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Showing results for tags '35mm'.
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For sale is a 17ep crystal sync motor for a Konvas. It was serviced about a year ago. Asking 450 USD. Link to ebay
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Hey all, Fully aware of how long a shot this might be as I know people hold onto their movements like gold but... Just wondered if anyone might have a lead on a 3-perf movement (or 2 for that matter) for sale as a standalone? Any places or people that might steer me in the right direction are welcomed also but I have exhausted a number of channels already. Many thanks! J
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Filmmakers! I am clearing out some gear I used this spring/early summer on project that has wrapped. Up for grabs is an ARRIFLEX IIC with a BNCR mount and a video tap from Precision Camera that easily screws onto any ARRIFLEX style viewfinder. (works with 16mm and 35mm) I am also offering a spare door, a vintage Arriflex shoulder mount, 600ft of film ( recans ) 3 spare gates ( 1:66 / 1:37 / and 1:85 ) on top of the gate installed in the camera. I will be offering TWO motors for the camera both of which are constant speed motors. I will offering up TWO 400ft magazines. I will also include some power cords and a CINE 60 belt. I can provide pictures and can schedule a video conference if your inclined. I also have other spare gates for ARRIFLEX IIC cameras such as 1:37 / 1:85 / 1:66 I am will be listing various film gear as I purge. If your interested please PM #shootfilm p.s I can ship worldwide
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Hey everyone, I apologize if this topic has already been exhausted in previous threads. I'm looking for examples of pull processing for an upcoming project. A few came to mind but I want to continue building a reference library as I prep. If you know of any films/examples please let me know! B
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I'm looking for a NTSC video assist for an arri 3. I believe I have an original arri tap door, I've added a photo of it - maybe someone can fill me in on the different styles of taps and "mounts" for the cameras. -J
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Selling a like-new Precision Speed Control 2 that is currently selling for $3000 on CE's website. This one has the LED display and the 3-perf option. Link here: https://cinemaelec.com/products/precision_speed_control_2/ This connects to your film camera and gives you control of your frame rates for over and under cranking, flicker reduction, TV scan line issues etc.. The display also serves as a digital tachometer and footage/meter counter. Works on Panavision, Aaton, Arri, Moviecam and more. Comes with a cable but you may need a different connector for your specific camera. Only uses the one cable, no other power cable is needed. $350 and will ship for free to the lower 48 or you can pick up near North Hollywood. Camera Compatibility Aaton 7 LTR, 54 LTR, LTR-X, XC, XTR, XTR+, XTR Prod, XO+, X Prod, 35MM (Type 1, 2, 3) Arriflex 16SR (1, 2, 3), 16SRHS (1, 2, 3), 35BL (1, 2, 3, 4, 4S), 35-3, 35-2A*, 35-2B*, 35-2C*, 35-3C*, 435, 535, 535B Panavision 16MM, Gold 1,2, Millennium, Panaflex, X, Platinum, Panastar 1,2, PSR Moviecam Compact*** Mitchell Fries** Showscan Showscan Beaumonte Vistavision llm Vistaflex Msm Vistavision Wilcam Vistavision * With Cinematography Electronics 2C CRYSTAL MOTOR BASE ** With Cinematography Electronics FRIES/ARRI MODIFICATION *** With Cinematography Electronics COMPACT PRECISION SPEED PLUS -
Hello, I'm slightly confused about the door on my Arri 3. It has a spot for a video tap but I don't know what CCD cameras will fit it. It sort of looks like a bayonet style. I've found some online but I have no way of knowing if they'll mount. Anyone know where I could get one?
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Dear DPs, If you see this young generation of filmmakers (Quentin Tarantino, Christopher Nolan, J.J Abrams), they keep shooting their movies in film like Martin Scorsese, Steven Spielberg, … Does it mean that today, we can't get the feeling, the grain, and the warmth of film in digital ? The response is maybe in the question, right ? But I would like to know if there is a DP who tried to get this feeling of film (35mm (ex: Eastman 100T 5247),70mm (ex: 65 mm Eastman 50T 5250) in digital, especially with the Red Weapon 8K S35 ? And of course with the appropriate lens. Thanks Jean-Marc -
Looking for a complete ARRI 416 Package. Based in Los Angeles. I also have a ARRICAM LT with 3 x 400ft mags and 2 x 1000ft mags I might be willing to either sell or make a trade (depending on items included) Message me if anyone has any leads Thank you Matthew Chuang www.matthewchuang.com
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Up for sale is my personal set of Zeiss/Opton Super-speed lenses. Ready to shoot. There are Five (5) Zeiss/Opton Super-speed, super 35mm full frame lenses. They are MkI/MkII glass. All PL mounts. All in near outstanding shape. With 80mm fronts, and follow focus. Recently thoroughly serviced in New York, and available for a check out. They are as follows; 25mm - T1.2 - 11, 35mm - T1.2 - 11, 50mm - T1.3 - 11, 85mm - T1.4 - 11, 135mm - T2.0 - 16 Plus 18mm Lomo wide T1.5 - 22 The last one is a Lomo lens, of very high standard glass. It was bought and added to the Zeiss/Opton set, because the glass was comparable. (The only drawback to this set is that the 18mm Lomo has a 110mm front as opposed to the 80mm fronts of the Zeiss/Opton. Thus an additional matte box.) This make it a six lens set. Front & rear caps and carry case included. $29,500.00 US$ woftam@erols.com email for service report, greater details, and more photos.
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Hello colleagues, I'm shooting my first film on 35mm in the of next month and I've been in contact with a lab in Stockholm about the developing and scanning. The quote they sent me, however, has left me a little puzzled - and instead of potentially making a fool out of myself with them I'll take my chances with you guys (ha). They want to charge me for 2 scans - 1k AND 2k. The lines in the quote are the following: Scan 1K onelight 35mm 4perf Scan 2k EDL to dpx Is it really necessary to have a total of two scans? Since skipping the 1K could potentially save us a substantial amount of money I'd just want to make sure. This particular lab is the only place left in Scandinavia for developing 35mm, so I doubt they're trying to rip me off. Thankful for any answers! Best, Kaspar
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For sale is 1200ft (3x 400ft cans) of 35mm Kodak Vision3 500T 5219. Freezer stored, sealed cans, packaging intact. $400 for all. Terrible iphone photo included.
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$900 Or Best Offer. Very rare item, in very good condition. These were only made circa 1982 for the Arri 3C, but are compatible with the 2C as well. 24 or 25 fps crystal switchable. Or, switch to variable mode (non-crystal) for other speeds. I was told the small 4-pin port is for connecting a speed controller for getting crystal sync at other speeds. Powers from 12V 4-pin XLR connector. Can run forwards or reverse - it has a switch for that. It needs a phenolic gear to connect to the drive gear at the bottom of the camera, but that's included with this motor. The motor has captive screws to attach to your 2C or 3C. No power cable included. This item is currently in Los Angeles with a friend. Thanks, Rich
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$750 Or Best Offer. If you own an Arri 3C and want to shoot anamorphic, this is something you'll want. You can shoot spherical, or flip a switch and the optics will desqueeze the anamorphic image so you don't have to frame up your image with everyone looking skinny. A very rare door, unique to the 3C, so certainly nice to have if you ever want to shoot anamorphic on this camera. Thanks, Rich
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Hi there, Looking to see if anyone out there is selling a 3-Perf 35mm package, not too particular about it being MOS or Sync but am just curious if anyone has anything they're looking to sell. Thanks! J
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Kinor 35H (9KCH-M2) - Russian Professional 35mm Movie Camera Set Most of you probably know the story of the Kinor. This unit is in perfect working order. It has been well maintained and upgraded. The upgrades electric rewiring to work with standard XLR plugs, rewiring of the interior electronics, adding a video tap, adding a BNCR mount. The camera has been and is regularly serviced by a qualified technician. The buyer will receive a fully working, colimated kit that will be serviced by the technician prior to the sale. The camera has worked on quite a few gigs recently, but as we own another 35mm kit, the time has come to sell as we can't justify two kits. So this isn't your typical Russian "I don't know if it works kit", but a much loved and well maintained unit. PM me with any questions. Here is a link to the ebay auction: http://www.ebay.com/itm/Kinor-35H-35mm-Movie-Camera-/182497662948?hash=item2a7db557e4:g:pygAAOSw2gxY0QPB During the '84 Los Angeles Olympics the Soviets were boycotting the games, but they sent camera crews. Moviecam Super America cameras were being used there by American crews. It was the first time those cameras had ever been seen by the public. Right in the middle of the games one of them vanished. They were $200,000 cameras. The missing camera was never found. A couple of years later the Soviets introduced the Kinor 35H, which certainly seemed to be inspired by the Moviecam. Though they never admitted to the theft, most people suspect that the Soviet crew stole the Super America and reverse-engineered it. This particular unit was bought from Cannon Films and the word is that it was used on various movies produced by them in the Menahem Golan and Yoram Globus era, including Delta Force 2: The Colombian Connection, Ninja Trilogy and Cyborg amongst others. The camera comes fully kitted and modified to modern standards. It has two lens mounts - BNCR & OCT-19, is manufactured of sync sound (-32db), comes with a B&W CCD video assist has updated power inputs for XLR use and updated reg pins for use with Kodak Negative. It is fully working, tested, and in excellent condition. The camera has been well maintained and serviced throughout the years. It comes with everything that you may need for setting up for hand held and studio work. The set includes an Anton Bauer charger and one XLR battery. Everything in the photos is included. The camera comes in 5 original metal cases. The camera is a great model to adapt to two perf for shooting Techniscope 2.35 with spherical lenses. SPECIFICATIONS LENS MOUNT: BNCR & OCT-19 SHUTTER: Rotating Mirror - 180 degrees FRAME RATES: 8-32 fps in .1 fps increments w/speed control; crystal 24 & 25fps MOVEMENT: Single pulldown claw and single registration pin FORMAT: 35mm; 1.66, 1.33 ground glasses; modified 1.78 SOUND LEVEL: 24-32db depending on speed WEIGHT: Hand-held: 28lbs w/500ft. magazine and prime lens MAGAZINES: 2 x 500' (150m) and 2 x 1000' (300m) w/built-in torque takeup motor system MAGAZINE MOUNTING: Rear of camera; lowered/raised positions, depending on mode Camera comes with a magazine wedge MAG DRIVE: All electronic via multipin interface FINDER: Short for handheld - fully orientable; projection from camera side is adjustable Long for tripod mount fully orientable; projection from camera side is adjustable FOLLOW FOCUS: Single knob on camera for handheld Double knob on base plate rods for tripod mount BASE PLATE + RODS: Fully sliding dovetail; quick release SIDE RODS: On camera mounting; swing away MATTEBOX: The matte box is the only piece on the camera that could be considered dated. However it does serve it’s purpose and comes with sunshades for lenses from 28 to 100. It is a swing-away model with filter trays accommodating 4x4” and 4x5.65" filters HAND HELD: Handle with remote control cable POWER: 14-21 volts dc Anton Bauer charger with battery CASE: 5 original metal cases
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Greetings I am doing some Spring cleaning/clearing and I am parting ways with My Konvaii. (Plural for multiple Konvas cameras?) Anyway, here is is what I have left of my gear: Konvas 2M 35mm camera body - UBER NICE / CLEAN - 1993 - 1:37 gate - viewfinder: GOOD Konvas 2M 35mm camera body - UBER NICE / CLEAN - 1993 - 1:37 gate - viewfinder: GOOD 17AK-EP CRYSAL SYNC MOTOR #1 - GOOD 17AK-EP CRYSAL SYNC MOTOR #2 - METAL CHIPPED - SEE PHOTO # SPARE FUSES FOR SYNC MOTORS Sound barney for Konvas 2M CAMERA BODY, 200FT/60M MAGAZINE, 400FT/120M MAGAZINE and 17AK-EP CRYSAL SYNC MOTOR NON SYNC MOTOR FRENCH FLAG #1 FRENCH FLAG #2 KOMPEDIUM MATTE BOX #1 KOMEPDIUM MATTE BOX #2 UP DOWN CONVERTER BATTERY 3 PIN XLR - NEEDS RE-CELLING - ANAMORPHIC GATE MEDIUM FORMAT LENS ADAPTER M42 LENS ADAPTER CHANGING BAG 600FT OF RE CAN FILM - KEPT IN MY FILM FRIDGE DIRECTOR'S VIEWFINDER 4X 400FT MAGAZINES - 2: MINT 2: USED 60FT MAG - GOOD 2X SCREW ON HANDLE FOR STEADY HAND HELD WORK. $1200 shipping will be in 3 large boxes http://www.ebay.com/itm/282393879383?ssPageName=STRK:MESELX:IT&_trksid=p3984.m1555.l2649 http://www.ebay.com/itm/282396634065?ssPageName=STRK:MESELX:IT&_trksid=p3984.m1555.l2649
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$1,000 Or Best Offer. This item is currently located with a friend in North Hollywood, CA. I'm based in Brooklyn, NY. For sale is this very rare Arri 3C Crystal Pistolgrip Motor. It's in very good condition for it's age. These were only made circa 1982 for the Arri 3C, but are compatible with the 2C as well. 24 or 25 fps crystal switchable. Or, switch to variable mode (non-crystal) for other speeds. I was told the 4-pin port is for connecting a speed controller for getting crystal sync at other speeds. Runs forwards or reverse (via switch). Powers from 12V 4-pin XLR connector. No power cable included. The motor has captive screws for attaching to your 2C or 3C. Needed phenolic gear is also included. Photos: https://flic.kr/s/aHskUsmaU7 Thanks, Rich
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Does anyone know what has happened to orwona.com? All of the b&w cinematography films on the website are 'currently unavailable' and 'please check back again at a later stage.' It's been like this since the beginning of the year. It's been a very nice resource being able to order stocks from their website and I hope this isn't the beginning of the end?
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I'm a student who is about to shoot a 5min 35mm short. The final look we are going for is one with very minimal grain and no noise. This 5207 test video shot by Kodak is a good example of what we are looking for. https://www.youtube.com/watch?v=qCxr7YeD0C4 The key thing here is minimal grain and noise. I've been looking into various post houses and the equipment they have and came up with this list: Fotokem - Spirit Metro Post - Director Gamma Ray Digital - ScanStation Cinelab - Xena Nolo Digital - Arriscan FilmVideoSolutions - Spirit I'm not too sure where to go from here. Whats the typical workflow in order to achieve a noise free and (almost) grain free result? Will data scanning instead of telecine help? Is there any post house that is recommended for this sort of thing? And do any of these post houses offer grain management/reduction that can help us achieve the look of that kodak test video? The scans I've seen from Fotokem seem quite nice in terms of grain and noise but I haven't seen too many examples from others. https://vimeo.com/174719862 I plan on overexposing by at least a stop to tighten grain but is there any 3rd party software that can help with grain and noise management/reduction after scanning? Any help is appreciated!
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$500, Or Best Offer. A set of two very rare 400' Fromm Shoulder Mags. For Arri 35mm 2C or 3C. Previously owned by Ron Dexter (see pics). I didn't buy them from Ron, but from an Operator in Los Angeles in 2009 as part of a 3C kit which has just sold. Tested/checked out by a technician when I bought them but have not been used. Comes with two spare drive belts and one shoulder bracket that attaches under the mag. NO CASE included. Will not sell one, only selling as a set of two. These are currently in Secaucus, NJ. May be able to meet a buyer with them in Brooklyn or Manhattan to exchange for cash if you don't want to go to Jersey.
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Changing it all, so nothing change - Arri Alexa SXT. I know the title may sound a little dramatic, but I’m convinced that this was the philosophy behind the big change ARRI is going to make. Of course there were improvements to make, but there was also the big satisfaction of the film community with the previous models, so the challenge was to make happen important upgrades without changing the essence of the camera itself.
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Changing it all, so nothing change - Arri Alexa SXT. I know the title may sound a little dramatic, but I’m convinced that this was the philosophy behind the big change ARRI is going to make. Of course there were improvements to make, but there was also the big satisfaction of the film community with the previous models, so the challenge was to make happen important upgrades without changing the essence of the camera itself...
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Hi. Looking for K35 single lenses and K35 zooms. Let me know if you have any for sale. Thanks so much!
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Aaton 35-III 4-Perf Camera Package w/ 5x 400' Magazines Just Serviced. All components in good working order. This is a 12v Camera so it is possible to power with modern Li-Ion batteries. (i.e D-tap To XLR) Package Includes: Aaton 35-III Camera Body PL Mount 4-Perf Movement 1.33/1.78 Ground Glass Swing-over Finder Carry Handle w/ 2 Tools Heated Eye-cup Extension Finder Top Balance Plate Sony XC77 CCD Video Tap 2x Eyepiece Heater Cables 5x 400' Magazines Flight Case For Camera Body Flight Case For 2x 400' Magazines Flight Case For 3x 400' Magazines $3,495
