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Matt Figler

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Everything posted by Matt Figler

  1. Matt Figler
    Nothing to add, but I support you creating a 200' carbon mag.
  2. Matt Figler
    Do we expect labs to slowly stop processing Remjet films? I know there are TONS of shortends/recans/expired/new stock still out there. My fridge would be bummed if this is the case.
  3. Matt Figler
    Hi, looking to sell or trade* my 2 Perf Movement Conversion kit for 235 Includes everything you need to convert camera to 2 Perf + ground glass & instructions. Purchased new from Pille Film 2018, installed by @Arri Blauvelt & serviced @Arri Munich last year. Only a handful of these exist, will only respond to serious inquiries. - Aluminum Locking Case - 2P Movement - 2P Gate - 2P Gear +Short Drive Belt - 2perf penciled ground glass $15.5k or trade* for interesting things ie. lenses, 16MM, 35MM, camera bodies, 1040, + cash, open to ideas. Dm for inquiry, more photos on request.
  4. Matt Figler
    FWIW, there is now a speed booster that can work with 16mm/35mm film cameras, it's absolutely massive but it does exist. https://kipon.com/product/plpl-0-7x/
  5. Matt Figler
    If not direct from Kodak, there are tons of rental houses, labs, equipment suppliers who can order whatever you need.
  6. Matt Figler
    did you try removing/unscrewing the rear cone on the lens?
  7. Matt Figler
    Seeking a Zeiss IMS Set or PL mount for LWZ.2 or CP.2. Please message if you have one, thanks
  8. Matt Figler
    Looks much more reasonable than the 16! What camera?
  9. Matt Figler
    You are totally right, I just re-examined some E100 still film & some s16mm Ektachrome I shot. I support that notion of a 'marginal' over exposure, my errors with Ektachrome were treating it with a blanket 1+ stop over exposure like a negative film.
  10. Matt Figler
    Reversal stocks have a much less highlight latitude, I would recommend the opposite. Ektachrome would prefer a slight underexposure / or as close as possible to what you want it to look like. You can pull out quite a bit of shadow detail, once the highlights are gone they are gone with Ekta.
  11. Matt Figler
    As has been previously mentioned, modern 2perf Arri Gate is actually 2.66 aka full aperture width.
  12. Matt Figler
    It flickering a little bit, as it's an inconsistent spring wound camera
  13. Matt Figler
    DM'd u
  14. Matt Figler
    You would likely need to double your $
  15. Matt Figler
    TBH don't do this. 100ft is short enough, you will drive yourself mad trying to download & reload the K3. Either short end the film or roll out on the daylight spool. Another option if you are just trying to maximize your time in different shooting environments is to have two camera bodies so while one is reloaded you have another ready to go OR another loaded with a different stock.
  16. Matt Figler
    Personally have so much love the K3 for what it is. It will never be a quiet sync sound camera but you can do so much with it that is simply not possible with a full size camera (XTR, 416, SR) Max's mod does sorta fill a need for many film shooters who want something that is a little more featured, accessible, 100ft loads & can carry in a small bag. I would probably even consider a 'well serviced' K3 for a c camera on anything feature, commercial etc. Here's a handful of projects that I've employed various K3's on.
  17. Matt Figler
    Hello -- Bunch of 235/435/535 compatible Ground glasses + matching glow masks These are becoming harder & harder to source, let me know if interested & can send more info. $450 Shipped for GG Only $200 Shipped for Glow Mask $550 Shipped for GG + GLOW Combo (intl. shipping extra) - Academy 1:85 + TVSafe Combo - 1:85 (s) - 1:85 (s-16) - 1:78 (s-27) Thanks
  18. Matt Figler
  19. Matt Figler
    Have had the exact same experience over time with my K3. For the first few years it sat nice and flat, but the spring & pressure plate is not very robust & overtime can weaken. I've also noticed the pressure plate is quite flexible material so it too can sometimes be ever so slightly bent out of shape & not hold the film flat enough. There are a few small screws that hold the spring tension of the pressure plate -- You can see this issue pop up in this recent video, where the film is flat on the sides but out of focus in the middle. Who has a good recommendation for someone who can tune up these cameras, check FFD + pressure plate?
  20. Matt Figler
    I've always found this a good reference for sharpness + contrast with super speeds...wide open or looking into extremely contrasty situations you might consider them to have a very vintage look, but I tend to be surprised by how they well they can sharpen up.
  21. Matt Figler
    Purchased a film camera movement from them last year. They were great people to deal with. Prepare for some import duties to be paid to the shipper, that was the only thing that I didn't prepare for and it added up!
  22. Matt Figler
    Thanks so much for the thorough reply Dom. Your numbers are very helpful to get a ballpark sense. I'll be bringing the camera into a house to get a true depth calc. I'm curious to see how the results compare, luckily both lenses were very recently collimated BUT, I realized that I actually rounded a little on the 18mm measurement which should put it close to the .20mm mark that you mention. here is the special little camera, I'd been wanting to do this for years but only recently figured out it was possible.
  23. Matt Figler
    messaged you tom
  24. Matt Figler
    hey having a related issue, anyone have some math advice? Original thread here
  25. Matt Figler
    Hello, I have a special little S16mm PL mount camera and I need to adjust the FFD. The FFD is a little too long not allowing me to hit infinity nor have my marks line up on wider lenses. I will need to either replace the mount or machine some metal off to make it work properly. I'm trying to calculate how much I would need to reduce the mount by to have it properly spec'd. Can anyone help me with the math required to determine the difference in FFD? I pointed the camera at a focus chart and have noted the discrepancies below. Thanks! 12mm Zeiss lens T1.3 Lens barrel marking sharp at 18 inches Actual tape-measured distance 13 inches Difference 5 inches 18mm Zeiss T1.3 Lens barrel marking sharp at 18inches Actual tape-measured distance 15inches Difference 3 inches
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