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Matt Figler

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About Matt Figler

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  • Occupation
    Cinematographer
  • Location
    United States

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  1. Nothing to add, but I support you creating a 200' carbon mag.
  2. Do we expect labs to slowly stop processing Remjet films? I know there are TONS of shortends/recans/expired/new stock still out there. My fridge would be bummed if this is the case.
  3. Hi, looking to sell or trade* my 2 Perf Movement Conversion kit for 235 Includes everything you need to convert camera to 2 Perf + ground glass & instructions. Purchased new from Pille Film 2018, installed by @Arri Blauvelt & serviced @Arri Munich last year. Only a handful of these exist, will only respond to serious inquiries. - Aluminum Locking Case - 2P Movement - 2P Gate - 2P Gear +Short Drive Belt - 2perf penciled ground glass $15.5k or trade* for interesting things ie. lenses, 16MM, 35MM, camera bodies, 1040, + cash, open to ideas. Dm for inquiry, more photos on request.
  4. FWIW, there is now a speed booster that can work with 16mm/35mm film cameras, it's absolutely massive but it does exist. https://kipon.com/product/plpl-0-7x/
  5. If not direct from Kodak, there are tons of rental houses, labs, equipment suppliers who can order whatever you need.
  6. did you try removing/unscrewing the rear cone on the lens?
  7. do you still have the Arri S to PL adapter?

    1. Matt Figler

      Matt Figler

      Many many years gone 

  8. Seeking a Zeiss IMS Set or PL mount for LWZ.2 or CP.2. Please message if you have one, thanks
  9. Looks much more reasonable than the 16! What camera?
  10. You are totally right, I just re-examined some E100 still film & some s16mm Ektachrome I shot. I support that notion of a 'marginal' over exposure, my errors with Ektachrome were treating it with a blanket 1+ stop over exposure like a negative film.
  11. Reversal stocks have a much less highlight latitude, I would recommend the opposite. Ektachrome would prefer a slight underexposure / or as close as possible to what you want it to look like. You can pull out quite a bit of shadow detail, once the highlights are gone they are gone with Ekta.
  12. As has been previously mentioned, modern 2perf Arri Gate is actually 2.66 aka full aperture width.
  13. You would likely need to double your $
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