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Found 446 results

  1. I’m looking for a set designer and editor for my short film. I’m shooting a horror short film. I reside in Massachusetts. I’m looking for a video editor and set designer.
  2. Hey, Deciding to let go of my three lens set of Super 16 Super Speed Mark III lenses. These lenses were purchased from Visual Products a year and a half ago and have been babied the entire time. Really nice condition. Glass is immaculate. I can email high res photos upon request. 9.5mmGlass - Front element is clear. Back element is clear. Perfect image.Body - Near MintMechanics - Both iris and focus turn smoothly16mmGlass - Front element is clear. Back element is clear. Perfect image.Body - Near MintMechanics - Both iris and focus turn smoothly25mmGlass - Front element is clear. Back element is clear. Perfect image.Body - Near MintMechanics - Both iris and focus turn smoothly 10k USD
  3. Arriflex 435 ES - 4-perf, IVS video assist PAL, FEM (functionality expansion module), TimeCode module, Arriglow module - Base plate BP-8 + dovetail plate + 19mm rods long, short 3x 400ft magazine + case 1x 400ft magazine (35-III model) 3x 200ft magazine + case finder extension FE-3 finder extension FE-5 ground glass + arriglow: - super35 2,35 - super35 1,85 - super35 silent gate 1,33 - normal35 2,35 - normal35 1,85 - normal35 1,33 P+S Technik uRC - remote control for speed ramps Video-top 100% + SCA-2 (for steadicam low-mount) EasyLOOK video-assist system - digital system for recording and playback - generates Quicktime files on HDD - wireless option Transvideo TITAN transmitter + receiver set for analog SD wireless video Transvideo Rainbow II 6,5” monitor - bright PAL monitor - anamorphic desqueze support PHOTOS: https://photos.app.goo.gl/xaJqzid9JwCFyyxY8 Camera is located in Bratislava, Slovak Republic, EU Shipping within European Union will cost €550 Shipping outside EU is not possible at the moment. In case of personal pickup, I can supply old Kodak film stock (10 rolls) for free. Payment via PayPal, incl. buyer´s protection.
  4. Hey everyone, I recently got my hands on this camera. From what I understand, it takes six AA batteries. I have been unable to find any manual for this camera. From what I believe, the battery compartment is in the handle. I opened up the handle and I definitely see two contacts for what could be one big battery, but certainly not for AAs. In fact, if you put AAa in there they just roll around. Can someone please help? What kind of battery should I be looking for? The chamber looks cylindrical but I'm not sure. Thanks
  5. Looking for Dp to join my crew. Ready to shoot music video, films, etc
  6. Hi Name is Boris I’m a young director looking for a team in creating a film crew. I need a Dp/camera operator. I’m preferably looking for one located in Massachusetts. I shoot music videos, short films, etc. I’m trying to work ASAP
  7. I'm sure most of you have seen this beauty by now. Dropped out of nowhere yesterday and set the entire Internet ablaze. First of all, do yourselves a favor and avoid watching the trailer on YouTube or any other source than Netflix itself obviously. The trailer is apparently in 4K on the platform, I watched it on a big screen and it's obviously much less compressed and much more representative. The deaging can be seen from the opening of the trailer with Pesci and De Niro and at the end of it. Looks pretty darn impressive when viewed properly on Netflix. De Niro's skin looks a bit smooth on more compressed versions, it does not on Netflix itself. Otherwise, I've been checking out a bunch of set photos to determine how much was film and digital. The producer Emma Tillinger Koskoff pulled some numbers a while ago which were incorrect for some reason, ie 30% of the film being shot on 35mm, and that everything involving the deaging required shooting digitally. However, Thelma Schoonmaker said half of the film has them deaged. So that means half Alexa (as listed on IMDB) and half 35mm film. IMDB lists the following info: Arri Alexa Mini, Zeiss Master Prime and Cooke Panchro/i Classics Lenses Arricam LT, Zeiss Master Prime and Cooke Panchro/i Classics Lenses I don't know if anyone here knows Prieto or someone else involved with the film and can provide maybe more technical info? I also saw that Prieto tested some special rigs consisting of multiple cameras at a rental house. And you can see one of the rigs on the set photos, seemed like several Red cameras which are presumably there to capture facial data for the deaging. And the Alexa which is now being regularly used by Prieto and Scorsese for low light work (Wolf, Silence). Gorgeous work as expected and a film that's been in the works for a decade, Schoonmaker and others close to the project have said it's a different animal than Goodfellas and Casino despite the obvious initial similarities. The film is opening at NYFF late September too, presumably released in November on Netflix, Scorsese has been said to make a push for a wide release of sorts with possibly an exclusive theatrical window of a few weeks.
  8. I am selling my AATON LTR 54, I have had it a couple years and love it very much, however am needing to sell. I am based in London. I will upload more pictures when post is online and can send more to anyone who is interested via email. Last Year I got a full camera service with Alan Giles. All mags tested, body, motor and battery re-celled. The camera runs very smoothly and is in very good condition, having been fully serviced last year.The camera is in two flight cases, one for camera, and an accessories case. -Camera body -3x 400ft mags - 3 12v batteries -wooden aaton handgrip -aaton leather barney -matte box -Short and extended eye piece. -Battery charger. -15mm rod extensions. + a lot of accessories that'll be shown in pictures!
  9. Hey everyone, I'm getting ready for a film challenge where our entire short will be made on a single 100 ft reel of Kodak 7219 and shot on a Krasnogorsk-3. In preparation for the shoot I decided to do a lens test with the stock Meteor 5-1 lens on my original Blackmagic Pocket Camera. Surprisingly though, my footage all seemed to be about a stop under exposed. I know that the aperture of a lens doesn't always let in as much light as it should and that T-stops are supposed to correct for this, right? So is this the case here? Have those of you that use the Krasnogorsk-3 encountered this problem? Does this mean that when shooting I should meter for 250 instead 500 to get proper exposure? Any thoughts?
  10. Report on how to test film cleaning wipes for abrasion qualities: https://daniel-d-teoli-jr-archival-collection-ii.home.blog/2019/12/12/testing-film-cleaning-wipes-for-abrasion-qualities/
  11. Hi, does anyone have a manual to the CP GSMO 16mm camera?
  12. Canon 11-165mm PL Mount Super 16 Format T2.5 Amazing Zoom Lens Good shape lens, amazing technically. Includes hard case. £3500 (EU) or $4200 (US) – I am based in London but will be in New York soon so can ship it from there if that helps. Technical Specs Focal length 11-165mm Max aperture (T) 2.5 Close focus 3' Image Circle 16mm Front diameter 95mm Weight 2268g Length 190mm Mount PL Mount
  13. I’m a new amateur filmmaker located in Massachusetts looking for places to rent nice 16mm cameras preferably eclair, arri, bolex. Anywhere in Massachusetts or near or anyone in mass. Also what’s the best place to learn how to film with film cameras
  14. There is this old one ... https://variety.com/2009/digital/features/is-it-really-cheaper-to-shoot-in-digital-1118008522/ And a 2015 indie experience https://www.moviemaker.com/archives/moviemaking/cinematography/film-v-s-digital-is-the-expense-of-shooting-on-film-a-misconception What's your thoughts generally (not only on the articles...)
  15. I’m intending to do some double exposures on 16mm film with an Arri 416 camera. The most rudimentary method I could think of is just expose the entire roll (one stop underexposed, or however I feel is appropriate for the subject), make notes of the contents, and then reload the same film to shoot the second layer. But sometimes it would be really convenient to be able to just «rewind» the film right away to do the second layer. As far as I can see from the manual, there is no such function in the camera. I guess you could open the mag and do it manually, but it sounds cumbersome. Anyone done this and know a good method that I haven’t though of?
  16. Hi, I've got for sale standard 16mm camera set, including lenses, cables, filters... all fitted in Peli case. Camera is in fully working condition, I have used in only occasionally. The last user, had it got serviced in Bolex, Switzerland (in 2009). Camera is equipped with normal 16mm gate, bolex bayonet mount, in-camera filter holder and TTL exposure meter (till ASA 640) What's in set: Bolex EL 16mm camera mark.II Kern Vario-Switar compact zoom 17-85mm T3,8 Angenieux 15mm f1,3 Bolex bayonet - C-mount adapter (2x) C-mount - Arri Standard adapter gelatine filter holder (4x) battery cable 4pin XLR (2x) Peli case Price is €850 + shipping I'm located in Slovak Republic, and ship to E.U. and U.S.A. Photos: https://www.flickr.com/photos/91204852@N05/sets/72157648786143401/ 16mm footage:
  17. I have 3x Aaton XTR Prod S16mm Camera Packages Available. All cameras have been serviced in the past 6 months and are in very good working order. Camera Package Includes: Aaton XTR Prod Super 16mm Camera Body (75fps max) Carry Handle w/ Built In Tools 3x 400' Magazines w/ Throat Covers Aaton VR 46 Color CDD Video Tap 1.33/1.78 Ground Glass Aaton Swing-over Finder Heated Eyecup Aaton Extension Finder Extension Eyepiece Leveler Arri BP-3 Right Side Start/Stop Handle 6" Screw Type Mini Rods (LWS 15mm) 8' XLR Power Cable 2x 1' Eyepiece Heater Cable 2x 1' Aaton 2 pin Accessory Cable (Start/Stop Handle) 2x 5amp Fuses Mag Port Cover Lens Port Cover Flight Case For Camera Body Flight Case For 3x Magazines $3,495 Please DM For Additional Information/Pictures
  18. Selling Price $12K Questions : email sales@broadcastsolutions.com 235 Camera body 4 Perf 235 IVS s/n 9532 S-35 Ground Glass 235 Medium Eyepiece extension s/n 2010 3 200’ 235 Shoulder Mag., s/n 2107, 2108, 2109 4 400’ 235 Shoulder Mag., s/n 2022, 2056, 2062, 2020 Riser Plate, Shoulder Pad 235 Low Mode Support 235 Right and Left side bracket 4 235 On Board Batteries (need recelling) 2 24v dual battery charger
  19. https://archive.org/details/storagepreservationmotionpicfilmteolijr.a.c.39
  20. F.S. Aaton A-Minima Kit A-Minima BW Tap 4 Mags Power Base Grip Rods Cables 2 Batteries Charger Pelican case 19 A-Minima Spools. All running well. Just been serviced. Email sales@broadcastsolutions.com for pricing.
  21. Want to buy ARRI AVF-2 viewfinder or similar viewfinder that enables anamorphic de squeeze on the 435.
  22. Aaton 35-III 4-Perf Camera Package w/ 5x 400' Magazines Just Serviced. All components in good working order. This is a 12v Camera so it is possible to power with modern Li-Ion batteries. (i.e D-tap To XLR) Package Includes: Aaton 35-III Camera Body PL Mount 4-Perf Movement 1.33/1.78 Ground Glass Swing-over Finder Carry Handle w/ 2 Tools Heated Eye-cup Extension Finder Top Balance Plate Sony XC77 CCD Video Tap 2x Eyepiece Heater Cables 5x 400' Magazines Flight Case For Camera Body Flight Case For 2x 400' Magazines Flight Case For 3x 400' Magazines $3,495
  23. I'm currently filming a western, shot in the west (Colorado), on film. It's called THE LAST RESORT. Shooting with a Canon 1014XL-S. Filming it on Kodak Tri-X 7266. On location. So far, the film looks amazing! This is a Warehouse 9 Production. I wish I could post a picture, but the image requirements are too small... I don't have a teaser yet, but check out my other film projects. https://vimeo.com/user2463860
  24. Please email sales@broadcastsolutions.com for pricing and details.
  25. I just learned I have access to an Aaton LTR but that the batteries went missing. I've searched for batteries online to no avail and was wondering if anyone here knew anyone selling them? Let me know guys, Thank you!
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