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Showing results for tags 'Red'.
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I have a personal set that took me a year to cherry pick and build. They haven't been rehoused but the set is all 700,000 serials. All the glass is in excellent+ to excellent- condition. I own the 18 III, 24 III, 32 II, 40 II, 50 II, 75 II, 100 II, 203 + 317 telepanchros. I'm thinking about selling the entire kit for 28k. Or would consider breaking up the telepanchros and from the panchros. Not exactly looking to sell them asap. I'm located in Los Angeles. Feel free to hit me up. Look below for some random panchros below for sale immediately. I have a couple Cooke Speed Panchro 18mm III's for sale. Take a look below and let me know if you have any questions! Thanks so much. I will be posting test footage with them soon. Cooke Speed Panchro 18mm III - 747441: Front element has scratches. Rear has some fungus. No yellowing. No haze. Aperture ring pretty good and blades have no oil. Focus ring a little loose. When shooting this lens has a lightly altered image. It creates a glow effect due to the fungus in the rear. Pics here. Priced to sell at $950 BUMP $900 BUMP $800. Cooke Speed Panchro 18mm III - 688301: Front element has some spots but no scratches. Rear is pretty clean. No yellowing. No haze. Aperture is smooth and blades have small amount of oil. Focus is smooth. Pics here. $1400 BUMP $1200 BUMP $1100 Cooke Speed Panchro 32mm II - 728719: Front element clean + free of scratches. Rear element has micro scratches + a crack. Tested it shooting and there is no effect in the image. $1500
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Hi all! I've got some RED accessories for sale. All of them have barely been used and appear like new. All fully functioning. The following list is each item and their respective eBay links: *ALL INCLUDE FREE FIRST CLASS SHIPPING (international shipping as well) RED Cinema REMOTE (with case) -Like new -Fully functioning -$350 RED Cinema Module Adapter (with case) -Like new -Fully functioning V-Mount module adapter -$250 RED Cinema 4-slot SSD Case (case only) -Like new -4-slots for RED brand SSDs -$25 If you would like to contact me about the items, please reply to this thread and we can talk further details! -
I am looking to sell or trade my RED Epic Dragon #0311 package and accessories for an Arri Amira or Alexa Mini body. Everything is in great shape about a year old 600 hours on camera. email mikemfilms@gmail.com for more detailed pictures. 1x RED EpicX Dragon #0311 1x DSMC side handle 2x DSMC Red volts 1x DSMC Red volt Charger 1x DSMC Low Light olpf 1x DSMC AC Power Adapter 1x DSMC Side SSD Module 2x Red mags 128GB 1x RED Station usb 3 Mag Reader 1x DSMC 5 inch Touch 1x PL Mount 1x RED DSMC Canon AL Mount 1x LCD/EVF Cable 34" 1x LCD/EVF cable 18" 1x RED Dragon Package Case Pelican 1510 1x Element technica gold mount quick release plate AKS 2x Anton Bauer Dionic 90 batteries 1x Anton Bauer charger 1x Zacuto studio baseplate 15mm Rods 1x Wooden Camera Top Plate 1x Red Top Handle 1x Chroziel Sunshade Matte Box 4x4 1x IRND 1.2 4x4 1x ND9 1x ND3 1x 1/4 BPM 1x .3 Blue Grad Filter 1x Pelican case 1620 padded dividers 1x Paralinx Arrow Wireless Transmitter and Reciever 1x Cinegears wireless follow focus system 1x DJI Ronin (Recently Serviced at DJI) 3x DJI Ronin Batteries 2x Cinemilled Arm extensions 1x Cinemilled Pan Arm extension 1x SPL EPIC DRAGON Waterhousing 1x Tokina 11-16 lens 1x Tokina 11-16 Dome port 1x Pelican case 1620 foam $42,500 -
I have a studio shoot coming up in which I need to shoot a bunch of 120FPS footage with limited lighting (probably no more than a 2' 4 bank Kino and 2x 1x1 LEDs). I unfortunately don't have the budget to do much camera testing, and I'm wondering if there is a consensus as whether the Sony FS7 or a Red Dragon will give me better high speed low light performance.. would appreciate any insight!
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EDIT - damnit, sorry I totally posted this in the wrong category.. oops I have a studio shoot coming up in which I need to shoot a bunch of 120FPS footage with limited lighting (probably no more than a 2' 4 bank Kino and 2x 1x1 LEDs). I unfortunately don't have the budget to do much camera testing, and I'm wondering if there is a consensus as whether the Sony FS7 or a Red Dragon will give me better high speed low light performance.. would appreciate any insight!
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For sale is my personal Lomo anamorphic round front set: 35mm Lomo Anamorphic T2.4, PL-mount 50mm Lomo Anamorphic T2.4, PL-mount 75mm Lomo Anamorphic T2.4, PL-mount All lenses are optically and mechanically in perfect condition with smooth aperture and focus operation. All have stainless PL-mounts, and focus gear rings. No scratches, no fungus, The lenses are ready for shooting. Also included: 2 Cases, front and rear caps. New York City checkout can be arranged. Price: $25,000.00 Contact woftam@erols.com
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Im offering this as either a full package or body only package includes everything youd need to start shooting: Dragon 6k Body PL Mount Wooden Camera Support package 15mm / V Mount Backpack (1) 256gb RedMag (2) 64gb RedMags (3) Red Bricks (1) Red Brick Charger 5" LCD TouchScreen USB3 Red Mag Reader Wooden Camera A Box Pelican 1510 Case w/ Laser Cut inserts for Dragon / Media / Etc Asking Price for the package is $24,500 Body only would be $20,500 1050 Hours reasonable offers please email me @ brandonriley600@gmail.com
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Hi everyone! I am selling a fully ready kit for shooting. Red Scarlet Mx camera on Canon mount. Registered on me/ 2 200 hours of shoot/ regularly Red serves. Kit contains Camera+Red monitor+batteries+mount+followfocus Tilta+4 64 Gb cards+card reader+handheld (kit jn photo it’s presented not fully) Copmpact Prime Cp 2 lenses (15mm(T2.8),21mm(T2,8),35mm(2,1),50mm(T2,1),85mm(T2,1),100mm(T2,1),) Pl mount +case Sachtler 25 Plus (Horizont Plus) 150 mm tripod + cine 2000 tripod + hard case. Director’s monitor Panasonic 17. Everything is in good condition and is located in Moscow Russia. 31000 $ USD (or best offers). Call, +7 916 815 O5 96 or houdh235@rambler.ru. Separate sale is also possible.
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Brand New RED Weapon Ready to shoot package for sale. Everything you need to start shooting (just BYO V-Locks). Below is a list of the full package. Camera is currently at RED HQ undergoing upgrade and should be finished some time in the next few days. $48,995.00 USD OBO RED Weapon Package: 1x RED Weapon Magnesium Brain w/Integrated Media Bay (Ships direct from RED) 1x DSMC2 Sidekick (Ships direct from RED) 1x DSMC2 Base Expander (Ships direct from RED) 1x DSMC2 Top Handle (Ships direct from RED) 1x DSMC2 REDvolt XL Module Adapter (Ships direct from RED) 1x DSMC2 AC Power Adapter (Ships direct from RED) 1x DSMC2 Lemo Adapter A (Ships direct from RED) 2x Red Mini Mag 512GB (Ships direct from RED) 1x RED Station Mini Mag Reader (Ships direct from RED) 1x DSMC2 RED Standard OLPF (Ships direct from RED) 1x RED Weapon Package Case (Ships direct from RED) 1x RED Touch 5" DSMC 1x RED Bomb EVF LCOS 1x PL Mount 1x RED DSMC Canon AL Mount 1x RED DSMC AL Leica Mount 1x LCD/EVF Cable 12" 1x LCD/EVF cable 18" 1x Solid Camera EVF Mount/Arm System 1x V-mount Battery Plate/Power Solution 1x OCT-19 Mount I dont have photos of the camera or any of the new pieces as they are still at RED HQ. All the other accessories I have photos for. To view please message me or send me an email at redweaponforsale@gmail.com Cheers
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Hey all, hoping for a bit of advice. Having some trouble with an approaching s16mm shoot- a darkroom scene. I was hoping to light mainly with practical florescent 2x4's and then to gel them fully red for some sequences. My question is: with the interior location, I thought I should shoot on 7219 500T... should I use tungsten tubes? Or would daylight tubes be better for the gel? I know daylight-balanced bulbs on tungsten stock will come away rather cyan, which I don't mind. But gelled, what should I expect? I could shoot on 250D, but am nervous that the light loss from the gels will give me a tough exposure. What setup of stock and bulbs (filtration?) do you think is best? Unfortunately, there just doesn't seem to be budget for tests. I also read in an older post here that there were issues with focusing, or that the image (red lit) will look soft. Is this a genuine focusing issue? Or should we just measure out as per usual? The last thing here that freaked me out was that someone noted that my light meter will give me an improper reading under these red conditions. Does anyone have any experience with this type of setup? Thanks so much for your input. Any advice would help! -
Hey everyone, please take a look at the showreel on my website and let me know what you think! www.oliwilliamsdop.com Many thanks, Oliver Williams
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Hello friends, I have a BMCC 2.5K package in great condition that I don't use and I want to trade it for Red One. It comes with following: Camera body BMCC 2.5K Full DaVinci Resolve Lenses: Tokina 11-16mm F2.6; Tokina 28-70mm F2.6; SpeedBuster Lanparte shoulder rig Shoot35 follow focus Mattebox, 1 Switronix v-mount battery with charges and power cable 3X 250GB SSD drives, Filters I'm based in Los Angeles, let me know if anybody's interested. Good day.
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Looking to figure out why there are two builds that were released on the same date. One is, V6.0.44 released on 12/18/15 and the other is V5.3.49. My real question is what is the difference between Versions, 5 and 6? Not just the obvious but why are there 2 different competing versions and does it hurt to switch over to V6 from V5? Has anybody else been curious about this or is it something obvious that I completely missed? Recommendations on which to use? I'm running an Epic Mysterium-X. I appreciate the help in advance.
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Hi, my friend is selling his Scarlet kit, in mint condition, low hours, never rented. Located in Slovakia, Central Europe. https://www.kitmondo.com/used-red-scarlet-x-for-sale/ref638020
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Hello my fellow cinematographers and filmmakers! I got a question to be clarified ASAP since I'm going on a shoot and in need of the answer =) I understand that Red camera has this issue where the crop factor is different as I change shooting with 4K to 2K. The crop will go from a APS-C size sensor area to a super 16 size sensor area. The camera is only using a certain part of the sensor as it records the set resolution. So the field of view of a 25mm on at 4K will be similar to that is of a super 35 but once it's changed to 2K then the crop makes the lens into a 80mm equivalent (math may not be exact, but you get the point). It’s troubling since the lenses will not have the same effect as different resolution is used. So I’m just wondering if Arri Amira/Alex has the same issue? Is the total area of the sensor (super 35 equivalent) going to be used as I change from shooting with 4K to 2K and 1080p? Does it also have this crop problem as Red? Simply put, if I use a 25mm on Amira shooting at 4K and then I change the resolution to 2K, then field of view of both should be exactly the same? Thanks so much for taking the time to answer this! David Yao
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Hi there, Just did a scout at the house we'll be shooting at, and it's full of new-fangled LEDs in every room, all set up to be controlled via wi-fi. It's mostly overhead can lights with LED floods, and ornamental fixtures with the new Phillips edison type bulbs. However I came across some LEDs I've never seen before in the kitchen's hanging fixtures. They are 360 degree bulbs that use the old g4 style fixture. She said the bulbs were Chinese knock-off's that were cheaper. Attached is a picture of one of the replacements with packaging, and another of them in action hanging over the island. Anyone ever see these types of bulbs before? Worked or had problems with them on camera? Any bad experiences with over the counter LED's in general before? I've only shot the Phillips Hue bulbs (which are some of these) and they were fine on Film. We're shooting RED dragon. Trying to figure out if we can bing camera in on Tech. Thanks.
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RED One Package for sale with full set of RED primes and variable RED lenses For Sale : Red One Package. Asking : $16,000 Red Camera Body Red Pro 7" LCD : Compact Flash Module (3 x 8GB CF Cards) Red Power Pack (2 batteries 1 charger) 2 x 320GB Red Drives Power Supply Red Cheese Plate Custom Flight Case Red Cradle(hard drive and v-lock battery) LCD Cable 7" Drive Cable 6" Base Production Pack - Front Handle - Bottom Plate - Shoulder Dove Tail - Top Mount - Top Handle - Red QuickPlate - 24" Steel Rods - 16" Steel Rods Prime Lenses (RED) : 18mm, 25mm, 35mm, 50mm, 85mm and 100mm (Includes hard shipping case) Variable Lenses (RED): 18-50mm, 50-150mm ( slot available in Custom Flight Case for transport) Asking : $36,000 (the Price is negotiable within reason) All equipment is in great condition and ready to use. Drives were refitted by red in 2014. I am the original owner of all equipment and it has never been on hired.
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RED One Package for sale with full set of RED primes and variable RED lenses For Sale : Red One Package. Asking : $16,000 Red Camera Body Red Pro 7" LCD : Compact Flash Module (3 x 8GB CF Cards) Red Power Pack (2 batteries 1 charger) 2 x 320GB Red Drives Power Supply Red Cheese Plate Custom Flight Case Red Cradle(hard drive and v-lock battery) LCD Cable 7" Drive Cable 6" Base Production Pack - Front Handle - Bottom Plate - Shoulder Dove Tail - Top Mount - Top Handle - Red QuickPlate - 24" Steel Rods - 16" Steel Rods Prime Lenses (RED) : 18mm, 25mm, 35mm, 50mm, 85mm and 100mm (Includes hard shipping case) Variable Lenses (RED): 18-50mm, 50-150mm ( slot available in Custom Flight Case for transport) Asking : $36,000 (the Price is negotiable within reason) All equipment is in great condition and ready to use. Drives were refitted by red in 2014. I am the original owner of all equipment and it has never been on hired.
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Hi there, I'm looking to buy used the next items: - PL mount. (Like wooden camera) - 1 or 2 Magic Arms like Noga for the LCD monitor and the second monitor. - Matte Box - Like Tangerine ViV level. - ND Filters 4x4.56 - 15mm Rods - Follow Focus + Rings - LLO OLPF You can send me models, pics, quotes. I'm located in Los Angeles. Thanks Guillermo 310-658-133 gpolofilms@gmail.com -
Hey I'm Xoaher currently based in Prague. This is my reel from last year school works. Please feel free to critic and let me know how can I improve. Thank you Xoaher https://vimeo.com/141572957
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I've been researching the native ISO of RED cameras (primarily the Dragon and MX). What's been confusing isn't the notion of a native ISO, but rather that in the debate between 320 and 800, people are referring to shooting at ISO 800 as underexposing when compared to ISO 320. From one such individual: "At 320 (which may be closer to the sensors "native" sensitivity- or the point where the raw matches the redcolor as far as middle grey) you have much less range in the highlights. By rating 800, you are underexposing the sensor a bit and protecting the highlights." Bear with me as I'm more of a lighting guy, but my question is: how is it that by increasing ISO by 1⅓ stops are you underexposing the sensor? What am I missing? Thanks so much for your help!
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all professional pro
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Hi everybody, sorry for the silly question but I'm way more familiar with ALEXAs than with the epic/dragon family. I was wondering if on the dragon there's a way to send different signals on different monitors, like in the Alexa. By that I mean the possibility of having the director seeing the LUT/REC 709 in the director's monitor and the DP the RAW in the EVF/on board monitor for example. I've been playing with the DONNA app but I cannot figure it out. Thanks so much in advance for the help, Davide Sorasio -
Hi you all! I just wanted to inform you that according to my tests the Double Data 's manual verification mode DOES NOT WORK AT ALL in the 1.2.1 (current version) of the software. I did not find this info easily from the web so I thought I should share it in case some users are not aware of this problem. This is just for the "Data Manage" ----> "Verify..." -function and does not affect normal transfers. It can cause you trouble however because the software does not read checksums correctly in this mode because of the bug and may show that the files are OK even if you alter them or remove all of them and just leave the first text file in place which contains the checksums from the original camera media. Because of the bug, the software actually copies checksum data from this file and adds a new text file containing these checksums which it is thinking is the checksum data of the verified files. So, if you look manually through the checksum text files they seem to be OK although they have nothing to do with the new verification round. So, it basically falsifies the checksum data in this manual verification mode and green lights all the files no matter if they are altered or not or even are in the same folder anymore. I contacted the manufacturer and they don't have any bug fix release yet but they are aware of the problem and are working on it, so it is best to not use the manual verification (Data Manage -->Verify... -function) at all with this software until they get a fixed version out. As I said, the bug does not affect any normal transfers from camera card to storage, and is only in the additional manual verification which can be used afterwards if needed. You can also trust the checksum files which the program creates during normal verified transfers. -
Pretty much since "The Social Network" Jeff Cronenweth has been shooting with David Fincher on RED and he seems to really make amazing images with the camera. The thing I really struggle to understand is the colour throughout his films. What white balance does he set his cameras to? There are so many different colours throughout the film. Does he stick to the normal white balance (3200K and 5600K) or does he do something different. This shot looks like he has his white balance at like 3200K: And this shot looks like he has his white balance normal at 5600K: But what about this? I know that he works with kinos and emulates fluorescent light for a lot of indoor stuff so did he just change the white balance to get a different result for these two images: Any information would be helpful thanks!!!
