Post Production

2,596 topics in this forum

1. I'm going to recreate technicolor, but I have one problem

   By Brian Rose, October 16, 2005
   • 12 replies
   • 4k views
   • 
   • John Pytlak RIP
   • October 17, 2005
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3. Shake/AE/Combustion?

   By Guest peter orland, June 18, 2006
   • 17 replies
   • 4k views
   • 
   • Will Earl
   • September 16, 2006

4. Colour correcting/grading old movies to give them a modern day look?

   By Raymond Ngoh, June 6, 2013
   • 5 replies
   • 4k views
   • 
   • Adeyinka Otubusin Reflection Pictures
   • July 22, 2013

5. The Analog Office

   By Bill DiPietra, May 26, 2015   

   • steenbeck
   • 16mm
   • (and 2 more)

     Tagged with:

     • steenbeck
     • 16mm
     • analog
     • film
   • 7 replies
   • 4k views
   • 
   • Josh Gladstone
   • May 28, 2015

6. Glow w/ fog filters or in the DI?

   By Khalil Omer, October 21, 2013   

   • filters
   • fog
   • (and 3 more)

     Tagged with:

     • filters
     • fog
     • diffusion
     • color grading
     • glow
   • 3 replies
   • 4k views
   • 
   • David Mullen ASC
   • October 21, 2013

7. 16mm to digital AND 35mm?

   By schnozzle, January 25, 2005
   • 16 replies
   • 4k views
   • 
   • Dominic Case
   • February 25, 2005

8. Moviola Flatbed Problem

   By Peter Char, July 1, 2011
   • 5 replies
   • 4k views
   • 
   • Tom Jensen
   • July 28, 2011

9. DPX to Prores 4444 - footage go's really dark during log to Lin conversion

   By Phil Thompson, February 10, 2011
   • 6 replies
   • 4k views
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   • Chris Burke
   • February 11, 2011

10. Direct to print vs internegative

    By Juha Mattila, November 3, 2015
    • 11 replies
    • 4k views
    • 
    • Juha Mattila
    • November 7, 2015

11. Photo to Cine

    By Benjamin Miller, October 12, 2010
    • 9 replies
    • 4k views
    • 
    • Dylan Kress
    • October 17, 2010

12. POST PRODUCTION

    By michel, May 6, 2016   

    • mini dv
    • dvcam
    • (and 8 more)

      Tagged with:

      • mini dv
      • dvcam
      • telecine
      • 8mm
      • 16mm
      • 35mm
      • tranfer
      • editing
      • film
      • dv
    • 2 replies
    • 4k views
    • 
    • Bill DiPietra
    • May 6, 2016

13. Washed out film grade

    By Nathan Lacey, June 19, 2013   

    • washed out new contemporary
    • 5 replies
    • 3.9k views
    • 
    • alan doyle
    • June 19, 2013

14. One-light telecine first, grading later. Advice?

    By Guest Zulkifli Yusof, January 18, 2007
    • 21 replies
    • 3.9k views
    • 
    • thomas-english
    • February 25, 2007

15. Best way to render film file

    By Marco Montenegro, July 5, 2016   

    • #sony vegas #editing
    • 8 replies
    • 3.9k views
    • 
    • Michael Rodin
    • August 12, 2016

16. Blue Noise in Shadows

    By David Cunningham, May 6, 2013
    • 18 replies
    • 3.9k views
    • 
    • Chris Burke
    • May 13, 2013

17. Print Film Emulation LUTs

    By Sidharth Sadhujan, October 15, 2017
    • 1 reply
    • 3.9k views
    • 
    • Bruce Greene
    • October 15, 2017

18. Davinci waveform, blacks stay at 128

    By Stefano Stroppa, May 30, 2017   

    • waveform
    • davinci
    • (and 4 more)

      Tagged with:

      • waveform
      • davinci
      • blacks
      • davinci resolve
      • grading
      • color grading
    • 1 reply
    • 3.9k views
    • 
    • Bruce Greene
    • June 2, 2017

19. How to convert 23.98 to 29.97 in post and will look natural.

    By etiennecaron, September 12, 2008
    • 2 replies
    • 3.9k views
    • 
    • Peter Moretti
    • September 13, 2008

20. What is this thing we do in editing called?

    By Yash Lucid, August 16, 2016
    • 6 replies
    • 3.9k views
    • 
    • Patrick Cooper
    • August 17, 2016

21. DPX file resolution when scanning 35mm 3-perf?

    By Riza Nur Pacalioglu, July 13, 2010
    • 4 replies
    • 3.9k views
    • 
    • Riza Nur Pacalioglu
    • July 13, 2010

22. 35 Film Scanner - imagica 3000v Anyone out know anything about it?

    By Sanj Sharma, August 20, 2009
    • 10 replies
    • 3.9k views
    • 
    • Robert Houllahan
    • December 1, 2010

23. H264 4K encode codec, DPX 16 bits TIFF 16 Bits

    By Frank Chang, August 30, 2016
    • 4 replies
    • 3.9k views
    • 
    • Frank Chang
    • August 30, 2016

24. S16mm 2k workflow/VFX quality control

    By Liam Kavanagh, November 6, 2008
    • 4 replies
    • 3.9k views
    • 
    • Scott Fritzshall
    • November 9, 2008

25. Best Scanning House for Minimal Grain

    By Sidharth Sadhujan, February 20, 2017   

    • 35mm
    • grain management
    • (and 4 more)

      Tagged with:

      • 35mm
      • grain management
      • noise
      • grain
      • scanning
      • telecine
    • 9 replies
    • 3.9k views
    • 
    • Will Montgomery
    • February 23, 2017

26. Kinescope 2005

    By ATRsea, July 6, 2005
    • 21 replies
    • 3.9k views
    • 
    • Tim Tyler
    • July 8, 2005