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Email sales@broadcastsolutions.com for pricing and details.Prime lensesArri Master primes - 18, 21, 25, 32, 40, 50, 75 and 100 - metric scalesCooke S4 classic (not i) 14, 18, 21, 25, 32, 40, 50, 75, 100 and 135mm - metric and imperialArri Ultra Prime 10, 14, 16, 2x20, 24, 28, 32, 40, 50, 65, 85, 100 and 135mm - metricCooke Speed Panchro TLS 18, 25, 32, 50, 75mm - metricCooke Speed Panchro TLS 18,25,32,40,50,75mm - Imperial or metricTokina Vista 18, 25, 35, 50 and 85mmZeiss B-Speed (MkI, Opton version) 18, 25, 35, 50 and 85mmZeiss Super Speed MKIII uncoated 18,25,35,50,85 and 135(T2)Zeiss Stealth HS (Gecko Cam) 18,25,35,50,85Zoom LensesArri Alura 15.5-45Arri Alura 30-80mmAngenieux Optimo 56-152mm AnamoprhicRed Pro Zoom 18-85mmAngenieux Optimo 24-290mm S35Fujinon Cabrio 19-90mmCanon K35 25-120Cooke 20-100 T3.1Specility LensesP+S Technik T-RexOptex Borescope (old version)Canon FD 200mm T1.8 PL Canon FD 300mm T2.8 PL Canon FD 800 5.6 PL

Selling my Red Komodo with 7 hours used. The camera is bought in Europe more precisely in CVP and that is why it is sold in euros. Location is Tirana, Albania. Thanks RED KOMODO 6K BODY ANGELBIRD AV PRO CFAST 2.0 MEMORY CARD - 1TB CORESWX KOMODO V-MT BATTERY PLATE RED KOMODO OUTRIGGER HANDLE TILTA TA-RF-PL CANON RF/PL ADAPTER SMALLRIG 2756 MINI TOP HANDLE SANDISK EXTREME PRO CFAST CARD READER Canon BP-975 3x Lithium battery 10050 mAh V-mount V-mount Charger Total Price €12.000 Extra DJI RONIN-S GIMBAL NEW OPEN BOX €766.90 See less

Library Look license included. Price : $39,000 US Below is the list of items included. K1.0003873 Alexa mini body Hours : 3886 K2.0003216 Titanium PL LDS Mount K2.0005861 Viewfinder K2.0008135 View finder cable (2Pcs) K2.0007091 Bebob V-Mount Battery Adapter for ALEXA Mini K2.0006960 Transvideo Starlite hd5 Mon/Rec KK.0005677 UBS-3 Handgrip Set K2.0031436 Bridge Plate BP-8 K2.0006334 2x Lightweight adapter plate for ALEXA Mini (MAP-1) K2.0006347 2x Adapter plate with rod support for ALEXA Mini (MAP-2) K2.0006348 2x Side bracket for ALEXA Mini (MSB-1) K2.0006352 1x Bridge plate adapter for ALEXA Mini (BPA-4) K2.0006186 2x Rod mounting bracket (RMB-3) K2.66255.0 2x 15 mm Reduction Insert K2.0006140 1x Viewfinder mounting bracket for ALEXA Mini (MVB-1) K2.73002.0 2x Center Camera Handle, CCH-2 K2.66252.0 1x Support Rods 340 mm (13.4 inch), Ø 15 mm K2.0006495 3x CFast 2.0 Card 256 GB K2.75007.0 1x Power Cable Straight (2m, 6.6 feet) KC-50 K2.72021.0 1x ALEXA Ethernet/RJ-45 Cable (3.00m/9.8ft) KC 153-S K2.0006170 1x EXT-RS Adapter K2.0006471 1x Battery Adapter Plate BAP-1 K2.0006990 2x Battery Adapter Plate BAP-2 K2.0006807 1x Shoulder Pad CSP-1 K2.0008408 1x Low bracket for CSP-1 K2.0001242 1x CFast 2.0 Card Reader (USB-3) Pelican 1620 Case

Hey there! Would anyone know how well street lights work on camera? Concerned about flickering on camera. Maybe it differs, but is there a commonly known Hz? Any advice would be appreciated! Thanks! -Sean

For Sale : ARRI UWZ 9.5-18mm T2.9 Ultra Wide Zoom PL, FT $36,000.00 US Excellent Condition Includes: Lens Support Foot, Support Post, Zoom Stick, Zoom Stick Bracket, 134mm Front Lens Cap, 156mm Lens Cap, Lens Hood, 156mm Lens Hood, Jason Case

For Sale: NEW LISTINGS: Stereo Matched For 3D Work 16-42 & 30-80 LensesAngenieux Optimo DP 16-42 Zoom Lens Qty.-2 $8K EachAngenieux Optimo DP 30-80 Zoom Lens Qty.-2 $8K EachSigma Cine Lens Set Includes: 14/20/24/35/50/85/135mm Like New ConditionArri/Zeiss Master Prime 100mm New Condition $25KArri/Zeiss MasterPrime 27mm $18K Arri Ultra Primes Lens Set Includes: 16/24/32/50/75/100mm $44K Arri/Fuji Alura 18-80 Zoom Lens $14KCINEMA LENSES:Kowa Anamorphic Set Rehoused P&S Technik Includes: 40/50/75/100mm $79KKowa Prominar TLS Set Includes: 20/25/32/40/50/75/100mmCooke Anamorphic Set Includes: 25/32/40/50/75/100mm Cooke Anamorphic Set Includes: 32/50/75/100mm $108KCooke Anamorphic 65mm Lens Lomo 40-120 Front Element Anamorphic Zoom T3Cooke Speed Panchro TLS Rehoused Set Includes: 18/25/32/40/50/75/100mm $68KCooke Speed Panchro Set P&S Rehoused Includes: 18/25/32/40/50/75/100mm $44K Cooke 25-250 Varotal MKIII T3.5 Zoom LensArri Signature Primes Lens Set Includes: 21/29/40/58/75/125mm Arri /Zeiss Master Prime Lens Set Includes: 18/21/25/32/35/40/50/65/75/100/150mm Arri/Zeiss Master Prime Lens Set Includes: 18/25/32/40/50/75/100mm $145K Arri/Zeiss Master Prime Lens Set Includes: 18/25/35/50/75mm $82KArri/Zeiss Master Prime Macro 100mm $26K Arri/Zeiss Master Prime 100mm New Condition $25K Arri/Zeiss MasterPrime 27mm $18KArri/Zeiss Master Anamorphic 28mm Flare Set NEW Arri Ultra Prime Lens Set Includes: 10/14/16/24/35/40/50/65/85/100/135/180mm Ft. $125K Arri Ultra Primes Lens Set Includes: 16/24/32/50/75/100mm $44KArri/Fujinon Alura Zoom Lens 15.5-45mm Ft. $16KArri/Fujinon Alura 30-80mm Zoom Lens Arri /Fujinon Alura 18-80mm Zoom Lens $14K Arri/Fujinon Alura 45-250mm Zoom LensLeica Thalia Set: 30/35/45/70/100/180mm Leica Summilux-C Set Includes: 16/18/21/25/29/35/40/50/65/75/100/135mmLeica Summilux-C Set Includes: 18/21/25/29/35/40/50/65/75/100mm T1.4 Leica Summicron-C Set Includes: 18/21/25/29/35/50/75/100/135mm $80K Angenieux Optimo Zoom 24-290 Zoom LensAngenieux Optimo Style 25-250mm PL Mount $28KAngenieux Optimo Zoom 28-340mm Lens $52K Angenieux Optimo Anamorphic 56-152mm Zoom Lens $40KAngenieux Optimo 19.5-94mm Zoom Lens $42KAngenieux Optimo 28-76mm Zoom Lens $21KAngenieux Optimo 17-80mm Zoom LensAngenieux Optimo DP 16-42 Zoom Lens Qty.-2 For 3D Work $8K EachAngenieux Optimo DP 30-80 Zoom Lens Qty.-2 For 3D Work $8K Each Sigma Cine Lens Set Includes: 14/20/24/35/50/85/135mm Like New ConditionCanon Cine Prime Lens Set Includes: 14/24/35/50/85/135mm EF MountCanon CN-E 30-300 T2.95 Zoom Lens EF Mount $21KZeiss Variable Primes 3 Lens Set Includes VP1,VP2,VP3 PL Mount Zeiss MK3 SS Set Includes: 18/25/35/50/85mm (35 is MKII) $68K Zeiss MK3 SS Set Includes: 18/25/35/50/85mmZeiss CP2 Lens Set Includes: 15/18/21/25/28/35/50/85/100/135mm $26K Zeiss CP2 Lens Set Includes: 15/18/21/25/28/35/50/85mm EF & PL $21KZeiss CP2 Lens Set Includes:15,21,28,35,50,85,135mm PL & EF Mounts,Shims & Cases $16,500 Zeiss CP2 Lens Set Includes: 21/35/50/85mm EF & PL Mounts $10,500Zeiss Standard T2.1 135 & 180mm $6,500 EachFujinon 24-180mm T2.6 Premier PL MountFujinon HK18-85mm T2.0 Premier $47K Fujinon Cabrio 25-300mm Includes: Duclos Handle,Rods,Case $34,500 Fujinon Cabrio 85-300mm Zoom Lens Fujinon Cabrio 19-90mm Zoom Lens Fujinon Cabrio 14-35mm Like New Condition CAMERAS:Arri Alexa LF Camera Package Arri Alexa Mini License Included: Look Library, Hours- 3900 $40K Arri Amira Premium 4K Camera Package Hours- 1550 Arri Alexa SXT Plus Camera PackageArri Alexa XT Studio Camera Package $22KArri Alexa XT & XT Plus Camera PackagesArri Alexa Plus Extreme Bundle Camera Package $20KSony Venice Camera Package 29 Hours Warranty Until March 2021 $67KRed Monstro VV 8K Brain Camera Package $38KRed Helium 8K Camera Packages Phantom Flex 4K 126GB Package $106KPhantom Flex 4K 64GB Package $80KPhantom Miro 320S Camera Package $17KPanasonic Varicam 35 PackageCanon EOS C700 FF Camera Package Blackmagic URSA Mini 4.6K Pro Packages $5,900Sony FS700 w/Odyssey 7Q+ RAW Bundle Includes: Lenses Email For DetailsSony FS7 MKII Camera Package Fuji GFX 100 Mirrorless Camera NEWPanasonic AU-EVA-1 Camera Package16mm/35mm FILM CAMERAS: Arriflex SR-II P&S TECHNIK Evolution 200FPS Variable Shutter $21KArriflex 235 3 Perf Kit Email For Complete List Of Items Included $22K Arriflex 435 Xtreme KitArriflex 435ES 4 Perf Kit Arriflex 535B 4 Perf Kit Arriflex BL4 Camera PackageMoviecam Compact MK2 3 & 4 Perf Kit $21KMoviecam SL 4 Perf Super 35 Camera Package $12,500Kinor 35H Has Upgraded Electronics Package & Video Tap $5KS16/16mm FILM LENSES:Zeiss S16 SS MKIII Lens Set Includes: 9.5/12/16/25/50mm $15KZeiss Ultra 16 Lenses 8mm/9.5mm/12mm $16K Zeiss S16 High Speed 9.5 T1.3 MKII $9KZeiss S16 Vario 11-110mm T2.2 Zoom Lens $4,500Zeiss 10-100 T2 MKII 16mm B Mount $3,800Cooke SK4 S16 Lenses 6mm & 12mm $11K Canon 7-63mm S16 T2.6 Zoom Lens $5,500 Canon 11-165mm S16 Zoom Lens Optex 5.5mm S16 Lens $5K MONITOR Sony BVM-HX310 31-Inch 4K TRIMASTER HX Professional Master Monitor $25K TV Logic LVM-171A 17" Full HA IPS Field Monitor w/ Case & Stand SERVER Haivision Server Media Platform Workgroup -5 Model # S-HMP-WG5-1MISCELLANEOUS / AKS Kino Flo Freestyle 21 LED DMX Interview Kit NEW IN BOX Freefly Movi Pro System Many Extras $15,500 Teredek Bolt 300 Pro Wireless Transmitter/Receiver Set w/Case DJI Focus Handset Kit w/Case Arri FF5 Follow Focus Cine Set Pro System (Email For Details) Arri SMB-2 Tilt Matte Box System w/ Case (Email For Details) NEW Matthews 35" Slider With CaseSachtler Video 20 Tripod System Sachtler Video 18 Tripod System O'Connor Ultimate 2560 Tripod System: HD Tall & HD Baby Legs,Floor Spreader,Cases O'Connor 2065 Tripod System Includes: HD Ronford Baker & 60L Legs, Mid Spreader Mitchell & 150mm Bowl Adapter, HD Case O'Connor 55L CF 2 Stage HD Tripod Legs,Mitchell Base, Floor Spreader Vinten Quartz Stage 1 Pedestal Vinten Quartz Stage 2 PedestalStudio Network Solutions 8 Bay EVO W/ 48TB Raw Storage Email For DetailsService Vision Scorpio 12 Ft. Motorized Arm w/2 & 6 ft. Sections Support Kit- Tangerine 4x5 Matt Box,Tilta Follow Focus,Filter Kit & Case Qty.-500 50GB Unused XD CAM Disks For F800Looking For : (Preowned) To PurchaseLomo Anamorphic Roundfront 50mm & 75mm Cooke SF 50mm Zeiss Master Prime 100mm Cooke S5i Lens Set Innovision Probe HD Or Probe II CineMagic Revolution Lens Arri Ultra S16 Primes 18/25/35/50mm Arri/Zeiss Master Prime 65/100/150mm Phantom Flex 2K 16 & 32GB ARRI SRH-360 / SRH-3 Stabilized Remote Head Red 5" Touch LCD Monitors Need qty.-5

For Sale : Arri Alura 18-80mm T2.6. Includes flight case $14K Please contact sales@broadcastsolutions.com.

Hi I’m looking to purchase a bolex h16 reflex camera or any other reflex 16mm cameras like beaulieu r16 canon scooping, arr16, arr2bc, etc my price range is the highest $600

Hello everyone, I was hoping to get some advice on how to remove the front of my SR2 and gain access to the lens shown in the photo here to hopefully remove it. I am trying to gain access to the screws that you can see here and I assume that I need to remove the front panel of the camera to do so. If anyone has any exploded views of the camera or any advice it would be a great help! Thanks so much for your time!

Hey guys, I recently purchased an Arri SR2 Highspeed and have some questions regarding a connector I found on my camera that is not on the manual nor in any other SR2 I've ever used. The cover on it says F9 and it has 7 pins on top and 7 holes on the bottom half of it. Any ideas on what this is? Cheers! Manuel

If anyone has one they can sell please email pricing and details to sales@broadcastsolutions.com.

For Sale : Arri Alura 18-80 T2.6 Zoom Lens (Feet) $14,900.00 US. Flight Case Included.

For Sale: NEW LISTINGS:CALDWELL CHAMELEON 1.79x ANAMORPHIC LENS SET S35+ SERIES INCLUDES: 32,50,75,100mm & CONVERSION KIT FOR FULL FRAME SERIESMARK ROBERTS MOTION CONTROLMRMC BOLT HIGH SPEED CAMERA ROBOT On Pedestal (Track Not Included) Under WarrantyCINEMA LENSES:Kowa Anamorphic Set Rehoused P&S Technik Includes: 40/50/75/100mm $79KKowa Prominar TLS Set Includes: 20/25/32/40/50/75/100mmCooke Anamorphic Set Includes: 32/50/65macro/75/100mm SF Metric $140KCanon K35/FD TLS 14/24/35/55/85/135mmCooke Anamorphic Set Includes: 25/32/40/50/75/100mm Cooke Anamorphic Set Includes: 32/50/75/100mm $108KCooke Anamorphic 65mm LensCooke S4/S4i Set Includes: S4 16,25,40,50mm S4/i 32mm (Singles) Cooke Speed Panchro TLS Rehoused Set Includes: 18/25/32/40/50/75/100mm $68KCooke Speed Panchro Set P&S Rehoused Includes: 18/25/32/40/50/75/100mm $43K Cooke 25-250 Varotal MKIII T3.5 Zoom LensArri Signature Primes Lens Set Includes: 21/29/40/58/75/125mmArri Master Prime Lens Set Includes: 18/21/25/32/35/40/50/65/75/100/150mm $270K Arri Master Prime Lens Set Includes: 18/25/32/40/50/75/100mm $145K Arri Master Prime Lens Set Includes: 18/25/35/50/75mm $87KArri Master Prime Macro 100mm $26KArri Ultra Prime Lens Set Includes: 10/14/16/24/35/40/50/65/85/100/135/180mm Ft. $125K Arri Ultra Prime Lens Set Includes: 16/24/32/50/85mm Ft. Extra Metric Focus Barrels $44KArri/Fujinon Alura Zoom Lens 15.5-45mm Ft. $16KArri /Fujinon Alura 30-80mm Zoom Lens Arri /Fujinon Alura 18-80mm Zoom Lens Arri/Fujinon Alura 45-250mm Zoom LensLeica Thalia Set: 30/35/45/70/100/180mm Leica Summilux-C Set Includes: 16/18/21/25/29/35/40/50/65/75/100/135mmLeica Summilux-C Set Includes: 18/21/25/29/35/40/50/65/75/100mm T1.4 Leica Summicron-C Set Includes: 18/21/25/29/35/50/75/100/135mm $80K Angenieux Optimo Zoom 24-290 Zoom LensAngenieux Optimo Style 25-250mm PL Mount $28KAngenieux Optimo Zoom 28-340mm Lens $52K Angenieux Optimo Anamorphic 56-152mm Zoom Lens $40KAngenieux Optimo 19.5-94mm Zoom Lens $42KAngenieux Optimo 28-76mm Zoom Lens $21KAngenieux Optimo 17-80mm Zoom LensAngenieux Optimo DP 16-42 Zoom Lens $9,500Canon Cine Prime Lens Set Includes: 14/24/35/50/85/135mm EF MountCanon CN-E 30-300 T2.95 Zoom Lens EF Mount $21KZeiss Variable Primes 3 Lens Set Includes VP1,VP2,VP3 PL Mount Zeiss MK3 SS Set Includes: 18/25/35/50/85mm (35 is MKII) $68K Zeiss MK3 SS Set Includes: 18/25/35/50/85mmZeiss CP2 Lens Set Includes: 15/18/21/25/28/35/50/85/100/135mm $26K Zeiss CP2 Lens Set Includes: 15/18/21/25/28/35/50/85mm EF & PL $21KZeiss CP2 Lens Set Includes:15,21,28,35,50,85,135mm PL & EF Mounts,Shims & Cases $16,500Zeiss Standard 135 & 180mmFujinon 24-180mm T2.6 Premier PL MountFujinon HK18-85mm T2.0 Premier $47K Fujinon Cabrio 25-300mm Includes: Duclos Handle,Rods,Case $34,500 Fujinon Cabrio 85-300mm Zoom Lens Fujinon Cabrio 19-90mm Zoom Lens Fujinon Cabrio 14-35mm Like New Condition CAMERAS:Arri Alexa LF Camera Package Arri Alexa Mini License Included: Look Library, Hours- 3900 $42K Arri Amira Premium 4K Camera Package Hours- 1550 Arri Alexa SXT Plus Camera PackageArri Alexa XT Studio Camera Package $22KArri Alexa XT & XT Plus Camera PackagesArri Alexa Plus Extreme Bundle Camera Package $20KSony Venice Camera Package 29 Hours Warranty Until March 2021 $67KRed Monstro VV 8K Brain Camera Package $38KRed Helium 8K Camera Packages Phantom Flex 2K 32GB Package $25KPhantom Miro 320S Camera Package $17KPanasonic Varicam 35 PackageCanon EOS C700 FF Camera Package Blackmagic URSA Mini 4.6K Pro Packages $5,900Sony FS700 w/Odyssey 7Q+ RAW Bundle Includes: Lenses Email For DetailsSony FS7 MKII Camera Package Fuji GFX 100 Mirrorless Camera NEWPanasonic AU-EVA-1 Camera Package16mm/35mm FILM CAMERAS: Arriflex SR-II P&S TECHNIK Evolution 200FPS Variable Shutter $21K Arriflex 235 4 Perf Kit $15KArriflex 235 3 Perf Kit Email For Complete List Of Items Included $22K Arriflex 435 Xtreme KitArriflex 435ES 4 Perf Kit $5,500Arriflex 535B 4 Perf Kit $5KArriflex BL4 Camera PackageMoviecam Compact MK2 3 & 4 Perf Kit $21KMoviecam SL 4 Perf Super 35 Camera Package $10,500Kinor 35H Has Upgraded Electronics Package & Video Tap $5KS16/16mm FILM LENSES:Zeiss S16 SS MKIII Lens Set Includes: 9.5/12/16/25/50mm $15KZeiss Ultra 16 Lenses 8mm/9.5mm/12mm $18K Zeiss S16 High Speed 9.5 T1.3 MKII $9KZeiss S16 Vario 11-110mm T2.2 Zoom Lens $4,500Zeiss 10-100 T2 MKII 16mm B Mount $3,800Cooke SK4 S16 Lenses 6mm & 12mm $11K Canon 6.6-66mm S16 Lens $7,800.00 Canon 7-63mm S16 T2.6 Zoom Lens $5,500 Canon 11-165mm S16 Zoom Lens Optex 5.5mm S16 Lens $3,500 MONITOR Sony BVM-HX310 31-Inch 4K TRIMASTER HX Professional Master Monitor $25K TV Logic LVM-171A 17" Full HA IPS Field Monitor w/ Case & Stand SERVER Haivision Server Media Platform Workgroup -5 Model # S-HMP-WG5-1MISCELLANEOUS / AKS Kino Flo Freestyle 21 LED DMX Interview Kit NEW IN BOX Freefly Movi Pro System Many Extras $15,500 Teredek Bolt 300 Pro Wireless Transmitter/Receiver Set w/Case DJI Focus Handset Kit w/Case Arri FF5 Follow Focus Cine Set Pro System (Email For Details) Arri SMB-2 Tilt Matte Box System w/ Case (Email For Details) NEW Matthews 35" Slider With CaseSachtler Video 20 Tripod System Sachtler Video 18 Tripod System O'Connor Ultimate 2560 Tripod System: HD Tall & HD Baby Legs,Floor Spreader,Cases O'Connor 2065 Tripod System Includes: HD Ronford Baker & 60L Legs, Mid Spreader Mitchell & 150mm Bowl Adapter, HD Case O'Connor 55L CF 2 Stage HD Tripod Legs,Mitchell Base, Floor Spreader Vinten Quartz Stage 1 Pedestal Vinten Quartz Stage 2 PedestalStudio Network Solutions 8 Bay EVO W/ 48TB Raw Storage Email For DetailsService Vision Scorpio 12 Ft. Motorized Arm w/2 & 6 ft. Sections Support Kit- Tangerine 4x5 Matt Box,Tilta Follow Focus,Filter Kit & CaseLooking For : (Preowned) To PurchaseCooke S5i Lens SetInnovision Probe HD Or Probe IICineMagic Revolution LensArri Ultra S16 Primes 18/25/35/50mm Arri/Zeiss Master Prime 65/100/150mmArricam 416 Film Kits Arriflex 235 Body OnlyPhantom Flex 2K 16 & 32GBARRI SRH-360 / SRH-3 Stabilized Remote Head

I'm selling 2 Arri CLM-2 lens motors. Both are in used condition but perfectly functional. I'm asking €1000 excl. shipping. I'm located in Belgium.

Anyone have any suggestions regarding a reasonable 2nd hand light meter to use with the Arri SB 16mm camera? Anything I should be aware of? Not experienced with 16mm yet. Intend to shoot a short film soon and need a decent light meter. Thanks.

For Sale: NEW LISTINGS:MARK ROBERTS MOTION CONTROLMRMC BOLT HIGH SPEED CAMERA ROBOT On Pedestal (Track Not Included) Under Warranty PRICE REDUCED:Blackmagic URSA Mini 4.6K Pro Packages $5,900 Each. Buy 2 Or $5,500 EachCINEMA LENSES:Kowa Anamorphic Set Rehoused P&S Technik Includes: 40/50/75/100mm $79KKowa Prominar TLS Set Includes: 20/25/32/40/50/75/100mmCooke Anamorphic Set Includes: 32/50/65macro/75/100mm SF Metric $140KCanon K35/FD TLS 14/24/35/55/85/135mmCooke Anamorphic Set Includes: 25/32/40/50/75mm Cooke Anamorphic Set Includes: 32/50/75/100mm $108KCooke S4/S4i Set Includes: S4 16,25,40,50mm S4/i 32mm (Singles) Cooke Speed Panchro TLS Rehoused Set Includes: 18/25/32/40/50/75/100mm $68KCooke Speed Panchro Set P&S Rehoused Includes: 18/25/32/40/50/75/100mm $45K Cooke 25-250 Varotal MKIII T3.5 Zoom Lens Cooke 18-100mm Varotal T3 Zoom Lens Arri Signature Primes Lens Set Includes: 21/29/40/58/75/125mmArri Master Prime Lens Set Includes: 18/21/25/32/35/40/50/65/75/100/150mm $270K Arri Master Prime Lens Set Includes: 18/25/35/50/75mm $87KArri Master Prime Macro 100mm $26KArri Ultra Prime Lens Set Includes: 10/14/16/24/35/40/50/65/85/100/135/180mm Ft. $125K Arri Ultra Prime Lens Set Includes: 16/24/32/50/85mm Ft. Extra Metric Focus Barrels $44KArri/Fujinon Alura Zoom Lens 15.5-45mm Ft. $16KArri /Fujinon Alura 30-80mm Zoom Lens Arri /Fujinon Alura 18-80mm Zoom Lens Arri/Fujinon Alura 45-250mm Zoom LensAtlas Orion Anamorphic Lens Set Includes: 40/65/100mm $32KLeica Thalia Set: 30/35/45/70/100/180mm Leica Summilux-C Set Includes: 16/18/21/25/29/35/40/50/65/75/100/135mmLeica Summilux-C Set Includes: 18/21/25/29/35/40/50/65/75/100mm T1.4 Leica Summicron-C Set Includes: 18/21/25/29/35/50/75/100/135mm $80KAngenieux Optimo Style 25-250mm PL Mount $28KAngenieux Optimo Zoom 28-340mm Lens $52K Angenieux Optimo Anamorphic 56-152mm Zoom Lens $40KAngenieux Optimo 19.5-94mm Zoom Lens $42KAngenieux Optimo 28-76mm Zoom Lens $21KAngenieux Optimo 17-80mm Zoom LensAngenieux Optimo DP 16-42 Zoom Lens $9,500Canon CN-E Prime Lens Set Includes: 14/24/35/50/85/135mm Duclos PL Mt. $23KCanon Cine Prime Lens Set Includes: 14/24/35/50/85/135mm EF MountCanon CN-E 30-300 T2.95 Zoom Lens EF Mount $21KZeiss Variable Primes 3 Lens Set Includes VP1,VP2,VP3 PL Mount Zeiss MK3 SS Set Includes: 18/25/35/50/85mm (35 is MKII) $68K Zeiss MK3 SS Set Includes: 18/25/35/50/85mmZeiss MKI SS Lens Set Includes: 18/25/35/50/85mm T1.3 25mm Is Expanded Scale$42K Zeiss CP2 Lens Set Includes: 15/18/21/25/28/35/50/85/100/135mm $26K Zeiss CP2 Lens Set Includes: 15/18/21/25/28/35/50/85mm EF & PL $21KZeiss CP2 Lens Set Includes:15,21,28,35,50,85,135mm PL & EF Mounts,Shims & Cases $16,500Zeiss Standard 135 & 180mmFujinon Premiere 24-180mmFujinon HK18-85mm T2.0 Premier $47K Fujinon Cabrio 25-300mm Includes: Duclos Handle,Rods,Case $34,500 Fujinon Cabrio 14-35mm Like New Condition $19KCAMERAS:Arri Alexa LF Camera Package $80K Arri Alexa Mini LF Camera Package Arri Alexa Mini License Included: 4:3 Anamorphic, Hours-2425 $45K Arri Alexa Mini License Included: Look Library, Hours- 3900 $44K Arri Amira Premium 4K Camera Package Hours- 1400 $25KArri Alexa SXT Plus Camera PackageArri Alexa XT Studio Camera Package $22KArri Alexa XT Camera PackagesArri Alexa Plus Extreme Bundle Camera Package $20KSony Venice Camera Package 29 Hours Warranty Until March 2021 $67KRed Monstro VV 8K Brain Camera Package $38KRed Weapon Helium 8K Camera Package $23KPhantom Flex 2K 32GB Package $25KPhantom Flex 2K 16GB Package (Updated Computer) $12KPhantom Miro 320S Camera Package $17KPanasonic Varicam 35 PackageCanon EOS C700 FF Camera Package $13KBlackmagic URSA Mini 4.6K Pro Packages $5,900Sony FS700 w/Odyssey 7Q+ RAW Bundle Includes: Lenses Email For DetailsSony FS7 MKII Camera PackageFuji GFX 100 Mirrorless Camera NEWPanasonic AU-EVA-1 Camera Package16mm/35mm FILM CAMERAS: Arriflex SR-II P&S TECHNIK Evolution 200FPS Variable Shutter $21K Arriflex 235 4 Perf Kit $15KArriflex 235 3 Perf Kit Email For Complete List Of Items Included $22K Arriflex 435 Xtreme KitArriflex 435ES 4 Perf Kit $5,500Arriflex 535B 4 Perf Kit $5KArriflex BL4 Camera PackageMoviecam Compact MK2 3 & 4 Perf Kit $21KMoviecam SL 4 Perf Super 35 Camera Package $10,500Kinor 35H Has Upgraded Electronics Package & Video Tap $5KS16/16mm FILM LENSES:Zeiss S16 SS MKIII Lens Set Includes: 9.5/12/16/25/50mm $15KZeiss Ultra 16 Lenses 8mm/9.5mm/12mm $18K Zeiss S16 High Speed 9.5 T1.3 MKII $9KZeiss S16 Vario 11-110mm T2.2 Zoom Lens $4,500Zeiss 10-100 T2 MKII 16mm B Mount $3,800Cooke SK4 S16 Lenses 6mm & 12mm $11K Canon 6.6-66mm Lens $7,800.00 Canon 8-64mm S16 T2.4 Zoom Lens $4,500 Canon 7-63mm S16 T2.6 Zoom Lens $5,500 Optex 5.5mm S16 Lens $3,500 MONITOR Sony BVM-HX310 31-Inch 4K TRIMASTER HX Professional Master Monitor $25K TV Logic LVM-171A 17" Full HA IPS Field Monitor w/ Case & Stand SERVER Haivision Server Media Platform Workgroup -5 Model # S-HMP-WG5-1MISCELLANEOUS / AKS Freefly Movi Pro System Many Extras $15,500 Teredek Bolt 300 Pro Wireless Transmitter/Receiver Set w/Case DJI Focus Handset Kit w/Case Arri FF5 Follow Focus Cine Set Pro System (Email For Details) Arri SMB-2 Tilt Matte Box System w/ Case (Email For Details) NEW Matthews 35" Slider With CaseSachtler Video 20 Tripod System Sachtler Video 18 Tripod System O'Connor Ultimate 2560 Tripod System: HD Tall & HD Baby Legs,Floor Spreader,Cases O'Connor 2065 Tripod System Includes: HD Ronford Baker & 60L Legs, Mid Spreader Mitchell & 150mm Bowl Adapter, HD Case O'Connor 55L CF 2 Stage HD Tripod Legs,Mitchell Base, Floor Spreader Vinten Quartz Stage 1 Pedestal Vinten Quartz Stage 2 PedestalStudio Network Solutions 8 Bay EVO W/ 48TB Raw Storage Email For DetailsService Vision Scorpio 12 Ft. Motorized Arm w/2 & 6 ft. Sections Support Kit- Tangerine 4x5 Matt Box,Tilta Follow Focus,Filter Kit & CaseLooking For : (Preowned) To PurchaseSony SXS 128gb & 256gb Cards Canon CINE-SERVO 50-1000mm PL Innovision Probe HD Or Probe IICineMagic Revolution LensArri Ultra S16 Primes 18/25/35/50mm Arri/Zeiss Master Prime 65/100/150mmArricam 416 Film Kits Arriflex 235 Body Only Phantom Flex 4K 128GB & 64GB PackagesARRI SRH-360 / SRH-3 Stabilized Remote Head

Hello, The eyepiece on my SR2 used to open and close when I applied pressure, preventing unwanted light passing through when not filming. It has stopped doing that and is just constantly open. Anyone have any advice on how to fix it? I have tried to wiggle it ect Cheers, Ed

Question : Shooting anamorphic in super16 mm film, Is there a way to exploit the black space between two frames the same way it is done with the in 35 mm with 2 perf for 2:39 and gain time on you 400ft roll I am shooting with hawk vlite16 1.3 anamorphic , probably sr1 but i am wondering if there is a camera model that can allow to expoit more surface on the negative (and so, having more time per roll than the usual 10 min/400ft) by having the frames close to each other. I'm thinking why wouldn't that be possible, 16 mm anamorphic withmore than 10 min per 400 ft mag ? (the small size of the 16mm film ? the small size of the mechanic that pull the movie down ? so 1 perf is all there is for super 16 ? does anyone have a movie in mind that was shot anamoprhic 16mm film ?) I know high frame rate cameras exists, with precise mechanics that allows to have that maybe ... i am looking for a professional regular model though ... Cheers, J

Dear All Friends, A set of 2nd-hand ARRI/ZEISS Ultra Prime 12/16/24/32/50/85/135/180 for sales, price is USD59230. All lenses are in very good working condition. PM or email cinesolution@foxmail.com if interested. Happy New Year!

Hey all. Happy holidays and happy new year. 2020 is now hindsight (thank god). First off, I have a lot of reverence for what you guys do. Many of you on this forum I'm a huge fan of, so it's an honor even in a small way to be writing this. So thanks for listening. Overwhelmed by choice overload. I tend to be a little too good at matching pros with cons and vice versa, so this amount of indecision (and the self-awareness about the indecision) has been difficult. Hence the need to reach out. I'll cut to the chase since I don't want to waste anybody's time. I'm looking to own a camera, thats what this is about. I've got enough $ to own a Komodo production kit with tax. I'll outline choices at the end. The purpose is for me to just feel empowered to get out and make films and work as a director / operator full time versus a owner / op who just rents his camera out to DP's other peoples stuff primarily. I do that for money occasionally the same way I color or edit or crew for people occasionally but my full step forward is towards going from one project to the next on my portfolio. Until then, here's a lot of ridiculous background and way too much information. I'm a filmmaker who prefers self-operating, but mainly for the intimacy and connection with the actors and for how it helps me concentrate, not because I consider myself a proper image-maker at heart, like I'm sure some of you do. My passion is mainly storytelling, not gear, though I'm well capable of digging into deep rabbit holes of technical details if it means getting exactly what I want when I want it. Background: age 25, Burbank-native, editor primarily (that's certainly where most of my superficial skills lie) I'm experienced in that I've made shorts since I was 10 years old. My first feature did get distributed by Gravitas and won a lot of awards - so I'm not totally untalented. But it was exhausting getting there. And in general, I hate the word "content" and have no intention of being a "content creator" at all, ever. Just want to keep telling stories in the way that feels truest to my heart, and make the strongest step forward. Life doesn't make a lot of sense when I'm not making films. And I need to make films right now. What's been hard is not having anything to express myself with. Like many of you, I'm relegated to primarily being at home, needing to channel energy. I've got stuff to shoot, I'm always writing and working with friends on writing films. I told myself I will just rent, that the entirety of hollywood infrastructure is built upon the idea that you don't own your own gear - that its better to just own lenses, which I still do. Logically, I still believe that. Emotionally though, whats been hard is not having that tool to express myself with. I know that theres an argument to be made for todays infrastructure being different from shooting 10 years ago, that being an owner operator now especially as a young person is fairly valuable. I also know its the story, performances, composition, movement, and lighting (in that order) that makes it, not the gear. Furthermore, Steve Yedlin's right. Camera's today are really just data collection tools. Even film cameras are glorified boxes the film goes through. I like being a colorist and relish the freedom it gives me. But its almost a separate part of my brain. The part of me on set thats connected to the actors and the story, that's the part I wanna grow. But still for me, film nearly always looks better. I have been fooled a few times, but only when they shot on anamorphic lenses. Linus Sandgren isn't wrong about the distortion of those being almost necessary in a twisted sort of way. His work, plus Maniac, 10 Cloverfield Lane, and a few others I find truly exceptional. If I'm to collect data, then the data I actually care about (which makes film superior) is the motion cadence of a global shutter, the ability to sandblast highlights and still have it look cool, and the ability to oversaturate or shoot in harshly oversaturated environments. That's the data set I'm looking for in a camera to own. Recently wrapped up a short on the Red Komodo which I made for an AFI application. Super happy with the image and versatility of R3D, which is inspiring in how it almost dares you to challenge it and push it to its limits. I love that you can beat the tar out of it in post and it never bands or splotches or falls apart. We even did a filmout from the R3D files to a 16mm sized portion of the negative at Fotokem, just to see how close Komodo could get to film, since its the first camera with films dynamic range and a global shutter. Astonished by the results - so much so I genuinely think I could film out everything I've ever done and get the best of both worlds (Most of my heroes are people who utilize the best of both, or create an invisible third option by kicking down the door) Still, something about shooting digital with that camera did not feel right to me. Could have been the stress of mounting COVID productions in general being a huge hassle, but also (while I appreciate lightweight cameras) I've never been a fan of feeling like I'm holding a DSLR. (Though BOY is it nice when you wanna shoot illegally. Had the Canon C70 existed before, my feature would have been completed considerably faster.) Tested the Varicam LT for the short first because that's been my favorite look on digital (perfect mixture of RED's cutting edge and Arri's painterly qualities) but weirdly, wasn't as good as Komodo, was heavy, and was bothered by the rolling shutter on that as well. Which was disappointing, because shooting 3200 iso in camera and NDing for exposure compensation is the closest I've seen to film grain yet. Plus Varicam colors are more Eterna than Vision3, and I'm definitely more of an Eterna guy. I've used lots of cameras, but owned only 2. HVX200 was the camera I learned on and in some ways it spoiled me. Got used to global shutter and undercranking & overcranking and timelapse photography and thick viewfinders and shooting to tape and it's been hard finding cameras that feel that level of satisfying. Owned a c100, but was never happy with it. Most of shooting my feature was about pushing that thing to its absolute limit in every conceivable way (to the point it stopped turning on altogether). After that, I owned the S1H for a bit, mainly because of my history with the HVX200 & how much I liked the Varicam. Sold it. Got WAY too into the whole idea of kitting it out to oblivion, trying to turn it into something its not - and became unhappy. Image was lovely but HATED the rolling shutter. Any readout 15ms or greater seems similar to the Haas effect in acoustics, where you don't truly perceive it until its in the 15ms to 30ms range. Though our eyes are way sharper (hehe) than our ears, so its probably more like 7ms or greater (at least for me). I've used lots of cameras, owned only a few. Mainly, the c100 Mark I, and the S1H for about 6 months. Unhappy with both. As badly as I want to like the EVA1, the image is beautiful, its the only camera I've ever used which actually enrages me ergonomically. That horrible plastic body and screen and clickless dial which makes menus impossible to navigate. Blackmagic is a fascinating player in the scene, and has the best menu system ever but I hate how every college kid or person my age uses them. I know you can color them to look however you want but I hate having to give myself so much to do, and I hate their lack of quality control. My choices so far have boiled down to these 3. I'm discounting options which I believe will be useless in 10 years. Komodo seems of all the new cameras to be the one best primed for the test of time, and the Alexas proven her stripes, and film, well, film is film. I want this to be (if at all possible) the last time I purchase a camera, at least for a decade. I also hate how every manufacturer uses the word FUTUREPROOF. 1. Red Komodo. Have the experience with it, love the image, and of course - the global shutter innovation makes it (to me) the most exciting digital camera in the world at any price level. I know people do get hired because of the Red bias, too, which is nice. Unless I get super creative though, it's gonna be forever till they actually get in stock. But: I can afford to get a decent run and gun kit, and after the initial charges, I'd never have to pay again to create, and I'd have the closest approximation to film motion cadence on a digital sensor. With that ND wheel from Kippertie it'll be great. Genuinely, I do feel its the ultimate tool for someone my age in the year 2020, if properly utilized (and yes, utilized in a way that's different from REDs design purpose). To me, it seems like Reds Mini. The Alexa Mini was a drone camera that became an A cam, too. I don't like having to lean down and look at that tiny screen, but part of me also feels this may help my compositions, and force concentration on framing better. I know I do function better with some limitations. All in all, I love the Komodo in spirit, mainly because it appeals to the more "fly by the seat of my pants" part of me, the one that believes in taking risks and stuff. The young punk, lol. 2. Alexa Classic. I don't need the resolution (2K's my favorite) and despite me hating the vanilla-ness of that choice - there is part of me that always thought, wouldn't it be cool to own that camera and really do some more extreme photography? Overexpose, underexpose, get grainy and nasty - i do have a little devil in there somewhere that feels he would enjoy that. Plus, its the standard. Menus are easy. Love the EVF. Much closer on paper to my experience with the HVX200 than the Red Komodo. Theres an appeal in that to me being that its the closest thing in digital to cutting out the bullshit. I've heard DP's articulate how that camera more than any other just allows them to focus on their creativity and their storytelling, and not worry about anything else. I do prefer the Varicam look over the Alexa, and the built in ND's. But the rolling shutter bugs me. And an LT is pretty hard to come by used. So a classic EV seems the most compelling option in the realm of "can't go wrong". But theres self-conciousness about wanting something so "safe" 3. Shoot film. My favorite look, the look I grew up on, is Super 16mm. I dream in 16mm, honestly. Specifically, the format from the 90s forward. Nearly all of my style comes in some way from Super 16mm or super grimy 35mm. Especially in 2020 with the advances in scanning I find the look to immediately be more like the 35mm of the 1970s. It's also the only format I've never seen any successful digital emulation of. Closest was operation avalanche. And that's because they actually filmed out, so it WAS 16mm. I know there's Arri SR's for decent prices, and CP16s, and Eclairs, and despite that essentially being a form of sinking myself into an endless money pit, buying into a dead technology, etc - I've also found more community talking to film people than any other group, and theres a general focus on creativity that seems harder to find in digital (though I know it exists). Only shot on a Bolex and a super 8 camera before so I'd be a huge noob. But I loved doing it. And unquestionably I know it would force me to grow the quickest. I'm attracted to the romance of it, and the idea of proving myself on it doesn't seem scary. What I know I'll miss is getting to do multiple takes with the actors, because I adore that experience of discovering things with them in the process, and not just shooting coverage. (BTW, I loathe coverage. I hate it. ) Nearly everyone I know tells me its a terrible idea to own a film camera and shoot on film. I can't logically disagree, but emotionally I've been torn. One of the best arguments I've ever heard for shooting film ironically came from Michael Cioni, talking about how film still is the only capture medium with a true 1:1 quality ratio (at least when captured correctly.) That idea of pure timelessness does quite a lot for me, but I'm very much not a believer in the sake of nostalgia for the sake of nostalgia. Filming out to a grainier portion of the intermediate stock looks more filmic than any filmout I've ever seen, and still preserves the spontaneity and magic of film, without any of the limitations or sacrifices. Especially if you shoot 35mm stills on set with the same lenses using Vision3 stock, you've got access (roughly) to the filmic color space that would be present on set, too, not just that of the final "patina" or "texture". Grain is grain, its cool but not everything. Color to me is everything. And for the record, while I'm on the subject of film, the only place digital always falls short for me is outdoors. Something about the harshness of the sun and the slightly blown highlights and halation that comes from shooting exteriors on film always feels like my own eyes. In LA too everything is always too sunny, I like how in film, theres almost that flickering red that you get in your eyes when you've looked at the sun too long, I love how film behaves a similar way. To me, so much expressiveness comes from being able to accurately capture the environment. I love how Elswit shot digital at night and film during day. If I could, I'd do that every day for every shoot, until a solution exists that trumps either of them in isolation. But again, too much wishful thinking doesn't do anyone any good. Anyone who made it this far, I'd love to know your unsanitized thoughts. There's no wrong answers, nor is there a perfect choice (as much as I'd like there to me). What I'm looking for is the right set of compromises, Thanks in any case for listening. Hope you're staying safe out there. Soren

Hi to all, I am seeking for example of filter use on 16 mm. It can go from glimmer, black promised to effect filters like stars and else (ideally from footages, test or existing movies) Shooting soon on aaton xtr, zeiss 12 mm + zeiss zoom 20-120 + eventually 7219. A dance performance in a studio with natural light , about T'4 coming from outside with top windows. Thanks in advance

Hello everyone, I am seeking for examples of filter use on 16 mm, anything from glimmer, black promist to effect filters (stars ...etc) will do. If movies also pop in mind don't hesitate ? I am in research for an upcoming 16 mm video (dance performance, with natural light) that we'll shot with the aaton xtr , 7219 film, zeiss 12 mm & zeiss zoom 12-120 (by mind). Caméra on dolly or stand, 'black swan' inspired of some sort . Thanks ! Jordan

Hello, Selling my Arri 235 package. ARRIFLEX 235 4 perf Camera Body Ground Glass – ANSI 16:9 CGG 235 Universal Viewfinder s/n 2068 235 Eyepiece + eyecup Oppenheimer V mount battery system. 235 Carrying Handle 2x Camera To O/B Battery Cable KC-20 POWER CABLE 235 - Long Extension Eyepiece s/n 2005 Shoulder Pad 235 24v On-Board Battery 235 24v On-Board Battery 235 24v On-Board Battery 24v On-Board Battery Charger SBR-1 Side Bracket And Allen Screw BP8 Bridge Plate Pair of 440mm Rods (19mm) 235 Media IVS PAL 2 X 235 Shoulder Magazine 60/200 1 extra Arrimag 120/400 and 2 x 35-3 2C Mag 60/200 The camera is in perfect condition. Pm for photos and price. All the best Kimon

Hi there, I am new here, hello! ?My first question is about an Arriflex SR2 mag I just bought. I have a SR2 that was moified for S16 long time ago. Now I would like to know what modification I would need to do to use a normal SR mag with my camera. Is it only the pressure plate or are there any other modifications that I need to go through? I read somewhere that the tunnels must be widened but I dont really see why because the material is the same, isn't it? ? Yours, D.C.

Dear All Friends, A 2nd-hand Arri/Fujinon Alura 30-80mm Zoom Lens for sale, mint condition, price is USD10000. Alura 30-80mm is a lightweight zoom lens from ARRI, S35 format, perfect working with Alexamini/RED DSMC2 etc. digital cinema cameras, even Komodo, A7S3, R5/6 these smaller video cameras. Please PM or e-mail to cinesolution@foxmail.com if you are interested.