Jump to content

Philip Reinhold

Basic Member
  • Posts

  • Joined

  • Last visited

Everything posted by Philip Reinhold

  1. well the grading workflow & special scripts the colorist team for fincher used for mindhunter as example… just to give it these look on a red is a special workflow in many ways.
  2. https://www.hollywoodreporter.com/news/how-1918-flu-halted-hollywood-1286640 Me and also many Friends of mine, not just Filmmakers really missing the Cinema. And i mean the Cinema not a homemade Netflix "Cinema" with just a good Projector and some Dolby. There is a beautiful culture behind it as well. And im pretty sure, cinema as theatres will stay alive and come back - like hugging, kissing and many other important social gathering things. But until then, we will respect the situation and wants to stay healthy. So far we just had some weeks - and it looks right now in the end it will maybe just some month of our planet is slowing down. Im fine with that. Take care!
  3. Film shoots are starting again in Germany & also in some of our scandinavian Neigbours. Germany has regulations of max 50 People, Face Masks & as much distance as possible right now. Two of our Film Labs starts operating again since this Week. I´ve a planned Film Project to be shot on 35mm sheduled for June/July.
  4. The Arriflex SR 2 Flange Focal Distance is 52mm with PL Mount like any other PL Camera. The 5,9mm Angenieux was very close to the Mirror Shutter from the SR, you have to use the right angle couse some could slightly hit the Mirror on the SR Cameras. Some Techs also sanded the two nipples which protect the rear element from the 5,9mm. It won´t work on 35mm Mirror Shutter Cameras - it will definitly scratch the Mirror. But it will work on a Alexa except the Studio. So it won´t hit the Sensor. You can use it.
  5. Hey, im selling my Optar Illumina S16 Lens Set 12, 25, 50mm T1.3 Arri B & PL Mount in mint condition. 1.2 / 12mm 1.2 / 25mm 1.2 / 50mm Feet scale. amazing condition like unused. Glas clean, no scratches & no dust. Mechanics works smoothly and are in perfect condition. They are in Arri B mount for Arriflex SR1 & 2 Cameras but comes with PL Mount Adapter for more possibilities. Lenses should be collimated before use with a Filmcamera! I did not Test them on a Filmcamera but they looked perfect on a digital Camera with PL Mount Adapted! Lenses are based in Potsdam Babelsberg, Germany. 3300€ / 3500$ USD
  6. Paris Texas D.P. Robby Müller: Theeb D.P. Wolfgang Thaler Ága D.P. Kalovan Bozhilov
  7. hmm, no i want my stuff to be work for lowering my tax / income as well so i need a proper seller and invoice / customs approved… also i can use the good quality service & warranty when bought in a proper shop? So as professional i don´t see any sense behind these "grey2 markets.
  8. hey, im selling my decent set of Super16mm Zeiss superspeed MK1 12mm/16mm/25mm T1.3 with 0.8 Focus Gear, 75mm Front (+ 80mm Adapters). Arri B Mount but can provide pl mount adapters as well. They are all in really great and clean condition. some very tiny cleaning marks but no scratches no fungus no dust. Mechanics works perfectly. Got serviced last Year. 2000€ for all 3. Best, Philip
  9. not personally yet. indeed it looks gorgeous! Kind of a Peter Pan story. I wish I could have the time to visit Sundance this year.
  10. dir. Benh Zeitlin & dp. Sturla Brandth Grøvlen shot Wendy on 16mm as well. Looks wonderful.
  11. looks pretty much like Sony venice open Gate with Canon K35 glass? Just my guess… not sure but got pretty similar results recently with these combination. Can be Alexa LF/miniLF as well depending on Colorgrading. But Glas looks pretty much like K35 on FullFrame.
  12. To feel the "spirit" of filmstock without feeling the perf and get some white cotton fuzzles in the mag right away?
  13. I used the MiniLF on most ADVERT/TVC jobs recently and pretty sucessfully. No trouble so far. You shouldn´t be more afraid as with a classic alexa mini. She likes to have a bit more batteries. Have fun!
  14. I think what you mean is more about lighting than grading. When I work for American & some Chinese Clients, they tend to be more afraid of darkness and mood. But every Client is a bit different. But it is true that some of these Clients ask for more "fill" on Set. And of course the same Guys will ask to get even more pop in the Grading as well. Well and Americans tend to be a little less reserved in their advertising and like it more loud?
  15. i use this combi below since years: 1. Get Lumenair or any other iphone/Android DMX app. 2. Get a wifi DMX Dongle, HMB Tech works pretty well with iphones and Lumenair… https://hmbtec.de/produkt/cc512-v4-〈-isky-〉wifi-→-dmx-dongle 3. get any DMX Dimmer where you can plug in the Dongle. (German webshop example) https://www.thomann.de/de/eurolite_edx_4r_dmx_rdm_dimmerpack.htm?glp=1&gclid=EAIaIQobChMIoJb4u6SU5gIVleR3Ch2ZgA94EAQYAiABEgI3q_D_BwE is around 300$ all in. I use it a lot for Practicals as well as all DMX controllable Stuff like LEDs / Skypanels / Litetile… and so on… 🙂 to be honest, I can not imagine a light that the industry isn´t currently developing… the film/foto/stage light marked is exploding these days. but a modern carbon-arc would be great…
  16. since my 758 was stolen i´m using the 858 ... and yes, it's annoying, especially when shooting in harsh conditions. The touch screen is really bothering... I hope sekonic finds a way back to a more traditional button setup on their next update… also the c700/c800 is bothering… huge delay on the touchscreen and many software crashes. So sekonic if you google yourself and read this ... please please please as in my mails already mentioned ... the 758 was almost the perfect light meter. Bring it back to market.
  17. This „HDR“ thing brings a lot of confusion... but actually, these are more topics for postproductions and Monitoring on set than for the creative side of filmmaking. All modern digital cameras support HDR from scratch by recording log which support almost every digital camera now, as well as film scans. With the knowledge of the wide latitude of modern digitals & film scans in our head we expose for HDR already anyway since some years.
  18. Hmm the MK1 have 6 blade hexagon iris. Only meter or feet scale, different Front Diameters and arri-B mount (Possibly adapted to PL & upgraded with 0.8 Focus Gear) I own a set & love them. Mk 2-3 have Triangular Iris, 80mm Front Diameter. MK2 still got Arri B Mount and 0.8Focus Gear MK3 have PL Mount and 0.8 Gear on Focus & Iris.
  • Create New...