speed gate? And if so, is the combination of the gate and the 80fps tach enough to pretty much guarantee this is definitely a high speed model and is safe to run at 80fps? Just want to be sure, as I have a high speed motor on the way and would like to be sure of what I'm dealing with. Speaking of the high speed motor, I've read that it needs 32v to run at 80fps. At the risk of sounding silly, how exactly do I acquire 32v of power? I can't seem to find any 32v batteries that can connect to the high speed motor. (The cable for my motor has a 4 pin XLR). Is it a case where I would need to have a battery specially fashioned? Anyone who has any experience running a 2c at high frame rates, your help would be greatly appreciated! Thanks!
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Hey there, I work on 16mm and super 8 film and have a pretty sufficient editing setup in my home studio -- rewinds, splicers, etc. However, I really need to get my hands on a film trim bin (big standing bin on wheels with the muslin bag to catch tails, and rack of pins for organizing clips). I've searched google a million times and can't find any for sale, just posts by filmmakers talking about having one in their studio. I know they have to come from somewhere! I emailed Dwight Cody and he doesn't have any at the moment, though I'll keep checking back. I've been looking for about a year. I'd also love to hear if anybody has made one of their own, and how you did it - I'm just tired of pinning my strips to the wall and would love a more long-term solution (plus, I miss my old school's darkroom). Anybody have experience on this or a tutorial, or a resource to purchase/make one? Thanks so much! E
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I watched the first episode on BBC last Sunday evening.....loved it......I'm very much into civil rights films/documentaries......came across it quite some time ago as the Cinelab London posted about it as they processed all the film for the series.......it's on Amazon Prime on the 20th November....directed by Steve McQueen and shot by Shabier Kirchner. This is the film v digital debate right there.....do we believe we're back in the 50s, 60s etc when we watch The Crown......do we believe we're back in the 70s when we watch Small Axe..... -
Hi everyone I’m selling a great working arriflex 16s with accessories. The camera comes with Paris angineux 12-120mm zoom lens, battery charge belt, 2 mag, torque motor, lens filters, matte box, shoulder strap, two motors, and lens cap. Camera was serviced, lubed and cleaned a month ago. I’m selling camera for $1550 or best offer.
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What is the range of prices in USA or EU for a 2:30 min short film? I ask a lab in Greece and they told me ONLY the cost of the chemichals is 6.000$ - 9.000$ !!!
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Trying to track down a few items for the 235: - 235 Side Bracket SBR-1 (K2.55015.0) - 235 Low Mode Handle LMH-1 (K2.55006.0) - 235 Shoulder Pad SP-1 (K2.55005.0) - 235 Camera Handgrip, Right (K2.45886.0) - Arri Universal Mounting Arm, either 120 or 240 If anyone has any of these items, please let me know.
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Hi there, Looking to purchase a 35mm or s16mm camera with accessories in Canada. Based in Toronto, but willing to travel. I'd be very interested in a 435, 235, 416 or SR3, but willing to consider others. Thanks, Peter
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Does anyone have arri 2 c for sale. Looking for price in between 300-1000
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Hi I’m looking to purchase an arri iic or arri 2c. I’m preferable looking from the range of 300-1000 dollars. also interested in arri 16
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What filmed the WW II? German Arriflex 35 movie camera VS Soviet camera Eyemo copy KC-50 - review Germany against USSR and USA in WW2... On the occasion of the 75th anniversary of the Victory, we restored two military movie cameras - the German Arriflex 35 and the Soviet KC-50 - a copy of the USA 35 mm Bell & Howell Eyemo movie camera. In the review of the "Panorama Camera" we will evaluate the strengths and weaknesses of our and enemy cinema equipment, and recall the Soviet front-line cameramen and their feat. English subtitle included.
