Phil Connolly Posted February 8, 2020 Posted February 8, 2020 The Elephant Man The Man who wasn't there Nashville Pi
charles pappas Posted February 8, 2020 Posted February 8, 2020 I get the joke about the man who wasn't there, but nashville went over my head
Phil Connolly Posted February 9, 2020 Posted February 9, 2020 20 hours ago, charles pappas said: I get the joke about the man who wasn't there, but nashville went over my head Sorry brain fart - meant "Nebraska", it seems I confuse my american states that begin with "N" Both great films
Dan Hasson Posted February 9, 2020 Posted February 9, 2020 The Party (2017) Blue Jay (2016) La Haine (1995) Raging Bull (1980)
charles pappas Posted February 9, 2020 Posted February 9, 2020 59 minutes ago, Phil Connolly said: Sorry brain fart - meant "Nebraska", it seems I confuse my american states that begin with "N" Both great films I see, however, I would not include "The Man Who Wasn't There" as it was originated on color negative and printed on b & w. I'll throw in one simply because it was anamorphic: "Suture".
Phil Connolly Posted February 9, 2020 Posted February 9, 2020 2 hours ago, charles pappas said: I see, however, I would not include "The Man Who Wasn't There" as it was originated on color negative and printed on b & w. I'll throw in one simply because it was anamorphic: "Suture". I think it counts - same with black and white movies shot on RGB Bayer sensors and desaturated.. Like Roma, Nebraska Surely the interesting thing is how the end result looks and the creative use of the B & W colour pallet, rather then the specific tools used to get there. I would agree the black and white "editions" of colour movies like Fury Road and Parasite - perhaps shouldn't be considered "black and white" movies. But Deakins workflow was about improving the on screen image quality in a time when the choice of black and white stocks was very limited.
Phil Connolly Posted February 9, 2020 Posted February 9, 2020 Wild card entry: "Bait" (2019) - not technically "good" due to the hand processing, but some very striking and beautiful images 1
Daniel D. Teoli Jr. Posted February 9, 2020 Author Posted February 9, 2020 (edited) 1 hour ago, Phil Connolly said: I think it counts - same with black and white movies shot on RGB Bayer sensors and desaturated.. Like Roma, Nebraska Surely the interesting thing is how the end result looks and the creative use of the B & W colour pallet, rather then the specific tools used to get there. I would agree the black and white "editions" of colour movies like Fury Road and Parasite - perhaps shouldn't be considered "black and white" movies. But Deakins workflow was about improving the on screen image quality in a time when the choice of black and white stocks was very limited. Sure, count digital BW like was mentioned...if it impressed you. We are just throwing out film options to study. Edited February 9, 2020 by Daniel D. Teoli Jr.
Premium Member Dom Jaeger Posted February 10, 2020 Premium Member Posted February 10, 2020 No one mentioned "The Lighthouse"? 2
Manu Delpech Posted February 12, 2020 Posted February 12, 2020 On 2/10/2020 at 1:32 AM, Dom Jaeger said: No one mentioned "The Lighthouse"? Surprisingly not until you did :D
Jordan Beard Posted May 27, 2020 Posted May 27, 2020 Ida, Gueros, A Girl Walks Home Alone at Night, Embrace of the Serpent, The White Ribbon, The Turin Horse. Loved 'Bait' too. 1
Premium Member Phil Rhodes Posted May 27, 2020 Premium Member Posted May 27, 2020 The Li... oh, it's already happened. Schindler's List?
Saikat Chattopadhyay Posted June 5, 2020 Posted June 5, 2020 I believe Lukasz Zal has done an amazing job with his two films Ida(2013) and Cold War(2018). Composition and lighting both look very promising , with a unique style of keeping “larger head room”. Had he been discussed in this forum before?pardon me as I am very new. 1
Igor Trajkovski Posted June 7, 2020 Posted June 7, 2020 On 6/5/2020 at 9:31 PM, Saikat Chattopadhyay said: I believe Lukasz Zal has done an amazing job with his two films Ida(2013) and Cold War(2018). Composition and lighting both look very promising , with a unique style of keeping “larger head room”. Had he been discussed in this forum before?pardon me as I am very new. I love them too. Great story and visuals. Some screens: "Ida" (2013)
Premium Member Simon Wyss Posted June 7, 2020 Premium Member Posted June 7, 2020 Dead Men Don’t Wear Plaid
Lisa Crookes Posted June 19, 2020 Posted June 19, 2020 Ida, Roma and The Lighthouse. Interesting that Roma wasn't mentioned before. No fans?
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