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My Gear


  1. SmallHD Cine 13 4K High Bright Monitor (New In Box) Price : $3,700 US Link : https://broadcastsolutions.com/product/smallhd-cine-13-4k-high-bright-monitor-nib/
  2. Canon Cine Servo 17-120mm T2.95 Zoom Lens Price : $11,000 US Also F.S. NIB Small HD Cine 13 $4,200 US (New In Box)
  3. Hundreds of photos and screenshots covering a wide range of cine' related areas.... Large collection of small gauge cine' related material listed on eBay D. D. Teoli Jr. A. C. : D. D. Teoli Jr. A. C. : Free Download, Borrow, and Streaming : Internet Archive When you are out and about and see something interesting...archive it! You are already there, so why not? That is how this collection came about. I was already there, so why not? <><><><> Daniel D. Teoli Jr. Archival Collection Daniel D. Teoli Jr. Small Gauge Film Archive Daniel D. Teoli Jr. Advertising Archive Daniel D. Teoli Jr. VHS Video Archive Daniel D. Teoli Jr. Popular Culture Archive Daniel D. Teoli Jr. Audio Archive Daniel D. Teoli Jr. Social Documentary Photography
  4. FOR SALE: Cooke mini S4/i Cine Lens Set of 6, with flight case. These lenses are all in fantastic condition and have perfect front and back optics. Measurement is in imperial. They have only been used to shoot one feature. The lenses mechanics are all perfect.Focal lengths are 18, 25, 32, 50, 75 and 100mm. Price £24,750 GBP You can view the all hi-res photos here: https://drive.google.com/drive/folders/1yLE5iDZA66A3bS7RW9g5rWOYvt_91QoM?usp=sharing Cooke miniS4/i Cine Lens SetThe miniS4/i Primes (T2.8 to T22 aperture) incorporate everything that today's filmmakers ask for: smaller, lighter-weight lenses that offer the same resolution, optical quality and reliability as the S4/i lenses at T2.8 speed. With the speed of the new digital cameras, T2.8 is the new, economical T2.0.
  5. P+S TECHNIK T-REX RARE ITEM Price DROP email: omar@raw-entertainment.com $36,900 32-70mm 8-18mm 20-55mm 17-37mm 60-125mm T-REX Multidirectional System + Arri Remote Focus Serial: MLS-029 $36,900 Email: omar@raw-entertainment.com
  6. Rare set of three lenses for sale: 35mm, T2,5 50mm, T 2,5 and a 80mm, T2,4 All with PL Mount Lenses come with: - front cap - rear PL cap; - new suitcase The price for all three lenses is USD 36,000. Lenses have metric scale. These are Russian vintage ANAMORPHIC NAS Lomo lenses with PL mount. They were used for a big movie recently and then inspected and serviced by Pure4C (Munich) These are 35mm camera format lenses. We used lenses on RED EPIC 6 K. These lenses create the vintage anamorphic look with amazing flares. Lenses are in great optical condition for their age. Focus rings works smooth as for 35 years old lens There are normal signs of use on lens casing. There is a possibility for a lens test in Berlin before purchase. The test costs € 80,-- (two hours) if you bring your own camera or 240 Euros (two hours) at a rental house including a RED camera Buyer must pay for the test in advance I advise to pick the lenses up in Berlin. I will not guarantee for damages during shipping! For more photos or questions: antonwelser@arcor.de
  7. I just purchased a large lot of cine lenses. Most are pretty straightforward - either old PL or C mounts; but there are a couple of head scratchers. I have a Kinoptic Anamorphic F:2 Focale 75mm lens. The odd thing is that is doesn't have a focusing mechanism. Below the aperture ring is a screw on 1.5" (approximately) barrel followed by another short ring (see attached photos. The threaded section measures slightly under 35mm. Does anyone know what's up with this lens? Is it some sort of universal mount that screws into the focusing helical of one's choice? Thanks! John
  8. Hey everyone! I'm selling my Bartech BFD because I've had a slight career shift and my new work doesn't need the beefier setup of the BFD and M-One Motor. Everything is in used condition, but works great. I have lots of detailed photos and I'm happy to take specific photo requests if you have something you want to see in detail before buying. I'm including everything pictured (except the table or cyc wall). There's a lot in this kit, but I'll break it down as best as I can. Frankly, there's a few cables that came with the BFD when I bought it that I'd be unable to identify properly, but I've included the detailed pictures of all cables and connectors. Here's what's in the kit: Foam-Fitted Handheld Case An ORIGINAL printout, analog paper Manual with OEM staple. Bartech BFD Wireless Transmitter - Handheld Focus Puller (S/N T1.0154) Spare Markers for BFD BFD Hardwire Cable. 25' Cable connecting the Transmitter to the Receiver in case of signal loss or faulty connection. Works great on jibs or cranes. (Reference: Image B) Bartech BFD Wireless Receiver (S/N R1.0154) Horizontal and Vertical Mounts (15mm and 19mm) New Antenna (Not pictured; I lost the original plastic antenna cover, but ordered an entirely new OEM replacement antenna.) BFD Receiver Gimbal Mount - Hard-wire Remote Control for use on a Steadicam, Movi or Ronin. (Reference: Image A) M-One Motor (S/N M-1.0010) Six gears with varying pitches for different size lenses: 0.8m - 32P (2x), 0.5m, 48P, 0.4m - 64P, and 0.6m 15mm, 17mm and 19mm rod adapters for proper mounting fit Misc Hardware for Receiver Mount and replacement screws Additional Cable Assortment 3-Pin male to 3-Pin male LEMO long hardwire power extension cable (Looks to be about 10-15 feet long. I can confirm if you'd prefer, just let me know!) (Reference: Image H) 5-Pin male to 5-Pin male LEMO connector cable from receiver to motor (Reference: Image D) 3-Pin male to 2-Pin male LEMO to power receiver from Steadicam Zephyr (and others with similar 3-Pin connector) (Reference: Image I) Anton Bauer D-Tap male to 2-pin LEMO male to power the receiver from an Anton Bauer battery or V-Mount adapter with proper D-Tap connector. (Reference: Image G) 12V 4-Pin XLR male to 2-pin LEMO male presumably powering the receiver off of beefier film cameras or battery connectors (Reference: Image E) Unidentified 2-pin male LEMO to a fun, half 2-pin male, half 2-pin female connector that I've never seen before or needed to work with. If you recognize it, you get bonus points. (Reference: Image F) I think this last one is an old Panavision connector, if memory serves. But, I'm really not certain on this one either. It's a half 1-pin male, half 1-pin female LEMO connector and a fat 11-pin male connector on the other end. (Reference: Image C) Price: $3750 USD FREE SHIPPING to USA. Will provide quote for international Shipping. Payment via Paypal for Shipping or cash for Local Pickup: Boston area) Pictures attached:
  9. I have available for sale- ARRI ALEXA PLUS 4:3 XR- £41,000 GBP ARRI Alexa PLUS 4:3 XR Camera Body BUNDLE ACCESSORY SET ARRI EVF-1 Electronic Viewfinder ARRI Alexa Rubber eyecup ARRI VMB-3 Viewfinder Mounting Bracket ARRI VEB-3 Veiwfinder Extension Bracket ARRI KC150-S Short (0.35m / 1.2 ft) Cable for EVF-1 ARRI KC151-S Medium (0.65m / 2.1 ft) Cable for EVF-1 ARRI CCH-1 Centre Camera Handle for Alexa ARRI HEB-2 Handle Extension Block ARRI KC154-SP-S Cable 12V Accessory for Alexa ARRI KC20 24v 2m/6.6ft Cable Power - Straight ARRI BP-12 Bridge Plate ARRI Bottom Dovetail 300mm / 12" (Balance Plate) ARRI 440mm Ø 19mm Support Rods (pair) ARRI Lightweight 240mm Ø 15mm Support Rods (Pair) ARRI SP-4 Shoulder Pad ARRI LB-1 Levelling Block ARRI ASD-1 SD Memory Card ARRI UMC Antenna ARRI White Cap BAB-G (Gold Mount Battery Adapter) Codex CDX-3790 SxS Adapter ARRI SxS Pro 64GB Memory Card ARRI SxS Pro 64GB Memory Card ARRI SxS Pro 64GB Memory Card Codex CDX-75112 single XR dock inc cables Codex CDX-3730 512gb XR Capture Drive Codex CDX-3730 512gb XR Capture Drive Codex CDX-3730 512gb XR Capture Drive ARRI ALEXA PLUS- £11,500 GBP ARRI Alexa PLUS Camera Body inc High-Speed License High-Speed License BUNDLE ACCESSORY SET ARRI EVF-1 Electronic Viewfinder ARRI Alexa Rubber eyecup ARRI VMB-1 Viewfinder Mounting Bracket ARRI VEB-1 Veiwfinder Extension Bracket ARRI KC150-S Short (0.35m / 1.2 ft) Cable for EVF-1 ARRI KC151-S Medium (0.65m / 2.1 ft) Cable for EVF-1 ARRI CCH-1 Centre Camera Handle for Alexa ARRI HEB-2 Handle Extension Block ARRI KC154-SP-S Cable 12V Accessory for Alexa ARRI KC20 24v 2m/6.6ft Cable Power - Straight ARRI BP-12 Bridge Plate ARRI Bottom Dovetail 300mm / 12" (Balance Plate) ARRI 440mm Ø 19mm Support Rods (pair) ARRI Lightweight 240mm Ø 15mm Support Rods (Pair) ARRI SP-4 Shoulder Pad ARRI LB-1 Levelling Block ARRI SxS Pro 32GB Memory Card x4 ARRI UMC Antenna ARRI White Cap BAB-G (Gold Mount Battery Adapter) ARRI AMIRA - £27,500 GBP Arri Amira body with w/ Premium License Electronic Viewfinder Sliding Top Handle w/ Stopper Pin & 3/8" Thread Adapter EVF Bracket Screw Cap Viewfinder Cable ARRI Viewfinder Blanking cap 8GB USB Flashdrive ARRI Eyepiece Cushion 2 x ARRI Short Antenna ENG Shoulder Plate WPA-1 Cine Shoulder Plate BP-3 ARRI ENG Plate QRP-1 BNC - BNC Cable (0.5m) BNC - BNC Cable (0.75m) 2 x19mm Bar 24cm 2 x 15mm Bar 30.5cm ARR! Amira PL Mount Adapter ARRI PL Port Cap For more information and pictures, please contact me.
  10. Looking for not T coated 85mm or larger to complete my set. Planar, or Oberkochen OPTON 85 T2. arri mount or PL wanted any help is greatly appreciated. regards,
  11. Dit, the proffesion | Camaleon Cinema Services Camaleon Rental blog we are going to speak about the role of a DIT. The first question is to define what a DIT is as well as determine if this position belongs to the camera crew or to the postproduction crew. The answer would be that he is kind of a liaison between both department, even though if we have to make a choice we would say that he is part of the camera department since he works on set. The DIT profession (technical image technician), arrives with the appearance of the first high definition cameras and then with the digital cinema cameras. At this point we should remember that when these cameras arrived both directors of photography and assistant cameramen came from working for many years with film cameras. So after the arrival of such new and different gear, it was necessary the inclusion of a new figure to the camera crew in order to advise the DoP on how to squeeze... More info here.
  12. Set of 12 Includes 16/18/21/25/29/35/40/50/65/75/100/135mm Email sales@broadcastsolutions.com for pricing and details.
  13. Hello Folks, I'm looking for any type of shortends for testing few of my cameras and also doing some experimental stuff. I'm really tight on budget so cheaper for me is better. I'm intrested in Kodak, Agfa, Orwo, Svema, Fuji, and others. B&W, Color, Reversal and Negative.if shipping to Vilnius, Lithuania is ok for you. Thanks. Nojus nojusdra at gmail dot com
  14. I just purchased a Canon Cine Zoom model 512 8mm camera off ebay and the spring driven mechanism makes a clunk sound and locks up. Is this camera worth fixing? Who would you recommend if it is worth it. Thanks
  15. FOR SALE 2nd hand Sachter Cine 150 tripod + ground spreader + tube case PRICE: 1.000 USD
  16. IBC 2015, Stand E55, Hall 11 SHELTON, CT (August 31, 2015) - Anton/Bauer, a Vitec Group brand and premier provider of battery and charging technologies for the broadcast, film and video industries, announces its new CINE battery series for digital cinema cameras. The CINE battery series was designed to be the safest and most durable mobile power solution for professional cinematographers. The CINE series delivers 12 amps of continuous power and incorporates Fuse Link technology, which - in the case of a cell anomaly - provides protection to surrounding battery cells, preventing catastrophic damage. The battery line also features multiple sensors to detect temperature and over-current states, ensuring optimal battery performance during regular use. Ideal for camera stabilizer systems and rail-mounted cameras, the CINE battery's durable, industrial design and footprint compliments cine-style cameras, such as the ARRI ALEXA Mini and RED Weapon, and functions on all existing Anton/Bauer chargers. For ultimate convenience, the CINE battery series includes a PowerTap® to power auxiliary accessories such as monitors, lights, wireless receivers, and any other 14V accessory. "The CINE battery series exemplifies Anton/Bauer's dedication to producing the world's safest, smartest, and most reliable power systems for professional cinematographers," said Neal Laneville, Product Manager for Anton/Bauer. "We spent a lot of time taking feedback from our customers and integrating it into the design of the new CINE series. The result is a battery series that combines our ground breaking safety technologies with a completely redesigned chassis built just for cinematographers. It's a bespoke solution for the most demanding professionals." The CINE series also includes an extremely accurate LCD that provides users with run-time information in hours and minutes. When the battery is detached, the LCD screen will display battery life as a percentage of capacity, allowing the user to effortlessly track usage. Coming in September 2015, the CINE series will be available in 90 Wh and 150 Wh in both Gold Mount and V-Mount connectors. A 190 Wh option will be available in 2016. For more information on the CINE battery series, please visit www.antonbauer.com or call +1 (800) 422-3473.
  17. Hey Guys, I have been recently hired to shoot a short feature and have been asked for my preference in lens selection. The director wants to shoot on Arri/Zeiss Master Primes (T1.3) on a Sony F5 camera system. Would you have any recommendations on focal lengths? In regard to the production, there will be mostly interiors with a few exterior moments, the story is very personal among the few characters involved, and the director is using Emmanel Lubezki as a primary visual influence. I was personally thinking of just a 35, 50 and 85mm set... Thanks! Sam
  18. Angenieux 12-120mm f2.2 Type 10x12B Cine Lens in Excellent condition. PL adapted. $550 OBO. Also available, wooden camera MFT- PL mount adapter. $200
  19. Three Strada Cranes 2-85' & 1-87' $125,000.00 Each One Akela Crane 85' $75,000.00
  20. FOR SALE Bollex S221 Sound Projector 16 mm OVERALL DIMENSIONS: Cover closed: 20 1/2" x 11" x 17"; Cover removed, with reels: 25 1/2" x 17" x 31" WEIGHT: Approximately 55 lbs. CONSTRUCTION: Cast aluminum; Two-tone grey finish; Carrying handle; Detachable cover lid with built-in 8" speaker; Illuminated controls. REEL CAPACITY: Accommodates up to 2000 ft reels. Top reel arm folds downward for storage. THREADING: Simple manual threading with pushbutton sprockets; Engraved diagrams illustrate the path for threading sound or silent film. POWER: 110 V, 50/60 Hz LAMP: 110 V 750 or 1000 Watt projection lamp; 4 V 0.75 amp optical sound lamp. Modern replacement: DDB 120V/750W or DFT 120V/1000W projection bulb; BFX 4V/3W optical sound bulb. LENS: Interchangeable lenses; Originally supplied with a Paillard-Bolex 50mm f/1.3 Hi-Fi lens. 35mm f/1.3 and 70mm f/1.6 lenses were also available. VARIABLE SPEED: 16 to 24 frames per second forward projection. Rapid motor rewind of threaded film. SOUND: Playback of optical or magnetic sound track; Records or erases magnetic track. Optical sound head: 50 to 7,000 Hz +/- 3 decibels. Magnetic sound head: 50 to 10,000 Hz +/- 3 decibels. 15 Watt, seven-tube amplifier; Separate controls for treble, bass and volume. OTHER FEATURES: Automatic frame counter; Two or three blade shutter switch; Built-in illuminated stroboscope for precise setting of 18 and 24fps; Height and level adjustments can be made on all four feet; A table lamp can be attached which switches off when the projector is running and relights again when stopped. SUPPLIED WITH: Bolex microphone, Bolex earphones, (1) 2000ft reel, (1) 50mm Hi-Fi projection lens and speaker cover . faithfully luis bb gindre argentina bebeonline@hotmail.com / or my facebook directly bebe gindre http://www.bolexcollector.com/projectors/s211.html Bolex Collector | Projectors | S-211 www.bolexcollector.com Full Manual Online / free PDF http://www.film-tech.com/warehouse/manuals/BolexS-221_s.pdf
  21. 18,25,35,50&100mm Contact : sales@broadcastsolutions.com
  22. 14,18,25,32,40,50,75,100&135mm (135 is S4i) $154,000.00 USD
  23. 14,18,25,32,40,50,75,100&135mm (135 is S4i) $154,000.00 USD
  24. Just finished a film and selling (3) Super 16 lenses. All of them were overhauled by Abelcine and the gears renewed with teflon a month ago by VP. The are all super clean, project sharp and clear. Only a few cleaning marks on them due to age. The 50mm Illumina is super sharp. If you buy a random lens on Ebay, you will most likely have to pay $$ to get it up to speed. That work has already been done to these. Zeiss 16mm MKIII s/n 7500048 Zeiss 25mm MKIII s/n 7500143 Optar Illumina 50mm s/n 9725013 Send me a PM, sensible offers welcome. Selling individual or as a set. I have receipts, more pics, and details. Thanks, Martin
  25. Hey guys, I'm selling a BLOCK BATTERY POWER SUPPLY from Victory Battery Burbank of California. Some other information you might want to know: OUTPUT 12 Volts DC and 24 Volts DC Output 4-Pin and 3-Pin XLR Output $425 Let me know if you're interested.
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