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  1. Hey there everyone! I am a colombian film student and wannabe cinematographer and I am looking for some advise for an upcoming short film me and some classmates are preparing. So I am going to be the DP for this short and in terms of lightning I am looking to have an aesthetic close to the images I attached below for the interior daylight scenes. Logic tells me that to achieve this I should have some strong key lights motivated from the windows on the characters and expose to those bright areas of the face, so everything else will be darker to achieve that high contrast ratio. We´ll probably h
  2. Hi I’m looking to purchase an arri iic or arri 2c. I’m preferable looking from the range of 300-1000 dollars. also interested in arri 16
  3. Looking for Dp to join my crew. Ready to shoot music video, films, etc
  4. Hi Name is Boris I’m a young director looking for a team in creating a film crew. I need a Dp/camera operator. I’m preferably looking for one located in Massachusetts. I shoot music videos, short films, etc. I’m trying to work ASAP
  5. Hi there! This is my first music video as a working DP in LA and I'd love for your feedback. This was a 2 day micro--budget production shot on an Alexa Classic with Vintage Russian 'faux anamorphic' glass. I had to operate and pull my own focus which made some shots challenging at times.
  6. Hey all, I was recently drafting my personal contract which I was taking from Imagos template contract for DPs. Here is the template: https://www.imago.org/images/pdfs/CINEMATOGRAPHERS/MODEL%20CONTRACT%20FOR%20AUTHORSHIP%20-%20version.22.01.08.pdf . In article 7.2, its speaks to Copyright Collective Socities. I understand the purpose of these copyright collectives, but after some searching, did not find any socities of note in America that cover motion picture professionals. Since this is from Imago, are these Socities more common in Europe than America? Does anyone have any more in
  7. Hi everyone, I am just wondering if there are any people out there who are both directing and filming (as cinematographer) their work. And if so, what type of projects are those (short films, documentaries, etc.)? And what is your reason to do so (e.g. budget, more creative freedom, etc.)? Please note that I am not asking for a specific reason, just kind of curious. Feel free to share some examples, could be fun! Kind regards, Jaap P.s. meant to write simultaneously in the topic :P
  8. Hello, I just finished helping a friend of mine with a shoot and the DP on set had two tools with him. One being a light meter and the other one I couldn't figure out what it could be. He would take a reading with the light meter then he would take this tool out of his pocket and a green light would flash and then he would look at it, then adjust the film camera. I thought it could be a pocket camera but I have never seen it before. Just looking to see if anyone knows what this might be. Thanks,
  9. I wanted to know is there any good lighting resource material that anyone would recommend? I know that experience is the best teacher. I'm looking for books or videos to show how to manipulate light to get the look that a director is looking for? Thanks,
  10. Hey guys, I haven’t been on here for a while. I’m looking for some advice. Sorry if this is long winded…It’s been in my head for a while. I’m a Scottish DP based in Hong Kong and I’m thinking about relocating back to the UK & trying to get into production work. A bit about me : I have an undergrad in Film from 20 years ago and about 10+ years experience in the camera side of production…everything from AC to Gaffer to DP but mainly on small productions - loadsa of Short films, Indie Music Vids & tons of corporates. (I’ve shot corporates & Indie stuff in about 12 diff
  11. It's a 4-week shoot here in L.A., mostly at one location. Although low budget ($850k), we're a very experienced team, and you can see us here. We've got 15 Emmy nominations and won 4 (The Simpsons, Frasier), and have an Oscar-winning composer on the project. And yes, we know lots of DPs, but they all work at the network/studio level and we can't afford them on this. Also, they're all booked. ;) So we need a hungry up-and-coming DP for our Christmas comedy. Shooting on an Alexa and finishing in UHD. The movie has distribution. This is a character-driven family Christmas co
  12. Hello, I'm seeking a DP for a feature film. I'm still putting together many of the moving parts such a named actors, money and locations therefore this director of photography will become part of the package I present to financiers. Ideally, I'm seeking someone who has 10 years plus experience and has at-least 3 films to his/her credits that are theatrical releases. Why is theatrical important especially today you may ask. Good question. Someone who has films continually exhibited in theaters knows what a theatrical film should look like. I'm not seeking someone who can shoot a TV looking mo
  13. Hi, Please take a look at my some of my work. Technical as well as creative feedback would be much appreciated. Thanks in advance. Tanul https://vimeo.com/114125050 https://vimeo.com/153612386
  14. Finished up a passion project. Short narrative, thought I'd share it guys. Shot on BMCC 2.5k w/Speedbooster and Sigma art 18-35 Lens. Shot Raw and graded in DaVinci Resolve. The story and idea is based on experimenting with the power of music.
  15. Hi Cinematography Friends, Just finished my 2017 filmmaker reel and would really appreciate some feedback from the community. Thank you for taking the time! JJ Osbun https://player.vimeo.com/video/215070717
  16. Could it just be that Georgia has a 30% tax credit as opposed to MA's 25%? Lack of top tier talent? I ask because I've recently begun freelancing here and I aim to be a DP someday but I'm having trouble finding any major DP's in the state, commercial or film. They're just imported from NYC when needed. What needs to happen so that Boston can be a competitive city in the film and commercial world? I love this city and I'd rather not move!
  17. hello guys, I reedited and hopefully tweaked my cinematography reel, if anyone’s curious about it here is the link: https://vimeo.com/200803231 Feel free to throw in any feedback/advise, always more than welcomed! thank you :) S.
  18. In the middle of Feb. I will be DP'ing my first feature film. I will be providing my personally owned lighting and grip equipment as well as a RED Dragon cam. I will be lighting the scenes,camera operating, and providing directorial advice to the director. Shooting is scheduled for 3-4 weeks. There is a budget for me to be paid an (ok) rate in installments over the course of those 3-4 weeks. The film will be submitted to bigger studios/reps/investors for consideration of being picked up or bought and being produced on a bigger scale with bigger budgets. In the event that our version does actua
  19. In the middle of Feb. I will be DP'ing my first feature film. I will be providing my personally owned lighting and grip equipment as well as a RED Dragon cam. I will be lighting the scenes,camera operating, and providing directorial advice to the director. Shooting is scheduled for 3-4 weeks. There is a budget for me to be paid an (ok) rate in installments over the course of those 3-4 weeks. The film will be submitted to bigger studios/reps/investors for consideration of being picked up or bought and being produced on a bigger scale with bigger budgets. In the event that our version does actua
  20. Hey everyone! I will be attending Emerson College's LA campus fall of 2017 and we are required to hold an internship for the semester. My focus is cinematography, and am particularly looking for internships that pertain to it. However, this has so far not been an easy search. Most internships I see are "entertainment" or administrative internships. I'm not worried whether it's paid or not, and certainly do not mind internships that require office duties and tedious workloads. My one desire is to find a place where I can at least learn something about the craft and industry. So far,
  21. So I am heavy into interviews and music videos and but I just finished up my short film. I am wondering what type of work people look for on a reel that pleases there eye. Do you guys have any examples or your reel you could share with me? I'll been making my self busy trying different kinds of video work to get better looking stuff.
  22. any DPs out there with some useful tips?? Anything you wish you would have known when starting out as a DP?
  23. WRITER/PRODUCER/VISUAL DESIGNER SEEKING DIRECTOR OF PHOTOGRAPHY WITH HER/HIS OWN EQUIPMENT WHO CAN EDIT AND PRODUCE — TO PARTNER ON PRODUCTIONS Hello everyone! Thank you, in advance, for taking the time to read my post. If it interests you I look forward to hearing from you... if it doesn't then I simply wish you amazing success on all your projects. I cheer for everyone to get their TV and film projects made! Okay...I'm a writer and producer, and a visual designer. I have multiple completed feature scripts and many more ideas/treatments. I have an open invitation for a pitch meeting
  24. I'm just wondering if anybody could break down this scene in terms of lighting for me. Im shooting a short film for somebody next week and would love to achieve this sort of lighting set up. what i'm looking for is Light ratio Temperature softlight/hardlight Colour Gels Filters Lights that are believed to be used colour scheme Practical lights lighting position If anybody could help me out it would be greatly appreciated Thanks
  25. I'm looking to buy a Kowa Anamorphic lens set to PL mount, hopefully. Please let me know if you know of anyone selling. Thanks so much!
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