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Found 25 results

  1. I recently got an Aaton LTR 7 serviced and have been practicing loading it and running film through it for a project. It has 2 mags. One of the mags is making a scratching sound and I am not sure what it is. The only difference between the mags is the rubber stoppers on the load in side seem to keep getting ground down everytime I run a roll through the camera on this problematic mag. Is there another reason that the sound could be happening and if not do you know why these are being grounded down? improper loading? The roll maybe has to be completely flat when loading? I'm really not sur
  2. I became interested in microcontrollers a while ago and I am considering a DIY sync sound motor for my Kinor 2m camera. I also have other cameras which could use a stable speed motor (for example my 35mm Soyuz-US3N camera and the rheostat motored Konvas 1KCP. This is because there is no available motors of any kind for Soyuz and the rheostat Konvas never had any sync motors made originally) . I started with the 16mm Kinor motor last month and I'm refining the analog control electronics and fine tuning the code now. I was just thinking, is there lots of people out there who could use a cu
  3. The 13th annual Hollywood Professional Association (HPA) Awards took place tonight, honoring the accomplishments of industry luminaries, behind-the-scenes artists and outstanding engineering teams. The HPA Awards set the bar for creative and technical achievement, recognizing individuals and companies for outstanding contributions made in the creation of feature films, television, commercials, and entertainment content enjoyed around the world. Awards were given to talented individuals and teams working in twelve creative craft categories, including color grading, sound, editing and vi
  4. The Hollywood Professional Association (HPA) has announced the 2018 nominees for the HPA Awards creative categories. The Awards are considered the standard bearer for creative excellence and technical innovation in an industry embracing an expanding array of groundbreaking technologies and creativity, honoring achievement and artistic excellence by individuals and teams who bring stories to life and outstanding content to audiences around the world. Launched in 2006, the HPA Awards recognize outstanding achievement in editing, sound, visual effects and color grading for work in television,
  5. You read that correctly. For a limited time, I am producing custom soundtracks for FREE for (inspired) Filmmakers and Game Developers. Click the link for more details. https://jordanwinslow.me/free-music-soundtrack-for-film-video-game/
  6. Hey Everyone, I'm an experimental composer and sound artist from Utah. I produce in a similar vein to Trent Reznor, Mica Levi, Radiohead, and other sort of esoteric artist. If anyone is looking for a score or music for your project, I'd love to talk with you. Reels, credits, and other info is available on my website. Thanks for looking. Hope to hear from some of you. Devon
  7. The Hollywood Professional Association (HPA®) has opened its Call for Entries in Creative Categories for the 12th annual HPA Awards. These awards are considered standard-bearing honors for groundbreaking work and artistic excellence, recognizing creative artistry in color grading, editing, sound, and visual effects in feature film, television, and commercials. The HPA Awards shine a spotlight on talent, innovation and engineering excellence in the professional media content industry. The 12th annual gala awards presentation will be held on the evening of November 16, 2017 at the Skirball Cult
  8. Hello all, I've run across an odd reel of 16mm and am trying to identify the type of sound track. It looks like the reel has 6 tracks of optical sound squished into the optical track, but that's absurd and ridiculous. Has anyone encountered this before or have a better idea what I'm looking at? Assuming this is what it looks like, anyone know what sort of setup would have been used to create or or play it back originally?
  9. Hollywood Professional Association Unveils HPA Awards Nominees Creative nominations announced for editing, sound, visual effects and color grading 28 September 2016 (Los Angeles, CA) - The Hollywood Professional Association® (HPA) today announced the nominees for its 2016 HPA Awards. Considered the standard-bearer for excellence and innovation in an industry embracing an expanding array of groundbreaking technologies and creativity, the HPA Awards honor creative achievement and artistic excellence. Launched in 2006, the HPA Awards recognize outstanding achievement in editing, sound, visual
  10. This forum is abound with requests for cheep 16mm cameras. Very few however broach the subject of sound. I'm looking for a camera with sound sync and a reflex view finder. I have four 100' roles in my freezer so it would be beneficial to be able to use them as apposed to a camera that only shoots 400' roles. I've shot two short films using the Canon Scoopic. Both projects where dialogue free. From what I've been told there's no good way to sync sound to them. In fact, I was told if you tried the sound would become desynced. is this true? I'm looking for a camera under $500 that has sou
  11. I've been lurking here for some time, reading and doing some research. I have thousands of hours of Super 8mm home movie footage taken from 1967 to 1990 that I am looking to get transferred. I'm dealing with amateur footage that is naturally shaky from the handheld camera, has occasional focus problems, lots of panning around etc. LOTS of poorly lit indoor shots. The film itself is *ok* but it has some dirt, scratches, etc., that you would expect from 30-40 year old films that have been handled / stored by Average Joes. It also has lots of splices. After doing some research here, I c
  12. LOS ANGELES (August 15, 2016) - The 38th edition of The Reel Thing, a three-day symposium addressing audio/visual restoration and archiving, will explore the constantly evolving ecosystem of film and digital restoration and preservation. This year's program will examine legacy film restorations and showcase modern technologies being used to futureproof collections and keep them viable for future display and distribution formats. The event will take place August 18-20 at the Academy's Linwood Dunn Theater in Hollywood. In addition to discussions with industry leaders, premiere screenings of se
  13. Hello everyone, I have researched online and can't come to any solid conclusions about how sound design and/or mixing is done when you're working optically. For instance: I'm making a movie and seriously considering taking it the full photochemical route, ie. shooting on 35mm scope, processing the film at Fotokem, getting a work print made (no DI), cutting the film on a flatbed, conforming the negative, timing the answer print, and striking a release print. The idea is to keep my movie completely off a computer. But the thing I can't seem to wrap my brain around is the audio part of
  14. Looking For Microphone Boom Arm: Similar but not limited to Mole Richardson 103B
  15. Hi I'm putting together a crew for an upcoming feature fillm with a good production budget. I'd really like to team up with an experienced Director of Photography, an awesome line producer and good sound crew. This is a fall production starting in October. Interested parties can send reels and resumes to dvpauditions@gmail.com. Regards
  16. So here's something I haven't seen before: A client sent us some Super 8 Sound film shot in the 1980s, but the audio is consistently about 1 second out of sync throughout the reel. How is this possible? The sound record head was a fixed distance (18 frames) from the gate in all sound cameras, and it's clear that this is sync sound with appropriate ambient noise (not post-dubbed on a projector or editor). The subjects are holding the typical cheap condenser microphone that came with most of these cameras. You can hear them bump the mic against a table about a second before you see them do it.
  17. Hello. I am recording sound on a Nagra 4.2 for a film. It records on 1/2" tape and is crystal sync'd at 60hz. Being that I need to transfer the tape to digital format and need it to sync up with my 16mm film shot at 24fps and converted to 23.97fps for digital editing I need the analog tapes to be resolved so that there is lip sync. This requires the transfer have a resolver capable of this sync time (54.94hz, slowed down from 60hz). Does anybody happen to know any labs that do this in the US? I appreciate your time
  18. Hello Everyone, I have been attempting to learn more about electrical/battery power and sound, but haven't been able to find the right online resources. I was wondering what an AC, whether 1st or 2nd, should know about sound and power? As of now, I know some basics on both topics, but am always looking to learn more in order to be better prepared. Thank You, Joseph Robinson
  19. Hi everybody. Am not a sound guy, and my knowledge is very limited. But I'm putting together a nice gear set for my Black Magic Pocket Camera. And now I'm on SOUND. I've bought the Rode NTG2. And now I need advice on a cost-effective PREAMP. I've found the PULSE DUAL CHANNEL AMPLIFIER: http://www.astounded.com/pulse-mpre-dual-dual-channel-microphone-preamplifier.html And might 'sound' crazy, but I've got the idea to use this pedal as it might be a good solution: http://www.gear4music.com/Guitar-and-Bass/Behringer-PB100-Preamp-Booster-Pedal/6BK?origin=product-ads&utm_source=google&utm
  20. I am looking for a cinematographer. I am filming a pilot episode for my short drama next week Monday and Tuesday in Watford (UK) and next week Friday in Middlesex Hendon (UK). Then the following week beginning the 21st we plan on filming episode 2. We have a few independent production companies interested in this drama. Would you be available? Do you have your own equipment? For more information email me at jevan_buckley@hotmail.co.uk Thank you Jevan
  21. Just bought this MXL 550/551R Condenser Ensemble Microphone Kit, Red with Chrome Grill. First time buying a mic. It's internally wired so do we need to buy cables and phantom power? Also any other tips for using it would be great.
  22. For those of you who've actually used it, is the ARRIFLEX 416 Plus HS louder than the regular speed range 416 models? The former is rated at 29 dB while the latter two are 20 dB. However, unless I'm misinterpreting the specification, I suspect the sound level measurement is referring to operation at the top speed (150 fps vs 75 fps). Or does it actually make more noise at standard frame rates like 24 fps?
  23. Hey there, I'm new here and I'd like to start asking a question about sound. Last year I shot a movie with a friend of mine, using as record devices a condenser microphone, linked to a sound card, which was linked to the laptop. Now, I brought my sound card home with me, but now it seems I can't find it anymore... Looks like I'll have to buy another one, but since I'm not an expert in this field, I can't really remember which are the features of the sound card I used last time, nor the brand... can someone tell me which are the basic features one should require from a sound card of t
  24. Hi I am empop. I am a singer/songwriter, producer, and recording studio manager from London, UK. I am writing to offer my music for free for film projects! I expect no royalties! If you would like to use my music I just ask that you send me a link to your final film, credit me at the end and also Follow me on Twitter: @empop89 and like my facebook page: www.facebook.com/empopmusic. ;-) My music is quirky, different, happy, catchy, melodic, fun and would work well for TV/Film/Adverts etc! I own all the rights to my music. I have instrumental versions of all my songs too if needed.
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