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Showing results for tags 'Film'.
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After 6 years hiatus Super16 makes a comeback in British TV industry. Super 16 originated material will be accepted for broadcast. http://www.screendaily.com/territories/uk-ireland/uk-tv-to-allow-super-16-for-hd/5062821.article?blocktitle=MORE-TOP-NEWS&contentID=40294
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New member here. I have been given an old Hanimex Super 8 Zoom projector, but cannot understand how the film is actually supposed to be projected, the spools are not in the right place for the film to pass between the light and the lens... Please see the photos below... Also, if anyone spots anything else I've done wrong, please let me know! (I know the film is loose in most of the shots, I just put it there for show)
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Link: http://www.indiegogo.com/projects/deep-sleep-short-film/x/268202 Deep Sleep is a short film about a self-loathing teen, Derek Harper, who's sick of his severe idiopathic hypersomnia (sleep addiction). He lives in a generic apartment, and works at a late-night cafe for free coffee to keep his life somewhat moving. His one and only friend Hay Tyler, helps him find the answers to his condition. You're important because you guys are the most vital part of the film. You determine whether this film will be good or bad. Your funding determines how much creative freedom we have, and how close we can tell this story to its envisioning. You are even more important because you're the key to the film's success. Not only will you help me make a beautiful film, you will get me further to my dream. Why Is It Important To Me? 'Deep Sleep' is an important project to me not only because its the most biggest challenging project I've tackled so far, but because it can be a film that can allow me to prove my talent and potential as a filmmaker. When I went and saw 'Inception', I had no idea what it was about really, and went into the theater unexpected. As the film finished, and I walked out of the theater, a feeling came over me that inspires me everyday. I was completely blown away. I want to create that same feeling in everyone of my films. Thanks for taking the time to read this, it is deeply appreciated. Please take a second or so and spread the word around about this project. It needs it! Thanks again, Will Jacobs Actor, Director, Writer, and Producer of 'Deep Sleep'
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Dear friends, I updated and redesigned the site, I would like to hear your comments. Be free to watch the showreel as well. Regards, www.vedranrapo.com
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Hello everybody. I am selling 9h and 11min of 35mm Fujifilm due to a feature film project to shoot in Italy that has been canceled. I have: 115 rolls (400ft - 4 perf) ETERNA VIVID 250D and 9 rolls (400ft - 4 perf) ETERNA 250D All rolls have been bought March 2013. Anyone interested can write me at: wiggle@hotmail.it Can send more details of pictures in the case. Paolo
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Hi everybody! I have put up my Beaulieu 4008 ZM II camera package on eBay and thought I would share it with the forum as well. The kit im putting up for auction includes: Fully functional Beaulieu 4008 ZM II camera body with mount cap (refurbished by Björn Andersson in 2009) Lens: P. Angenieux Paris 1.9/8-64mm Zoom with Hoya Skylight (1B) filter Lens: Schneider-Kreuznach Beaulieu Optivaron 1.8/6-66mm with sunshade Battery charger Manuals in English and Swedish Beaulieu camera case 2 cartriges of Kodak Ektachrome 64 1 cartride of Spectra Velvia 50 If wanted: Extra Beaulieu 4008 ZM II camera body (non-working battery) for spare parts/gate modification If wanted: 10 issues of "Smallformat S8/16" in English If wanted: 3 issues of "Super 8 Today" in English If wanted: Sankor Anamorphic 16-D (lens) The camera works great and the lenses are in good condition (no scratches or fungus). I recommend using an external 85A-filter for tungsten filming and buying a Blue Star Eye Cushion (http://www.bluestarproducts.ca/). Worldwide shipping. Do not hesitate to contact me if you have questions about shipping or the camera package. More pictures/footage can be sent. Best regards, Anton
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Hey guys, Apologies if it's been covered already. I'm in talks with a post house here in Melbourne, Australia to get some 16mm film scanned to a 2K ProRes file so I can edit it. She is telling me that the telecine process is $450/hour then the 'digitisation' is an additional $250/hour. I was under the impression that telecine IS the digitisation of film? Am I wrong on this one? Is it a two stage process? If it is then what would be the point of doing a telecine without the aforementioned 'digitisation'? Thanks again!
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Hi Everyone! Looking for some information! I'm an Australian researching a move to Europe to study script writing. My two passions are actually script and set design and I'm looking for film schools that offer great hands on courses. I completed my undergraduate degree with a minor in film and am now looking for some further study opportunities to expand my script writing experience. It doesn't have to be a master's, just an opportunity to write and make new connections in film. Thanks for your time! Kind Regards, Adrianna -
Hello everyone, I am new to the forum and was hoping that someone on here would be able to assist me in my quest to apply for Panavision's College Internship Program. I have tried contacting Stephanie Lyons at their Hollywood location, however, my attempts have be fruitless. I am currently a Senior at the University of California Irvine and want to learn about their cameras, as well as 35mm film cameras as a whole, preferably from the grunt-work up. I would like to have an old fashioned mentorship-styled environment where a master of the craft can show me the ropes cleaning and lugging around different pieces of equipment, however, I'm not sure how realistic my hopes are. If you have any information about the program or know anyone who does, I will be eternally grateful. -
I want to get my boyfriend a Super-8 camera for his birthday but I have no idea where to start. He is an editor for a film company and in so knows a lot about film cameras and he knows a lot more about Super-8 cameras than I. Basically I just want to know what is the best brand? And how should I go about getting film for it? Any information you think would be helpful, please share. Thanks!
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THE OUT OF ORDER TOUR WITH ROSS HOCKROW Storytelling and the Editing Process The Out of Order Tour teaches students how to create captivating films through the editing process by focusing on two key concepts: 1) the use of “out of order” storytelling techniques (non-linear storytelling), and 2) how to make decisions about where pieces go instead of simply how to move them into place. Taught by filmmaker, author, and educator Ross Hockrow, this all-day workshop teaches you how to assemble each moment in your film by integrating storytelling theory with specific, practical editing techniques. Designed for the beginner and intermediate filmmaker, the class shows you how to unlock the full potential of your footage by utilizing the principles of story structure, narrative bases, shot selection, pacing, and the psychological effects of shot placement. Ross Hockrow is an award-winning filmmaker, innovative educator, and published author. He has directed 6 feature-length indie films and several short films, the latest of which won the audience choice award for the 2013 48hr Film Festival in Providence, RI. Ross started his career as a screenwriter, and several of his screenplays were optioned by major film companies and television networks. His filmmaking abilities stretch beyond narratives and into commercial work, where he was hired by Fortune 500 companies Skype and Expedia to make on-site event films for their annual company conferences. Ross, an Adobe sponsored speaker, pioneered live filmmaking education with his Get in Motion Tour in 2011—the industry’s first-ever educational workshop tour created exclusively for filmmakers. During the past three years, Ross lectured in over 100 cities during two international tours, and taught platform classes at several major industry tradeshows— appearing at NAB, CES, WPPI, PPA, Photo Video West, Photoshop World, Photo Plus East, and Photo Pro Expo. The Daytime Storytelling Through Editing Workshop begins with an overview of specific types of stories by outlining types of conflict, variable act structure, and plot structure. Ross will explore the concept of non-linear storytelling—telling a story out of order— and will demonstrate several options for rearranging the order of a film to create a better and more intriguing story. Next, you will explore the concept of how to make the viewer experience a film instead of just passively watching it. Finally, Ross breaks down the techniques necessary to effectively edit a conversation, and the importance of creating a constant feeling of anticipation within the viewer through masterful editing. The Evening Editing Techniques Seminar begins with an intensive, step-by-step overview of the complete editing process. The art of the professional cut is explored in detail, focusing on the techniques of L-cutting, cutting on the action, popcorn cutting, and the use of natural and scene-to-scene transitions. Ross then demonstrates his technique for achieving perfection in cycles by focusing on a circular editing process, showing how to subtly discover and constantly enhance the rhythm, pace, and emotional tone of your film. Ross will show you how to use audio and will outline the process of choosing and incorporating a soundtrack into your film. To finish the film, Ross will teach students the principle of “cutting out the fat,” the process of applying subtle tweaks to reduce the length but increase the impact of your film. Daytime Workshops and Evening Seminars take place on the same day, with workshops ($149, up to 100 students) running from 9:00 AM to 4:00 PM and seminars ($59, up to 200 students) running from 5:00 PM to 9:00 PM. A combo ticket costs $199 and includes Ross’s book Storytelling Techniques for Digital Filmmakers, a DVD of the Daytime Storytelling Theory workshop, and a take-home editing project. If interested check out the tour website www.outoforder.com or email antonio@montezucker.com -
http://finearts.concordia.ca/officeofthedean/jobpostings/digital-cinema---film-production.php Roy Cross, MFA Associate Professor, Head, Film Production Programme Mel Hoppenheim School of Cinema Concordia University 1455 boul. de maisonneuve ouest Montréal, Québec, H3G 1M8 514.848.2424 ext 4659 cinema.concordia.ca roy.cross@concordia.ca www.roycross.com -
Hello! This is my first post here on the forum and I would like to begin it by thanking everyone who posts on here; this forum has been a huge source of information for me, basically like the film school I couldn't afford, so yeah thanks everyone. I just recently acquired an Arri 2c, one that was advertised by the seller as a high speed model. It has the tachometer that reads up to 80fps, but from doing research on this forum and others, I understand that it is possible to attach that tach to a non high speed model. I've read that the only fool-proof way of determining if the camera is an actual high speed model is by the presence of four extra screws on the film gate that can adjust the pressure of the gate. But having been unable to find another picture of an Arri 2c gate to compare mine too, I'm unsure if the screws on my gate are the high speed ones or just the standard. Here's a pic of the gate on my 2c: Is this the high speed gate? And if so, is the combination of the gate and the 80fps tach enough to pretty much guarantee this is definitely a high speed model and is safe to run at 80fps? Just want to be sure, as I have a high speed motor on the way and would like to be sure of what I'm dealing with. Speaking of the high speed motor, I've read that it needs 32v to run at 80fps. At the risk of sounding silly, how exactly do I acquire 32v of power? I can't seem to find any 32v batteries that can connect to the high speed motor. (The cable for my motor has a 4 pin XLR). Is it a case where I would need to have a battery specially fashioned? Anyone who has any experience running a 2c at high frame rates, your help would be greatly appreciated! Thanks!
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Hello all -- Posting this on this forum in case anyone is interested. The buy-it-now on ebay is no longer available but I will let this one go for $2799 and end the auction early. It's a real steal at this price and am letting it go for cheap. http://www.ebay.com/itm/ARRIFLEX-Arri-SR3-Advanced-Super-16mm-Film-Camera-PL-Mount-S16-/271279445838?pt=LH_DefaultDomain_0&hash=item3f2983d74e Great camera, but there are a few quirks that are cosmetic don't effect the image quality or ergonomics, but I'd prefer to have a camera in better shape, that is why I'm letting it go. Here is a video of it running recently (9/15/13) : Item is located in NY and will ship domestically. Contact: ekyfilms@gmail.com ---- For Sale Arriflex SR3 Advanced Super 16mm Film Camera All items included with this item are pictured. Besides a few cosmetic wear marks this camera is in working condition. This was recently tested at a camera house (9/15/13) and is fully operational and works as intended and runs smoothly. A video can be sent of the camera running. Included items are: • Arriflex SR3 Advanced S16 film camera body • (2) 400 Foot Arriflex SR2 S16 mags • Arri SR3 Handbook • Light-weight Flightcase • 20/80 Prism For a Videotap (no port cap) Features of this camera include: • 5 to 75 fps • Manually adjustable Shutter angles 180°, 172,8°, 144°, 135°, 90°, 45° • 54 mm stainless steel PL mount • Heated Eye Cup
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Hey Everyone, Here's a long form commercial I shot on Super 16mm on the Krasnogorsk K3. I'm really happy with the way it turned it out. I showed it to non industry people and someone asked me how I got it to look the way it does and my I told them, "It looks like that because it was shot on film". I feel like it wouldn't be the way it is if I shot it on any other format. I would definitely appreciate any comments or criticisms! Thanks, Mike https://vimeo.com/74120596- 12 replies
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Hi all, i am heading to the Patagonia in a couple months to start production on an installation piece i am working on - i am shooting film footage on a 16mm Krasnogorsk-3 movie camera and wanted to get some tips or advice on what colour films that you might suggest for such a project. i am taking landscape shots which i plan to project and play on loop in slow motion to the point where the movie footage will appear to be a 'moving photograph' I'm based in Sydney and have done a small amount of research and have found a lab in victoria that offers Aviphot 200asa at 100' for $45au. does anyone have any experience with this film? or would you recommend it for landscape shots? any advice on this would be really greatly appreciated. thanks very much. -
Hey im still in highschool just going into grade 12 i live in canada and was wondering which film school to go to. I know the everyone says that Ryerson is the best in canada but i just feel like its more theory then hands on (i know that you do do films and such but not as much). My other thoughts were the new york film academy in the US and the national film and television school in the UK. I feel like those schools are a lot more hands on and getting set experience when ryerson is more this is how film began kinda stuff. So my question really is is it worth the extra money to go to a film school outside of canada? Thanks, Eric
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Hello everyone, I'm new to the forum, after a year of insane work, I finally finished my 20 minute Action/Thriller short film PREY. This is the biggest project I've done so far and it really means a lot to me. So please take some time to watch it and let me know your honest opinion. Every review means the world to us. Thanks again! -
I have a couple of Arri magazines for sale on eBay. Displacement mags for ARRI 35mm IIC type camera ~ fits most ARRI MOS cameras. They are in excellent working condition ~ never had any problems with jams or scratches. See auction here http://www.ebay.com/itm/231026612284?ssPageName=STRK:MESELX:IT&_trksid=p3984.m1586.l2649 Have one more to sell when this auction ends.
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Andrij Parekh is one talented guy, and he's young too. There's hope. Not as big of a Ryan Gosling fan as my 21 year old sister, but this is still good, regardless.
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Winners Represent Universities from Mexico, Africa, Germany and U.S. (LOS ANGELES, CA) Kodak and the University Film and Video Foundation (UFVF) have named the 2013 recipients of the KODAK Student Scholarship Awards and KODAK Student Cinematography Scholarship Awards, which were selected by a panel of judges led by award-winning cinematographer John Bailey, ASC. This year's winners represent film schools in Mexico, Africa, Germany and the United States. Kodak's annual global competition is designed to recognize emerging talent that demonstrates superior filmmaking skills and creativity. Accredited film schools from around the world nominated up to two students for consideration in each award category. They were judged on a combination of past work, faculty recommendations, and academic achievement. Judging took place in July. The KODAK Student Scholarship winners are: Gold Award - Carlos Eduardo Correa Reynoso from Centro de Capacitación Cinematográfica in Mexico, for his film Mr. Sabas. His award includes a $5,000 Kodak motion picture film product grant, and a $4,000 tuition scholarship. Silver Award - Werner Nortje from the AFDA in Africa for Jericho. The award includes a Kodak $4,000 motion picture film grant, and a $3,000 tuition scholarship. Bronze Award - Nicolas Navia from the American Film Institute (AFI) in the U.S. for his piece The Superman. The award comes with a $3,000 Kodak motion picture product grant and $2,000 tuition scholarship. The KODAK Student Cinematography winners are: First Place - Max Preiss from Deutsche Film Und Fernsehakademie Berlin (DFFB) in Germany for his cinematography on Come and Play. He receives a $5,000 Kodak film product grant and $3,000 to be applied toward his tuition. Honorable Mention - Daniella Nowitz, also from AFI, for her work on Sassafras. The award is a $3,000 Kodak product grant, and $1,500 for tuition. Kodak partners with the University Film and Video Foundation to make this program possible. The UFVF is a not-for-profit organization that engages in and promotes worldwide education, research, innovation, and charitable activities in the arts and sciences of moving images and aural communication. In addition to Bailey, the entries were judged by Melinda Levin, a professor at the University of North Texas and president of the UFVF, and Kodak's Lorette Bayle, who is also an award-winning filmmaker. Kodak introduced its worldwide film school program in 1991. Through the years, the program has grown to include a wide range of initiatives to help both students and educators enrich the development of their skills in the art and craft of filmmaking. For more information, visit www.kodak.com/go/education. About Kodak's Entertainment Imaging Business Kodak's Entertainment Imaging business is the world leader in providing motion picture film and imaging products, services, and technology for the professional motion picture and exhibition industries. For more information, visit www.kodak.com/go/motion. Follow us on Facebook (facebook.com/KodakMotionPictureFilm), Twitter (@Kodak_ShootFilm), and YouTube (youtube.com/KodakShootFilm). # # # Media Contacts: ignite strategic communications 818.303.8088 Lisa Muldowney - direct: 760.212.4130 / lisa@ignite.bz Sally Christgau - direct: 415.238.2254 / sally@ignite.bz -
Dead ED - Hundreds of years after a nuclear world war, Khan and his companion, a service-droid, ED set out to purge the nuclear wasteland free of radiation. Friendship is tested and temperance is stretched when the two are pushed to their limits in the deadly country. Hello fellow filmmakers! We are film students who are creating our first independent movie titled DEAD ED. But we need help. We launched a Kickstarter to help secure funds for the project, and we need an extra push. Please help us out by donating or sharing the page. Every little bit helps. www.kickstarter.com/projects/634010533/dead-ed Thank you!
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Hello, I am wondering if anyone knows of a company that can make motion picture perfs on a still stock that I am using to shoot a motion picture film as well as add a key code. I a shooting on a stock that is made for a still camera and the company cuts us rolls of 400 feet. However there is no key code and the perfs are slightly different causing instability. So far I have found one company called Wittner-kinotechnik who provide such a service but there turnaround time is 4 months. I am looking for a company with a shorter turn around time. Thank You, Adiva Koenigsberg -
HI all, I'm just curious if anyone has shot an iPad on film and has encountered frequency sync issues. Any flicker / roll / etc? Do I need a video sync box? (can I even use one with an iPad....) The project I'm prepping is 2perf 35mm on Panaflex GII or Platinum and there is talk of iPad screens being built into some key set pieces.... I'd test if I had time and budget to, but..... Thanks in advance. Matt
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Is anyone making films in or around Nashville? I would love to have a creative community of filmmakers to work with in this town. Come out, come out, wherever you are!
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