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Showing results for tags 'ARRI'.
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Arri Ultra Prime 20mm (New) Email sales@broadcastsolutions for pricing and details.
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Arri Master Prime Lens Set Includes : 14,18,25,35,50,75,100&150mm Includes 3 Shipping Case's. Email-sales@broadcastsolutions.com for pricing and details.
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ARRI 235 4perf Super 35mm Film Camera Kit 6x 400ft Magazines + Transvideo 6.5” Rainbow monitor. USD $14,500 ONO Includes: ARRI 235 CAMERA. Ser.No #2006 235 RISER PLATE. Ser.No #2020 BP-9 35F 15mm BASEPLATE TOP. Ser.No #BPT908 235 UNIVERSAL VIEWFINDER UV-1. Ser.No #2111 TURRET PLUG PL MOUNT 235 DUST COVER GR.GLASS 535A/B-435ES/235 FORMAT MASK 535/B 435/ES 235/416 EYEPIECE EYECUP 235 SHOULDER PAD 235 CENTRE HANDLE SCH-1 KC-20: ARRI-POWER 24V 235 BATTERY CABLE 235 IVS VIDEO TAP /NTSC Ser.No #9513 IVS Blank & 100% VIDEO BLANK PLATES TRANSVIDEO RAINBOW 6.5” Monitor CABLE for Video+power /235 - Transvideo Rainbow monitor. 235 SHOULDER MAG 400’ x3 Ser.No #2170 Ser.No #2174 Ser.No #2176 235 STEADICAM MAG 400’ x3 Ser.No #2072 Ser.No #2112 Ser.No #2117 LOOP GUARD 435/35-3/235 x6 235 CAMERA CASE 235 400’ MAG CASE 235 400’ MAG CASE 235 400’ STEADI MAG CASE SHIPPING WORLDWIDE from Sydney Australia 4x cases: 1 - Magazines - 24 lbs. 14 inches x 12 inches x 17 inches 2 - Magazines - 26 lbs. 14 inches x 12 inches 17 inches 3 - Magazines - 25 lbs. 15 inches x 11 inches x 15 inches 4 - Camera - 41 lbs 25 inches x 16 inches x 15 inches regards, Andrew ajcam@me.com +61 414620249 More Photos: http://s1190.photobucket.com/user/ajcam1/library/?sort=3&page=1
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EBAY LINK http://www.ebay.co.uk/itm/-/321938237598? Worth more than £2000! This ARRI 575/1200W Electronic Ballast works with 120-220 VAC. It has on-board dimming, as well as frequency control capability. It is compatible with the ARRI 575, 1.2K HMI Compact Fresnels, Arri-X 5, Arrisun 5 and 12 HMI PAR fixtures. Also with other brands such as Quartzcolor, Filmgear, Mole Richardson, Desisti,... Check a video of the ballast running on Youtube Perfect for Video Applications Offers flicker-free operation Enables a shutter speed of 10,000 frames per second Dimmable On-board dimming from 50% to 100%No Color Shift While Dimming The current limiter reduces light output by half but raises color temperature, eliminating the need to correct color temperature with color correcting gels For over 25 years, discharge lighting ballasts have been an integral part of the ARRI Lighting family. During that course of time, the range has developed to comprise the reliable, robust and efficient components recognised today as the industry standard for film, theatre and events. ARRI Ballasts feature state-of-the-art electronics and offer easy maintenance, automatic fault detection and extensive status indicators, along with impeccable reliability and safety. A wide range of cables and accessories completes the ARRI Lighting product line. Constant lamp power and colour temperature over the lifetime of the lamp Possibility to dim the light between 50 and 100% Automatic switch-over for 115V~ and 230V~ power supplies Low noise switch - noise reduction in the luminary Active Line Filter - power factor correction Line over-voltage protection Protection from overheating Constant lamp power and colour temperature over the lifetime of the lamp Less weight and size compared to magnetic ballasts At least 5% greater light intensity compared to magnetic ballasts At least 20% longer bulb life compared to magnetic ballasts Solid construction, including outside heatsinks as part of housing and a bumper at the operator control panel Special mechanical design for quick opening of the EB in case of service maintenance Good service assistance Detailed technical documentation L2.76125.0 EB 575/1200, 90-125 V/180-250 V, Schuko-Plug, VEAM, blue standard housing
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Hello all, Anyone have an Arricam ST package for sale? Or know where I can find one? Thanks, James
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Reflector holder & glass reflector for Studio 5000 Theatre, Compact 4000, Studio 2000, ... (can be used as retrofit kit for old glass reflector versions) -EBAY LINK: http://www.ebay.co.uk/itm/-/321919867922?
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A replacement Reflector Assembly that intensifies and broadens the output of an ARRI Pocket Par 400 watt HMI fixture. Compatibility Arri Pocket PAR 400 Watt HMI Fixture Mfr # L2.70880.0 EBAY LINK
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RRPP £199 NOW 50% DISCOUNT LIMITED TO 3 UNITS DESCRIPTION Brand new ARRI - Head to Ballast Power Connecting Cable for ARRILUX 125, 25' Long (7 metre). EBAY LINK http://www.ebay.co.uk/itm/-/321917436714?
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I've seen that you can only rent the Alexa 65 through their Arri Rental network. Out of curiosity, does anyone know what the rental costs are? I'm thinking they must be ginormous right now, but i'm really wondering.
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Hi! I'm downscaling my Super 16-kit and it's time to let go of these beautiful lenses. First got them to use with an Ikonoskop A-cam dII but lately I've used them for s16 film cameras (Arri Sr2, Aaton a-minima and Arri 416). Actually also tried them on a Gh4 (with mft-pl-adapter) and from 12mm and up they cover the sensor in 4k mode. They are in really good mechanical and optical condition. Some paint wear on the housings but all focus marks and text is clearly visible. So what I've got is: Zeiss Super Speed mkII Super 16mm lenses. All T1.3. 9,5mm, 12mm, 25mm and 50mm. Will sell individual lenses or all at once. I'm hoping to get a deal done quickly so first come first served (hope that's the correct english expression for it…). Prices reasonable, please contact me if you are seriously interested and we'll discuss it. Lenses are located in Stockholm but I will ship world wide (but EU preferred). Best regards/Kalle Folke, Sweden www.kallefolke.se
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Hi, my listing for ARRI 435ES camera set, including magazines and accessories. Price is 3990 euro https://www.kitmondo.com/used-arriflex-435es-for-sale-2/ref608356
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Hi there everyone! greetings. I had sent my Arriflex SR3 for repairs at Arri NY. They did work on it and sent it back. I had barely shot 7-8 400ft cans and the same problem emerged again. I had paid close to $1000 for service and shipping. Does anyone think I need to be paying again for the same job to be worked again on? Don't they stand and vouch for their workmanship? I want opinions and experiences of cinematographers who own gear and have gone through these type of problems. thanks
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I cracked the mirror shutter on my SR3 and have been having a hell of a time trying to find a new one. I did locate an SR2 mirror shutter so I thought I might be able to take off the mirror and replace the cracked SR3 mirror. I'm not talking about the whole mechanism, just the mirror. Does anyone know if those two mirrors are compatible? They appear to be the same, but I've had difficulty finding exact specs on either.
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Hi all. I am 4th cinematography student. I am about to shoot a short commercial on s16. I have shot on film a few times before but I would like hear other opinions on how best to a achieve a cold daylight look on film. Basically the story is that a couple wakes up very early in their city apartment and leaves for the countryside. I want the piece to start off very cold looking in their apartment and then gradually get warmer as they leave the city in their car and arrive in the country. I have only one roll to shoot this piece on. It's a thirty second ad so that should be loads of stock. Bug that brings into question how I can get a varying level of "coldness" on the one roll. I will be shooting on Kodak 200t 7213. My initial thought is to shoot the grey card with an 85 in. The remove that for the early scenes. Then later for the car scenes to use a 81ef so a slightly warmer, but still cold look. Then finally for the countryside scenes to put the 85 back in. Does this seem like a good plan to achieve what I am looking for? Very open to suggestions and opinions, or indeed any help at all. Thanks. -
ARRIFLEX 16SR 3A £2,500 GBP (ex VAT) Condition: Used Warranty: 3 Months Op hours- Various ARRI SR3A Camera Body Ground Glass SR MB17 ( B) 4" Matte Box + 4x4 trays French Flag Support Set of Mattes MB17 Top Flag SR LWS-2 Lightweight Support Donut 87mm 80mm insert ring Extension Viewfinder (Standard) SR3 Camera Battery Adaptor 24v/12v On-Board Adaptor Shutter Key (Fitted) Sr3 IVS PAL SR3 400'/122m Magazine x3 If you require any further information, please email me at Casey@esbroadcast.com.
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ARRIFLEX D-21 £2,250 GBP (ex VAT) Condition: Used Warranty: 3 Months ARRI D-21 Camera Body D-21 Viewfinder Ground Glass (.1.78 / 1.33.) Format Glow Mask (.1.78.) Format D-21 Super Wide Eyepiece Rubber Eyecup 24v On-Board Splitter (Fitted) FE-3 Extension Eyepiece D-21 Carry Handle Please email me if you require any further information. Casey@esbroadcast.com
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Codex CDX-3010 Kit £3,000 GBP (ex VAT) Condition: Used Warranty: 3 Months Case Containing: Codex Onboard Recorder CDX-3010 Onboard Control Panel CDX-P065 Codex Recorder Handle CDX-P064 Control Panel Fixing Plate 6-6pin Panel Control Cable Long 5p Lemo - 3p RS Power Cable Dual Mini BNC Loom 4p XLR - 5p LEMO Battery Power Cable 4 x Codex M Flash Pack (256gb) CDX-P300 Please contact me on Casey@esbroadcast.com if you require any further information.
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Used ARRI Alexa M 4:3 in stock. Excellent condition. £19,500 GBP (ex VAT) Condition: Used Warranty: 6 Months Op hours- 1000 Case Containing: ARRI Alexa M Camera Head ARRI Alexa M Body BAB-G (Gold Mount Battery Adapter) Bundle Accs Set for Alexa M Center Camera Handle (CCH-1) Handle Extension Bracket (HEB-2) CCH-2 Alexa M (Head) Camera Handle AMC-1 Alexa M Cage -Consisting Of: Side Bracket Bottom Plate 15mm LW Bar Bracket MEDIA M Handle Syst. - Consisting Of: Side Handle (15mm Bars Fitted) Top Plate - Small Bottom Plate SD Card (ASD-1) 12v 2pin Lemo - 4pin XLR BP8 Bridge Plate ( Short ) Balance Plate 19mm / 440mm Bar (Long) 19mm / 240mm Bar (Short) 15mm Lightweight Bar - Short 240mm 24v Camera / Battery Cable 2m Lightweight SMPTE Fibre Cable Sony 64gb SxS Card Sony 64gb SxS Card Sony 64gb SxS Card 20m SMPTE Fibre Cable (9mm Dia.) Please contact me at Casey@esbroadcast.com if you require any further information.
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Excellent condition and maintained and serviced by ARRI Media. £17,000 GBP (excluding VAT) + Shipping Camera Case ARRI Alexa PLUS Camera Body inc High-Speed License High-Speed License BUNDLE ACCESSORY SET ARRI EVF-1 Electronic Viewfinder ARRI Alexa Rubber eyecup ARRI VMB-1 Viewfinder Mounting Bracket ARRI VEB-1 Veiwfinder Extension Bracket ARRI KC150-S Short (0.35m / 1.2 ft) Cable for EVF-1 ARRI KC151-S Medium (0.65m / 2.1 ft) Cable for EVF-1 ARRI CCH-1 Centre Camera Handle for Alexa ARRI HEB-2 Handle Extension Block ARRI KC154-SP-S Cable 12V Accessory for Alexa ARRI KC20 24v 2m/6.6ft Cable Power - Straight ARRI BP-12 Bridge Plate ARRI Bottom Dovetail 300mm / 12" (Balance Plate) ARRI 440mm Ø 19mm Support Rods (pair) ARRI Lightweight 240mm Ø 15mm Support Rods (Pair) ARRI SP-4 Shoulder Pad ARRI LB-1 Levelling Block ARRI ASD-1 SD Memory Card ARRI SxS Pro 32GB Memory Card ARRI SxS Pro 32GB Memory Card ARRI SxS Pro 32GB Memory Card ARRI SxS Pro 32GB Memory Card ARRI SxS Pro 32GB Memory Card ARRI UMC Antenna ARRI White Cap BAB-G (Gold Mount Battery Adapter) Please email me at Casey@esbroadcast.com if you require any further information.
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· F-65 Camera Body. (excellent Condition) · SR-R4 Digital Recorder. · Dual Bettery Adapter V-Mount. · SRK-CP1 Control Panel. · Sony HDVF-C30RW Color Viewfinder. · SR-D1 Reader. · SRmemory Card.(2X512GB-1X256GB). · Conveter V-mount Cable. · power cable limo 8-pin. · Bridge Plate. · Rod(2X12'' - 2X9''). · Camera Case. Price:- 35,000 USD -
Hi everyone, can you help me? I want to find to bay plastic lcd cover for arri alexa, see in the pictures..
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Hey guys, I've loved The Leftovers since season 1, but season 2 has just aired its second episode and I remain stunned by the cinematography, which is now done by Michael Grady (Todd McMullen for most of season 1). It's shot on the Alexa, but it looks SO distinct from everything and anything else I've seen shot on the Alexa, it feels like there's some kind of film grain added because there's a very real and vivid texture to the image, a real patina, the colors pop, but not in a harsh digital way, it doesn't look overly digital, it just really stands out, the lighting also looks beautiful, very colorful. I know they use Primos on this, but I wonder what anyone else think about this, any idea on the film grain or the look they're getting? I'm a film guy mainly, and the only stuff that impressed me on digital so far has been Skyfall, Prisoners, Sicario, A Most Violent Year (yet to see Selma, shot by Bradford Young as well), Drive, Elysium, The Social Network, Gone Girl, Her, Nightcrawler, The Revenant and The Leftovers.
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Hi everyone, i am in pre-production for the short film we will be shooting in Caucasus mountains this winter. We are shooting 35mm 5222 black and white film, and i want to get Hawk anamorphic lenses with 2x squeeze from Paris. The camera they have in a local rental is Arri 435 Xtreme (4 perf). I'm in touch with the local AC and what he says is that the camera doesn't have an anamorphic viewfinder, also it does not have anamorphic matte glass and arri glow. I'm trying to figure out how to solve this issue, maybe somebody can help me out? If the lens squeezes the image into 4:3 academy frame - then what should be the matte glass/ground glass/ gate installed inside of the camera? And if it doesn't have an anamorphic viewfinder (we are shooting steadicam anyway) - can i get an unsqueezed image on the monitor and playback just through the monitor? I would appreciate any tips and help. Thanks -
Hi, I have a music video shoot and we're currently deciding cameras. I prefer the look of the Alexa and want to push the Mini as we're mostly on steadicam. However we have a lot of strobe lighting during a performance sequence, making the Dragon with motion mount seem like the right way to go. Is the Studio the only option for choosing Alexa when dealing with strobes? We're shooting a range of speeds, ramping from 24 to 60fps. Thanks, Chris
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all professional pro
