Jump to content

Search the Community

Showing results for tags '2k'.

  • Search By Tags

    Type tags separated by commas.
  • Search By Author

Content Type


Forums

  • Cinematography Forums
    • General Discussion
    • News & Press Releases
    • Lighting
    • Camera Operating
    • AC's & DIT's
    • Grip & Rigging
    • Visual Effects Cinematography
    • Grading, DI and Telecine
    • Students and New Filmmakers
    • Cameras Systems and Formats
    • Lenses & Lens Accessories
    • Camera Accessories & Tools
    • Film Stocks & Processing
    • Books for the Cinematographer
    • Cinematographers
    • In Production / Behind the Scenes
    • On Screen / Reviews & Observations
    • Cine Marketplace
    • Business Practices
    • Jobs, Resumes, and Reels
    • Please Critique My Work
    • Regional Cinematography Groups
  • Not Cinematography
    • Producing
    • Directing
    • Sound
    • Editing
    • Off-Topic
    • Forum Support

Find results in...

Find results that contain...


Date Created

  • Start

    End


Last Updated

  • Start

    End


Filter by number of...

Joined

  • Start

    End


Group


Website URL


Skype


Location


My Gear


Specialties

  1. 2- Phantom Flex 2K packages for sale. Details below 1.Price $30K Package is not located in the US VR Phantom Flex 2K 32GB 2 x 512 mags Audio box Camera top handle Camera bottom plate Power adaptor – slight damage but working Power cable Mag cinestation PCIE card and cable Rain Cover 2. Price $20K Package is not located in the US VR Phantom Flex 2.5K 32GB VR0111 S/N 1069 PL Mount EF Mount F Mount 1x Cinemag 256 VRI-P65FL-256GIG VR0410 9533 1x CineStation VR01107938 10GB
  2. The computer has been upgraded to this HP ZBook Studio G3 Intel Xeon CPU e-31505M v5 @ 2.80GHz 16.0 GB Ram. Price : $11K US
  3. F.S. Phantom Flex 2K 32GB Package $25K Package Includes: 1 x Phantom Flex 32GB HD Colour Digital Cinema Camera 1 x Sony Colour Viewfinder HDVF-C35W With Diopter adjustment. 2 x 512GB Cine Mag 1 x 10 Gbe Fibre Optical Cinestation 1 x Remote On/Off (Pickle Switch) For Flex 2.5K 1x Ethernet Cable, 1 x Power Cable, 1 x Remote Splitter Cable with 3 BNC connectors as pictured. 1 X Riser Plate for Phantom HD/Flex with Lens.
  4. Alexa Plus for sale Just serviced at Arri Burbank with a clean bill of health, Body with PL mount, Lens Port Cap and Gold mount, View finder bracket, Color view finder, 2x view finder cables Power Cable High Speed license 4x 64Gb SxS cards USB Card Reader with power Supply Rods Brand new custom case I just picked up the camera March 02, 2020 from Arri where it went through a complete check up and service, $9500.00 obo. In LA, buyer pays shipping. Feel free to PM any questions
  5. Hello, When would be a use to film in 4K DCI or 2K DCI (1.90:1)? I apologies if this seems like a obvious answer but I have found a obvious answer and thought It’d be best to ask experienced Camera Crew. Thank you for your time.
  6. Hi, I am looking to purchase an Alexa Classic. Must have: - Low hours (less than 1500 hours). - Highspeed license - Ability to do at least 2k internally and Arriraw externally. - Full working order, no issues. Willng to pay up to $8K all in (including any taxes, fees and shipping) depending on the camera. (dealers beware, I will not pay more) Paypal or other secure forms of payment for both buyer and seller a must. I am located in Europe and a solution must be found if importing from outside to not incur import duties. PM me here. Cheers, Clayton
  7. For all the editors who are hiding out in this forum :ph34r: ....I was wondering if film is actually cheaper to once you got to post than video. Specifically, can you outline the difference in workflow between a Super16mm workflow vs shooting in 4k(or even 2k) and finishing on the accepted digital projection format(or 35mm)? My guess is that film would come out a bit cheaper and easier to manage for the beginner. Quite counter-intuitive I know, but digitial non-linear editing appears to be a black hole which swallows all of your budget.$10K! I'm betting that a 10:1 shooting ratio on Supe
  8. Good evening. I am looking to buy a bigger light to my kit, and concidering options, I think a 2K tungsten fresnel will be best for my use and budget atm. I have looked at some Aputure lights for their portability, but I dont think the higher cost can be justified, since we are talking $400 vs $1400. Looking at options on ebay now, which brands should I be looking for? Arri is definitely an option, but there are some Altmans and other less known brands as well. Any inputs here? How do we feel about these LED fresnels in here?
  9. Hi, I haven't worked with one of these but interested in getting one for my lighting kit. I am used to renting 2k Mole Richardson Fresnel but for my own kit want something that is light weight and more compact. I love Fresnels, but for my needs with a 2k tungsten is to soft bounce or shoot through 4X4, 6X6 and 8X8 most of the time so an open face is just fine. Also I have a limit to how much gear I can have for my own kit to store and transport in my car so I have to be smart about every piece of gear I buy. My main concern older homes with a 15amp circuits with a 2k light and I
  10. Hello colleagues, I'm shooting my first film on 35mm in the of next month and I've been in contact with a lab in Stockholm about the developing and scanning. The quote they sent me, however, has left me a little puzzled - and instead of potentially making a fool out of myself with them I'll take my chances with you guys (ha). They want to charge me for 2 scans - 1k AND 2k. The lines in the quote are the following: Scan 1K onelight 35mm 4perf Scan 2k EDL to dpx Is it really necessary to have a total of two scans? Since skipping the 1K could potentially save us a substantial
  11. Hello Had queried about use of spherical as well as anamorphic lenses for a diploma film project in a different forum. Now I have decided to shoot the film in both the formats - flat as well as scope. If I shoot 1.33 spherically and 2.35 on anamorphic, then the negative will be scanned to 2048 x 1536 (10bit dpx) in both cases, if i am using the universal gate on Arri 535B (4perf). Now how will the project be finished to final 2K DCP post grade if the film contains both the flat as well the scope material. Also due to Kowa Prominars not being in perfect condition, we might
  12. 18k = IMAX 15-perf (or 36K?) 12-13k = 70MM 5-perf 6K = 35MM 4-perf 3K = 35MM 2-perf 1.8K = S16MM 1.5K = 16MM 720p = S8MM 480 = 8MM I had to share this with someone. I found so many people including myself looking for these numbers I had to compile this list. I cannot find anything close to this on the internet all in one place. Digitally, IMAX is referred to as being three times better/larger than 35mm (18k / 6K). On Film, IMAX is three times larger then 70mm and 70mm is twice as large as 35mm therefore it should be six times as large. This is of course the best possible sc
  13. Hello all, For sale is a Phantom MICRO LC320 Package, $41,000 Firm. Phantom MIRO LC320, Color 12GB Memory, PL or EF mount (your choice) 1 Top Handle Assembly - Miro (2 Parts) 2 I-Plate for Miro IPLATE 1 Rosette Bar for Miro 1 Cine-Style Riser for Miro 4 Swit S-8U62 DV Battery 1 Sony BC-U2 Dual Battery Charger 1 Phantom Cineflash Reader/Dock, ESATA Connection To PC CINEDOCK 1 Cine Dock Power Supply 1 12-pin Fischer to 6-BNC Capture Cable for Phantom Miro Camera. F12CMP 1 ESATA cable. ESATA 1 XLR 4-pin to DC Miro Adapter Power Cable EXXLRDC 1 Phantom PCU Control Box
  14. I purchased the sony fs700. it is a great super slow motion camera. I've been waiting for the 6.4 update from Atomos. They said it will support sony raw. however i'm not sure if it is going to support the super slow motion or not. Sony FS700 shoot up to 240fs @2k. please share your thought and opinions.
  15. Yes, another 16mm question :) I have two 16mm color double-perf Kodachrome prints (less than 400' each) that I've been storing at the Academy archives in Hollywood. These prints from 1965 & 1968 document two world premieres here in Los Angeles and the color & condition of the both rolls are stunning. I don't think they've ever been projected. When we found them, we originally screened them on a flatbed Moviola and thought we had color reversal film. Closer inspection of the film over the light table revealed it was, in fact, Kodachrome. My question is: what is the best way to b
  16. Hello everybody, I’d like to share with you the first 4K SUPER 8 FILM IN 3D. It’s one of my 5 submissions to the KODAK SUPER 8 FILMMAKING CHALLENGE. Click on the link below to go to the Audience Awards website to watch the film. FAIR WARNING: You MUST use anaglyph (Red / Cyan) 3D glasses to experience the 3D effect, otherwise the image looks just blurred. Headphones are also recommended. Don’t forget to vote please. Thank you, MOY Link: http://theaudienceawards.com/films/4k-super-8-in-3d-by-moy51613#
  17. IDT Y5 HDiablo high speed camera for sale. Well taken care of, only used by me. A 2k res camera for the budget conscious. Please see the showreel link below IDT Y5 Diablo is cinematic high speed to the next level. Starting with the scientific-industrial standards, the cameras are enhanced with a cleaner image, less noise and improved algorithms for superior video output. Independent HDMI and Pixel Pipeline provide constant monitoring and real time image adjustment while YiFi enables wireless control via mobile computing devices such as iPad and iPhone. HDiablo enclosures are special
  18. As it looks like I will be getting either a 2K or 4K scan for my 16mm short film (and not doing a traditional A/B negative cut,) my main concern now is preserving the grain structure that I achieved in-camera. I went for a specific look with this film and pushed 7219 2 stops, creating a nice amount of grain. As I read and look online and different clips on Vimeo & YouTube, I see a lot of 2K scans that look too pristine. Not all, but a lot. So my question is will I still be able to retain that kind of gritty look with a 2K scan, or will it defeat the purpose of the original look I w
  19. Asking 55k Cinema Lens, 1.45-1.8:1 Anamorphic Lens 1.25x w/motorized mount Lamp 3kW, short arc Light output 12,000 cinema lumens Digital MicroMirror Device™ 3 x 1.2” dark metal type Advanced DLP Cinema™ signal processing: CineCanvas™ image management; CinePallette™ color management, CineBlack™ contrast management and CineLink™ security management Native resolution 2048 x 1080 Housing Hermetically sealed DMD™ and optical assembly Screen Width Screen width (screen gain 1:8) @ 14ftL: 17m - 55ft adjustable l
  20. Double post. Sorry can't figure out how to delete on my mobile. WWW.JUSTINLOVELL.COM
  21. Contact me on the contact page of my website if interested. I have the si2k mini for sale. I have the si2k body for sale. Pl adapter Touchscreen monitor Eyepiece And some other accessories. Still no other camera that creates the emotional film texture quality that the si2k delivers. Upgraded to dvr 3.0 which can do multiple different frame rates (up to 85p) at different resolutions. Most of the work on here was shot on the si2k. WWW.JUSTINLOVELL.COM
  22. Hope I'm not overstepping here, but I just wanted to let folks know that we've upgraded our Lasergraphics ScanStation and can now handle both mono and stereo Super 8 sound. While mono was most common, since that's what most cameras recorded on the wider main stripe, it was/is possible to record audio to the balance stripe on the opposite side of the film, using certain projectors and viewers. The custom mag head can read both stripes, in perfect sync with 2k scans, at any of the frame rates that the scanner works at. The scanner compensates for pitch changes due to the faster (or slowe
  23. February Scanning Special For the month of February, Gamma Ray Digital is offering the following special rate for Super8 and 16mm 2k scans to DPX or ProRes files on our Lasergraphics ScanStation. This is only for members of the Cinematography.com forums: 2k DPX Log scans from negative -OR- 2k DPX or ProRes flat scans (ungraded) from prints/reversal: 16mm, 16bit DPX: $0.43/foot 16mm, 10bit DPX or ProRes 4444 or ProRes 422 HQ: $0.35/foot Super-8, 16bit DPX: $0.54/foot Super-8, 10bit DPX or ProRes 4444 or ProRes 422 HQ: $0.50/foot No extra fees for optical audio capture. Low minimum order size
  24. As some of you may know, we recently acquired a Lasergraphics ScanStation at Gamma Ray Digital. We're putting together some demo videos, and would like to include as many formats as the scanner can handle. We're all set with Regular 8, Super8 and 16mm, but if you have high quality (sharp, well lit, G-rated) footage in Super 16, Ultra 16 or Max 8, please send me a PM. We're looking for things like landscapes/cityscapes, architectural footage, nature footage, slow motion or timelapse. Basically, footage with relatively little camera motion so that we can easily put titles over it. In exc
  25. Gentlemen (and ladies), as some of you know I have shot on film and digital. My first short was shot on super16 way back in 2001 and I had a 35 blowup for festivals. A little trailer I cut in December from an HD scan of our blowup... http://www.youtube.com/watch?feature=player_embedded&v=tMFRPMHTiZ0#! Over the last three years I have shot a number of shorts, some using DSLRS and some 8mm (a format I love). Right now I am in talks with some people about a feature film project and while everyone wants to shoot on the RED EPIC, just because the EPIC is cool and easy and cheap (
×
×
  • Create New...