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Detailed pictures - https://drive.google.com/drive/folders/1-7g5IosMeU9cZi431DsN2S2jf-p77qbf This is a brand new Arricam ST 3perf & 4perf camera package. Including x2 camera body. The package comes with the Arricam LT viewfinder allowing the camera to function as an Arricam LT. The much lauded ‘Indie Assist LT’ can be used on this package for an HD video signal output. The other option to achieve an HD signal output is to have the original Arri IVS upgraded with the new HD sensor installed by AZ Spectrum. The package also comes with the Universal Viewfinder for spherical or anamorphic use. Back Load adapter (included in the sale) allows the camera body to accept 1000ft & 400ft ST magazines (included in the sale) mounted on the rear allowing the camera to be used with LT video assists mentioned above. Arricam ST 3perf Package BRAND NEW COMPONENTS x1 K1.54001.3 ARRICAM ST 3 Perf x1 K2.54011.0 Power Bridge Plate ARRICAM + 19mm bars x2 K2.54097.0 LT Shoulder magazine LT SH x1 K2.54127.0 ST Magazine adapter x1 K2.54047.0 Back load adapter ARRICAM ST ( to mount 1000ft or 400ft ST mags on the back) x1 1.78 (16:9) ground glass SERVICED USED PARTS x2 K2.54015.0 Studio Mag 120m/400ft x2 K2.54027.0 Studio Mag 300m/1000ft x1 K2.54049.0 Lite Viewfinder (compatible with Indie Assist LT or the ARRI LT IVS) x1 K2.54046.0 Lite Eyepiece x1 K2.54050.0 Lite Extension x1 Arri LT IVS x1 Arricam Universal Low Mode plate (no bars) Arricam ST 4perf Package BRAND NEW COMPONENTS- K1.54001.0 ARRICAM ST 4 Perf K2.54190.0 Studio Universal Viewfinder (excl. Eyepiece) ST IVS ST frame-glow module K2.54097.0 LT Shoulder magazine LT SH x2 K2.54127.0 ST Magazine adapter Blank ground glass to have markings made up by technician, can supply details. SERVICED USED PARTS K4.52734.0 Lite Universal Eyepiece Any questions, feel free to ask. Please note - UK buyers, the payment will be via invoice on collection or prior to delivery. The sale price is + VAT. International buyers via invoice prior to delivery, No VAT. Price is $77k US -
Sony Venice 2 8.6K Brand NEW omar@raw-entertainment.com HS, Anamorphic, FF Licenses With media and all original accessories $84,000
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Zeiss Supreme Prime 6 Lens Set (25/29/35/50/85/100mm) omar@raw-entertainment.com No scratches, fungus, Focus accurately. Price:$85,000 Included: 25mm T1.5 29mm T1.5 35mm T1.5 50mm T1.5 85mm T1.5 100mm T1.5 Lens Case
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Up for sale is the Eclair NPR Super 16mm camera package in great condition. Package comes with these: - Camera converted to Super 16, with a PL Mount & "C" Mount; ground glass re-centered for S16. - Lens converted from its "CA" Mount to PL Mount. - New battery, cable and charger, tested to be fully functional. Items also included: - Angenieux 9.5 / 95mm... 1:2.2 lens PL Mount + sun visor and directional rod. - Protective cover and soundproofing / blimp... for camera. - 2 120meters magazines. - Perfectone motor. - 1 Flight case. - Facsimile of the original instructions for use. The Price is 2060 GBP (the cost of shipping not included) Items location is Wales. Camera and lens conversion fully done by Les Bosher; battery, cable and charger with modern components also replaced and tested by him. Communication with him about any concern is encouraged. Camera recently serviced, and operation checked by the same camera engineer, it's all ready to shoot. No issues. Images below shows the items that come with the package. Attached Images: (Photos are of camera before upgrading)
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Hello everyone, very soon I am going to tackle my first well budgeted movie as a camera op and I was looking for some tips from professionals on the matter. Its not the first time I operate but I am accustomed to small projects with little complications. This time I will be working with an experienced director who is going to rely on me a lot and with new gadgets for me such as the dolly magnum etc. We are a 2 cameras unit and although we run the same sensor I am stuck with the heavier camera. I expect some handheld action as well so any tips with that would be very much appreciated as well. Thank you all in advance!
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Arri Master Anamorphic set x4 35mm 50mm 75mm 100mm Plus Extenders 1.4x 2.0x The 50mm is brand new The lenses are located in the US. Price: $125k. omar@raw-entertainment.com
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I want to buy a 12v new battery suitable for a Bolex EBM. There's nothing on ebay and in Super8filmaholic website is out of stock. I have one old Bolex battery but I am looking for an alternative with more capacity. Best, Marcos
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Hey, so i recently got this Sankyo super8 camera for $5... It's missing a button on top just ahead of a rocker switch and I don't think the rocker does anything anymore. I believe the model is CME666. If anyone could tell me if it will still shoot I would greatly appreciate it! The motor does work and everything else on it works too.
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Hello everyone, I am a 3rd year film student studying Cinematography. The dream is to one day be a DOP for Film and Documentary, however, first I want to work my way up through the ranks of the camera department. I have undergone a number of weeks of work experience as a shadow camera trainee on 2 British TV shows. I was wondering if anyone has any advice on how to get work as a camera trainee in the UK? Or perhaps can offer me any work/work experience over summer as a trainee? Cheers! Josh Montoro
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https://vimeo.com/171603110 Thank you! -
Hi all! I've got some RED accessories for sale. All of them have barely been used and appear like new. All fully functioning. The following list is each item and their respective eBay links: *ALL INCLUDE FREE FIRST CLASS SHIPPING (international shipping as well) RED Cinema REMOTE (with case) -Like new -Fully functioning -$350 RED Cinema Module Adapter (with case) -Like new -Fully functioning V-Mount module adapter -$250 RED Cinema 4-slot SSD Case (case only) -Like new -4-slots for RED brand SSDs -$25 If you would like to contact me about the items, please reply to this thread and we can talk further details! -
Hi Everyone, If anyone is planning to attend NAB in Las Vegas next week and is looking for new lighting instruments then please do visit Photon Beard in Central Hall C7650. We will be launching our new LED soft light for use in studios. I have attached a picture of the large light which is a 360W (8 tube fluorescent equivalent). The range starts at 90W and goes to 180W, 270W and 360W. All units come with 5 year warranty on light output and quality. We will also have our LED Redhead, mains or battery powered and the very powerful Platinum Blonde 1200W HMI. I don't want to fill this post with sales blurb so if you need more info please email me or visit www.photonbeard.com Thanks Peter
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Selling a mint condition Inovativ Ranger 48" Cart w/ Mitchell Mount and Disk Brakes. This cart has never been used on set. It has been sitting in my garage since I picked it up from the factory. Reason for selling is decided I do not need it and could use the money. For anyone who doesn't know about these carts check out the website : https://inovativcarts.com/ Since the cart is brand new and there is currently a 2-3 month backorder on them I am looking to sell it at full price and can deliver today. Retail Price for everything listed is : $4534 (includes tax) + Plus even more for shipping. My Price: $4500 Local to Los Angeles. Will deliver but only to LA Locals. -
Hello, everyone, The title pretty much sums my issue up— I purchased this light off ebay but have no idea how to power the source with its 5 pin xlr power cord. thanks! -
I am selling a brand new Allsteady-7 3 axis gimbal (from TurboAce). It was bought last year, has only been tested 2 times (works flawlessly). I am selling it because for the past year i have devoted my time to photography, thus no longer being in need of some tools that just lye around the house. for details on what it does exactly (it is basically a heavy duty gimbal): http://www.turboace.com/allsteady7.aspx it comes with 2 batteries, charger, monitor arm and balance stand. The item is located in Bucharest, Romania. So i would prefer to sell it in Europe (i guess it would be more convenient for the buyer too). price is 3600$ + transport fees (keep in mind it is new).
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Apparently these are being called the "T-Series"? Panavision has pictures of two on their Twitter and Instagram. There's a 150mm T3 and a 37-85mm T2.8 zoom (front element like the two newer ones from 2007). Anyone heard anything else about these? Other lengths and so on?
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i have a couple of these follow focus gears for Chrosziel follow focus, they are unused, some are same and there is both pitch size for both tv and flm. they are located in sweden, but i can ship almost anywhere. Price: gibe me an offer
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I know essentially nothing about cinematography or film making - I'm just making a youtube series to satisfy my overblown ego and placate my own sense of inadequacy expand on my satirical blog. I'm running on a shoestring budget, I have next to no experience, and I have no equipment. So what kind of camera, microphone, and software could I get for very little money that would still allow me to make tolerable-quality little videos? Thanks! -
Hello! I've just started putting together a youtube channel with little behind the scenes videos, tutorials and advice for the aspiring, young, or otherwise "new" cinematographer. I've had many colleagues and students express frustration at the daunting task of "learning how to light". While complex in many regards, it also merely requires you to begin by putting one foot in front of the other... Take a look and let me know if you find this video helpful! Laura Beth Love, Cinematographer www.lblove.com -
Does anyone know what the light fixture in this image is? They were used by Roman Vasyanov on the set of Charlie Countryman. Thanks!
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Alright, where to start... I'm a young aspiring filmmaker whose had a passion for making films ever since I was 6. Self-taught, I've made films all on the digital format, and recently, I've been shooting short films on the Canon Rebel T2i. I'm all for manual control, and I'm a pretty big hater of auto focus. Being that most of the filmmakers that inspire me shoot on film, and that it's (sadly enough) slowly dying, I've decided I want to move from digital to film. Now I understand that a great place to begin is with film photography. I've signed up for a photography class (showing you how to shoot and develop film) for my Junior year, and I've also been reading through the web and these forums to understand the film process. My first set of questions are: What still film camera should I begin with? What type of film should I use? Anyway to make a cheap DIY dark room setup? After some practice with that, I wish to begin filming short films (after some more tests of course) on a motion picture film camera. I have in mind using a Super 16mm camera, however that may not be the right choice depending on your responses. So here is my big set of questions for you guys: Which Super 16mm (if I should even use a Super 16mm) should I shoot with? Which film stock should I shoot on? What are the differences between types of film stock? I understand that there's the 'Ultra' modification to convert 4:3 to 16:9, is there any other way to do this (2x anamorphic lenses)? Or could the gate be easily modified on my own? Should I use light meters? If so, which ones do you recommend? What's the best and affordable way of a HD DIY telecine? I understand you can send in your film to get it processed and telecined, but which one is the most reliable and affordable? How to properly light an indoor scene? How to shoot at night (EXT and INT)? Recommended books or websites? __________________________________________________________________________________ As for my tastes and interests (as it could help you answer my questions more specifically): I love Hitchcock, Welles, Nolan, and Kubrick. Film noir has always intrigued me, and I love the look of it. I guess you can say I love low-light photography and cinematography. A modern DP that I dearly love is Wally Pfister, and I understand he shoots on film. If I asked him these questions, what would he say? I also understand Chris Nolan shot Following with an Arriflex BL 16mm (don't know which model). I love the community here, and I hope you guys can understand my switch to film as I think its the true magic of cinema. Thanks ahead of time for checking this post out and taking the time to respond to newbies like myself. I hope to deliver my style and form of storytelling with film. Thanks so much guys! *do note that I own a Bell and Howell MS 30 Super 8mm (no stock)*
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I'm a sophemore studying film, the film department at my school is pretty weak so I went out and bought a blackmagic cinema camera and decided to just teach myself Cinematography. I've had the Camera for about a month. The only camera I've had before this one was a gopro hero3 so I had a lot to learn about lenses, color grading, focusing, and a lot of other stuff before I was ready to try to put any stories together. I shot this one mainly focusing on the cinematography since story telling is not my main point yet. Plz tell me how I can improve.
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I saw this rather intriguing post on REDUSER.net and I thought someone who posts here more regularly might have heard similar murmurings. http://www.reduser.n...531#post1123531 I've added a screencap for posterity.
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Ok, somebody needs talk to me about this. An open source 4k cinema camera. I believe they'll be releasing the plans this summer, and perhaps selling prototypes. http://axiom.apertus.org/index.php?site=alpha I've been wondering when the open source hardware movement would find its way to the camera world. I'd be amazed if this project didn't flop (the beta version they want to sell via kickstarter seems more like an interesting paperweight than a working camera), but man, I would love to beta test. Perhaps someone else will pick up where this group leaves off. So. The topic is, will you someday be building your production camera out of off the shelf parts, like a PC? My position: it will be possible, but it'll be more of a hobbyist pursuit, and the heir to Epic, Alexa, etc will have features the home builders still can't touch. Perhaps there will be a few models developed (like Redhat Linux) that are more widely adopted in professional applications. The first professional cinematographers had to build their own cameras, y'know...
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I need some advice to help me decide on a Camera, and I'll give a quick run-down of my situation because I've seen others leave out details on the forum after a brief scan. I'm a Graphic Design student in Toronto, I'm in my 4rth year doing my Design Thesis, and over the past 2 years I've taken more motion graphics/VFX classes than anything else (which is strange to me in a design program mostly based on print and typography) none the less I've found myself heading in the direction of film. I've been doing photography for some time now, I mostly only shoot for personal, but it lead me into film making when I had my Nikon D3100 (by no means a great camera for video) I mostly shoot action sports up until now, some of the atheltes are taking on professional sponsorships for this year, so with that in mind I already needed to upgrade my gear to keep up with the level of deliverables. As of recently I had my camera gear all stolen from me, there is little to no chance I will ever see any of it again. My next intention is to pick up more professional level video camera, something between $2000 and $3500 (Canaidan dollars) and I have NO idea what to pick. Most skate/snowboard/action sport camera men I meet suggest Sony VX series cameras, which to me isn't so appealing, I don't want to be investing an already limited amount of money into something used. I have some minor technical idea of what I'm looking at from playing with my gopro and knowing DSLR technology pretty firmly, but digital camcorders still confuse me when I read the technical specifications, there's just a lot to take in. Beyond action, I do plan to step out into film making, and even hope to try my foot in areas I've studied like advertising. I've been mostly going off what's available to me from Henrys http://www.henrys.com/Categories/112-Pro-Video-Cameras.aspx So my question for those of you already experianced in this, what am I looking for? Anything right now is positive for me.
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