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Showing results for tags 'ARRI'.
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Used Arri 35-3 MkII with Nikon mount for sale - $1700 Clean, well maintained, ready to shoot Super 35. I am the owner and operator and have treated it like a baby. Photos and full details at http://www.prairiepictures.com/gear.html Martin -
hi I'm looking for some stuff for my SRII I'm looking for light weight rods you put in the front of the camera also looking for a lightweight clip on mattebox // Sebastian
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Hi im gonna do a documentary in china next year on S16 film, my first plan was to bring all filmstock from Europe but regarding to x-rays and all that maybe its better to buy the filmstock in china and then also develop and scan it there, so can someone recommend a good developer in Beijing? and where to get filmstock? / Sebastian -
hi I'm cleaning amongst my gear so i have some stuff for sale first of i have a Arri MB-16 4-stage mattebox for sale, its in nice condition except for a crack (see picture) I'm not including any masks or flags with this, the mattebox is for 19mm rods but i include an "adapter" so it works with 15mm rods i halso have some jimmy jib stuff for sale, i have tube sections for jimmy jib III, wires for several lengths, strut 4ft and much more, i also have a rebuilder Sachtler fluid head to control remote head jimmy jib, works with both triangle and gen 3 i lost the baseplate so i made one in metal, it works really good for the purpose all items are located in sweden and I'm shipping world wide
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I am putting together a lighting order and have a question about my power distro. I have to run three 18k's, some smaller units, as well as a 50k Softsun. I know the softsun runs off 240v, while the 18k's run 220v. Can I run these at the same time? Also while having smaller units with 120v? I have a 1400amp tow plant on order, just could use some input about running it all together, thanks. -
Arri laser recorder + Imagica scanner Our facility is moving to a new location and 1x Arri laser recorder and 1x Imagica scanner are for sale now. Both machines are in very good condition and are located in Burbank. Please contact me if you like to inspect the machines.
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Im selling a set of 3 ARRI Master Primes. The 18mm T1.3, 32mm T1.3, and 65mm T1.3 are in excellent condition. Never rented. Available for inspection. Location: North Texas, 45 min north of Dallas. Im asking $55,000. The lenses come in a durable Innerspace lens case. Also willing to sell lenses individually. The best way to reach me is by email at: elliotovla@yahoo.com We purchased the master primes in late 2012, so we have had them almost two years. They have not been in for any service. One of the lens caps has a chip in it. Not sure how that even happened, but I included a photo of the plastic cap with its damage. Nothing major. The lens case has some wear, but a small wipe down will get it looking in great condition. I have included photos below.
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Anyone have experience with the Arri 416 timecode module? After jamming the camera/attaching a sync-box, the TC light blinks... which means it's not actually recording the timecode onto the film. After consulting the manual, the error code it gives me corresponds to 'timecode led not recognized' and suggests to check the timecode module. I'm not sure where the timecode module is, and I have a hunch that the 400' magazines we're using aren't equipped with the module to burn the timecode in. Where is the timecode module located on the mag/camera?
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For Sale Arri Master Macro 100mm Lens With Case
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The majority of the work I do is documentary and sports features and it seems that an Amira is inevitable in the near future. With NFL Films making the switch to the Arri Amira as their primary camera I am curious as to what lenses they are using with the body. 2/3" ENG lenses? Cinema Zooms? Any information would be great.
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The bridgeplate can be configured with two inlays, Red style and Arri style. Its also possible to buy both inlays so you can mount Arri style and Red style camera's. An additional inlay to have both supported is 30 Euros extra. Bridgeplate for 19mm. Rods - 329 Euro. - with Arri inlay Compatible withArri Alexa Studio, Arriflex 235, Arriflex D-21, Arriflex 435, Sony F23, Sony F35, Sony F65, SI-2K, Phantom and Weisscam HS-2. Our any other situation where a Arri BP-8 or BP-5 bridigeplate would fit. Like the new Vocas bridgeplate for the Sony F5. Arri Alexa, Alexa Plus, Canon C100, C300, C500 and Blackmagic URSA only with Arri’s BPA-2 adapter. - 329 Euro. - Red inlay Compatible with the Red One (MX) Scarlet and Epic only with a third party riser plate. 12" Dovetail 210 Euro. - Native compatibility with 2060, 2075, 120EX O’Connor and Sachtler Cine 30 heads. 12" Rods 19mm. 30 Euro each. - Stainless steel. Want to know more or if you have any questions, just have look at www.petergosens.com or give me a PM.
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Hello all! I thought I would put a thread up to inform you about new products as they are added to the site: http://mediablackout.net I specialize in making custom cables and accessories. For enquires about custom work, you can contact me at alan@mediablackout.net
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My team is about to take possession of an Amira. We’ve been renting for a while and shooting Log-C as standard. I’m starting to question the merits of shooting Log. Typically we shoot product footage in a studio, with finely tuned and very controlled light. We really craft each shot – bread and butter shots are pretty low DR. Occasionally we go for dramatic contrast. I’ve done a fair but of reading on the theory, pros, and cons of shooting Log, but I have to say I’m still not convinced either way. If I’m careful with clipping and try to get a healthy looking histogram/waveform, is Rec 709 just as good as Log, or in fact would it be better?
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Greetings, Selling my trusty Arri SR3 package. A++ Excellent, with recent service records, both camera and mags overhauled at TCS (tcsfilm) in NY in July 2013. Ready to go. Camera body (3) mags charger long and short finders 1:78 GG long rods 2 handles handgrip XC-75 video tap (b&w), with prism Transvideo Rainbow 5" monitor (2) barneys Single frame remote Asking $3500. PM me if you're interested. Thank you, Martin
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Greetings, Selling my trusty Arri SR3 package. A++ Excellent, with recent service records. Both camera and mags overhauled at TCS (tcsfilm) in NY in July 2013. Ready to go. Camera body (3) mags (3) batts charger long and short finders 1:78 GG long rods 2 handles handgrip XC-75 video tap (b&w), with prism Transvideo Rainbow 5" monitor (2) barneys Single frame remote Asking $3500. PM me if you're interested. Thank you, Martin
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I was wondering if anyone had any advice on ARRIRAW workflows. I am getting ready to shoot a feature with the D-21 recording ARRIRAW externally to an S.Two OB-1. I am most looking at most likely using dpx sequences for editing, but I was wondering if anyone had some advice in this area. Thanks in advance.
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Hi you all :) I recently bought some cheap Chinese fresnel lights just to see if they are any good or not. I wrote some thoughts to my blog, and there is also lots of images! http://aapolettinen.blogspot.fi/2014/09/chinese-fresnels-are-they-any-good.html I'd say it is very risky to order this type of gear directly from China. Luckily I have worked years with professional lights so I dared to try these cheap counterparts just to see if they can be used safely by anybody...
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Manned Camera Limited Arri AMIRA, lighting and grip rental in SW London Grosvenor Court Grosvenor Hill London SW19 4RX Open from 9am to 6pm, Monday to Friday by appointment. Telephone: +44 (0) 7717 514 991 Email: kieron@mannedcamera.com Website: http://mannedcamera.com Facebook: http://facebook.com/mannedcamera Twitter: http://twitter.com/mannedcamera Manned Camera works in partnership with Decode, a long established and well respected camera and grip rental company in SW London, and are proud to be amongst the first to offer Arri AMIRA hire in the UK. We offer camera, grip, lighting and lens hire. If you are looking for help with your project we can also offer a Manned Camera service. Manned Camera was established by filmmaker Kieron Jansch with the goal of improving his filmmaking; Kieron is particularly keen to develop his skills in lighting for narrative fiction. As a result Manned Camera is happy to discuss very preferential rates for projects where Kieron can accompany our equipment, and assist or shadow an experienced Director of Photography. -
Hello everybody, Has anyone of you made a comparative test between Alexa and Amira under the same conditions? According to Tech Specs, both cameras have exactly the same sensor. But is it possible to tell the difference between the two cameras, assuming they are using the same codec and ISO settings, the same lens and t-stop and the same lighting conditions? I´m looking forward to hear your opinions and experiences about this. Thanks, Matteo
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I am selling my Arriflex 435 ES camera. This camera is in great condition and runs perfectly! It was well maintained and recently serviced. The Arriflex 435 ES is a fantastic MOS film camera that has been trusted and used worldwide for years. The 435 is amazing for slow-motion, running crystal sync up to 150 fps! It's a lightweight camera, yet it's incredibly sturdy. The ES stands for electronic shutter meaning that the 435 ES can adjust its shutter electronically, which is great for speed ramping, something this camera does well. The Arriflex 435 ES will serve you well for years to come. The camera is still highly in use today, with many directors and cinematographers choosing to shoot on it due to its high-speed capabilities, and overall compact lightweight design. The package includes: Arri Arriflex 435 ES Camera Integrated Video Assist (IVS) (3) 400' Magazines Short Viewfinder Long Viewfinder Extension Heated Eyecup Heater Cable RCU-1 Remote Control Unit RCU Long Cable WL-3 Work Light 24v Plug-In Module Carrying handle Right Hand Grip w/Trigger Large Flight Case Small Flight Case Film is a beautiful medium, and will be used to capture gorgeous cinematic images for a long time to come. I am asking $8,500 but I am open and willing to negotiate a lower price, so make me an offer! Thanks! I am also selling an Arriflex SR3 Advanced package for $3,500 OBO. Includes 3 mags, 2 batteries, mattebox, rods, etc. Hit me up if you're interested!
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An amazing take on the ephemeral nature of digital technology -
Arri S16 11-110 T2.2 (PL Mount) Super 16 Zoom Lens
Alexander Boyd posted a topic in Cine Marketplace
Selling a Arri S16 11-110 T2.2 (PL Mount) Zoom in very good condition. It fully covers the S16-Format and is in very good functional and optical condition. No scratches, no dust or fungus. It works smoothly and has been well cared for. For questions simply message me. Asking price: 5000€ (shipping not included) Located in Vienna, can be shipped within Europe. More pictures upon request.
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WANTED: ARRI Super 35 Ground Glass & Arriglow Mask
Jesse Kreitzer posted a topic in Cine Marketplace
Greetings, I'm looking to purchase ground glass and matching glow mask for an ARRI 535B. 1.85 glass preferable, but 1.78 and 4.20 are also welcome. Thank you for your help. -
Hey guys, what sort of lights would be producing this shot? 2K Arri Fresnels? Any gels and fill? Thanks!
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Selling an ARRI Arriflex SR2 S16 Kit ... http://www.ebay.de/itm/281357532395?ssPageName=STRK:MESELX:IT&_trksid=p3984.m1558.l2649 2500€ or best offer, shipping within Europe.
