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Found 21 results

  1. Hey everybody, I'm trying to find a matte box to use for an upcoming project (whenever that might be considering this pandemic), and in the process I was offered an old Super16 camera matte box for 15mm Studio rods at a good price. I've seen brackets available that allow you to use a 15mm LWS matte box on 19mm and 15mm Studio rods, but I'm curious if there are any options to use a 15mm Studio matte box with 15mm LWS rods. I imagine this is possible even with the offset, but I wouldn't know. Should I pass?
  2. Upcoming summer fashion shoot for a sunglasses campaign. The creative requires throwing shadows into the space to emulate sunlight coming through a window/casting shadows through exotic plants etc. We're working on a bit of a tight budget, looking for recommendations on how to light a space like below (it's a photography studio), to achieve close to the look on the example storyboard from the client. There's a lot of natural light in the studio space so we'll need a good bit of light to create a decent contrast ratio between sunlight & shadow. I'm thinking potentially
  3. Selling Arricam ST flight cases that used to belong to Arri Rental in Munich. Buyer picks up in person or pays shipping from NYC. Used but in great condition. Payment via Paypal - please contact jason@jmharper.com if interested. Arricam ST Body Flight Case - $250 See photos here: https://www.ebay.com/itm/303005703973 Arricam ST 400' Magazine (2 slots) - $150
  4. Hey all, I'm fairly new to grip work so I'm a bit stumped by this. So I'll be shooting this scene involving 3 subjects, all of which are situated behind a table with a black backdrop behind all of them to act as a background. It's just going to be the one wide shot, so the camera will be positioned dead centre in the middle of all of them. I've attached a photo complete with my expert illustration skills showing the placement of the subjects in the scene. So I'm looking for a lighting solution that can efficiently light all of them using as few lights as possible. The overall look
  5. Hello Every One! Thanks in advance for checking out my post. So as the title says, my work is building a video studio. I work at a toy company as their in house video guy (1 man department). This is a brand new position and its quickly evolving. When I started, I was making simple product demo videos for retail sites and social media, now we are building a studio with the goal of producing some of our TV commercials in house. That being said, lighting equipment is not my strongest area of expertise. Basically my question Is, If you were investing in lights to build a professional studio
  6. Hey All, I'm selling my Alexa Studio 4:3 w/ Optical and Digital Viewfinder and lots of extras. 1 Arri Alexa Studio 4:3 Camera System 1 Arri Optical Viewfinder 1 Arri Electronic Viewfinder + Cable + Adapter 1 Arri EVF Back Up Cable 1 Arri Viewfinder Mounting Bracket VMB 1 Arri VEB 1 Arri Side Handle 1 Arri Low Mode Support Set 1 Arri S4 Handheld Duel Set 1 Arri Handgrip on/off 1 Arri AB Gold - Mount Plate Upgrade 1 Arri V - Mount Plate 1 Arri Battery Cable 24V 1 Arri Standard PL Mount + Flange Customized to support older lenses with deep back elements 3 Sony SxS Card 32Gb 1 Flight Case
  7. Hello there, Im curious if anyone has some recommendations for lighting a backdrop in a studio setting? (I'm still learning a great deal so forgive me if I label something incorrectly!) The set is a 10ft H x 20ft W room in which there are two windows on the far wall. I have looked into renting a backdrop from pacific studios and they have explained to me that this specific rental is a true translight backdrop which needs to be lit from behind. I can see how this would be beneficial as to provide a true luminance for the background. However, my independent research has led me to exampl
  8. hi people, may be, it's little bit a noob question but i have to ask. Can anyone make a breakdown of this image and tell what kind of lighting equipment do i need? I have access to canon 7d mark II and sony 7s mark II as camera, and I will operate sololy. thanks barış
  9. Hi, I work at a university and we are in the process of building a new film studio. The studio is 2500 square feet with a rig fairly high up. On three walls there will be an infinity curve. I'm trying to find some advice and suggestions as to what you would put in there in terms of lighting please? I've not had to spec a studio this size before so any advice would be really helpful. So far all I've got on my list is 10 x 6K space lights. As a university we are on a bit of a budget so just looking for a basic studio set up as a start. Thanks in advance, Paul.
  10. Hi friends -- We're looking to shoot a dog commercial in studio, most likely with color seamless paper. This is the reference they gave us: Initial thoughts are an overhead 8x8 ultrabounce hit with two Arri M40's directly, flagged for direct spill onto the set. Maybe a few 4' Kinos for some fill and edge. Thoughts? Thanks! Jon
  11. Hi all, I have seen a few times a technique in promos where lights seem to move. I'm shooting a spot in the next few weeks we I'd like to use this technique. I've been looking everywhere and I can't seem to find anything about how this is achieved. An example is here: https://vimeo.com/176507317 look at the shots at 04.23-4.35 Any ideas what kind of set up i need to get this? I love how the lights moves around the subject. Thanks all!!!!
  12. Hey everyone. I have a week shoot coming up were the budget is quite tight for me. The cheapest option is to get tungsten lights for the film, however we have a few scenes interior day and a few night scenes were we want to show moonlight. There is possibilities I may be able to get my hands on 2x 1.2 HMI's and 1x 800 Joker however to help with this. Our last 2 days are in a studio I have to light for moonlight and daylight through the set bedroom. The studio will give me all of there lighting for free however it is all tungsten lights. To give myself a bit more budget I was thinking o
  13. We sell dimmers for incandescent lamps, 3 different models. The smallest one up to 3kW (able to work with an Studio 3000W) The bigger one (at the moment) is up to 7kW with double output. 16A + 32A plugs and the dimmer works with two lamps at the same time (up to 5kW + 2kW lamps) The Flicker Dimmer is up to 3kW and it has the capability to generate flicker for special effects The small dimmer cost £99, for more info you can check it in the website www.strikedimmers.com
  14. IBC 2015, Stand E55, Hall 11 CHATSWORTH, Calif. (Sept. 1, 2015) - Litepanels, a Vitec Group brand and premier provider of LED lighting for the broadcast and production industries, is excited to announce the launch of their new Brick and Brick One Light Kit. Now more robust, the Brick Bi-Color provides the perfect on-camera solution for on-the-go ENG cameramen, especially for those in wet conditions. Building on the legacy of the revolutionary MiniPlus, the new Brick Bi-Color's high CRI and TLCI surface mount LEDs with custom-designed optics provide superior color reproduction that deli
  15. Hello everybody. It's my first post on lighting here on Cinematography.com I'm looking for a lighting kit to use with my Black magic Pocket Cam and 16mm lenses, that could be affordable, compact, and produce good results. Artificial Lighting is not my strong on Cinematography, I normally improvise with natural light, and have used an Arri Red kit before. Loved the results. I know there's a difference between fluorescent, incandescent and LED... though what would be a good choice in the case of using for small productions? When it comes to buy, its worth ask around for those who understand b
  16. Hi everybody, My name is Jorden, I'm from the Netherlands (so sorry for the bad english) and I'm new here on this forum. I'm very eager to learn some new things, so I hope I will get a chance to meet and talk to some of you guys. Anyway I have a question about lighting. So I'm working on a project where I have to do a couple of interviews. And I saw this video with Barrack Obama and I'm very impressed with there studio set up and overall look. So my question is: Does anybody have any experience with this type of set ups? I'm thinking that a big studio is required. So if anyb
  17. We are in the near stages of completing our photo/video studio near the Sullivan Square Orange Line T stop that we're planning to use as a rental space as well as for our business. We are looking for a photographer/videographer who would be interested in working out a deal to help us out with day to day operations and to man the reception desk (the reception desk as shown in the photos). We require very minimal amount of work, and while working at the desk, you may edit photos, videos or do as you more or less please. In exchange, we would provide you the use of the space to bring in your ow
  18. Boa Solutions Inc. 222 Islington Ave, unit 13 Etobicoke , ON M8V3W7 Open by app't, to suit production schedules, 24/7/365, but generally there 10am-8pm M-F, unless a booking is happening earlier. Website and pricelist going through huge update, and will all be at http://www.boa.solutions . Before that, please contact me for gear availibility / suggestions, and go to http://www.boastudios.com for the studio spaces I rep. Hi, I am Mir Lada, a Lighting Designer / Gaffer / Grip / Production Still Photographer that is owner / operator of this boutique motion and still production equipm
  19. Hi everyone, I was asked to photograph a feature documentary film in a month time and I was wondering if I could get some advice as to what would be the best camera for the job. It's a documentary essentially filming two people having dinner in a studio set restaurant for the whole film, we are going for the cinematic approach rather an interview documentary. The fact that we're filming in a studio gives me plenty of control in lighting, which I'm going for an intimate, moody yet natural look. Our narrative was inffluenced by film My dinner with Andre yet we want to make it more cinemat
  20. Full disclosure: I work for Dracast in San Jose, CA. We started a 50% off clearance sale on some of our studio LED lighting for Black Friday and Cyber Monday. The promotion went so well that we're continuing it through December. You can find our discounted products here: http://dracast.com/december-specials.html Happy Holidays!
  21. hi. i've been searching threads about techniques, setups, external links and advices on shooting cars on studio, but didn't find anything. how to be fast? what's better: move the camera, the car or the lights? what's a basic setup? :)
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