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Showing results for tags '16mm'.
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I am selling my AATON LTR 54, I have had it a couple years and love it very much, however am needing to sell. I am based in London. I will upload more pictures when post is online and can send more to anyone who is interested via email. Last Year I got a full camera service with Alan Giles. All mags tested, body, motor and battery re-celled. The camera runs very smoothly and is in very good condition, having been fully serviced last year.The camera is in two flight cases, one for camera, and an accessories case. -Camera body -3x 400ft mags - 3 12v batteries -wooden aaton handgrip -aaton leather barney -matte box -Short and extended eye piece. -Battery charger. -15mm rod extensions. + a lot of accessories that'll be shown in pictures!
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G’day all, I’m on the hunt for a motor for an Eclair ACL. Preferably the higher speed one, but not fussed at this point, just grateful if anyone can please point me the direction of one at all.
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Canon 11-165mm PL Mount Super 16 Format T2.5 Amazing Zoom Lens Good shape lens, amazing technically. Includes hard case. £3500 (EU) or $4200 (US) – I am based in London but will be in New York soon so can ship it from there if that helps. Technical Specs Focal length 11-165mm Max aperture (T) 2.5 Close focus 3' Image Circle 16mm Front diameter 95mm Weight 2268g Length 190mm Mount PL Mount
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Looking to buy an Eclair NPR. PM me if you have any leads. Thanks~
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I’m a new amateur filmmaker located in Massachusetts looking for places to rent nice 16mm cameras preferably eclair, arri, bolex. Anywhere in Massachusetts or near or anyone in mass. Also what’s the best place to learn how to film with film cameras
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Hi all, I have shot a few rolls on my Krasnogorsk-3 and all of them have had this mark on them in the top left corner. When the roll begins there is nothing there and seems to be working as it should be, and then as the roll progresses the mark appears and gets worse! Any thoughts would be greatly appreciated! Rob
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Hi! does anyone happen to have a maintenance manual and other documentation about Zeiss Oberkochen Opton 10-100 f1.8 (T2) (Arri-B // 16mm)? I converted my lens to s16 (12-120 T2.4) with Abakus (old optex) conversion kit. No vignetting with digital 2k. I've tried to search several times with different index words and and I even asked from Zeiss service. My lens has stiff focus and the focus helicoid needs a proper cleaning. Photos: https://drive.google.com/open?id=1adwPNUXdbbn6m8QPhRRvWs1fP8NU1Riq Thanks! Best regards, Atte -
I'm considering buying this Bolex I found at a local camera store. I've been wanting to try 16mm for a while now, and this feels like a good opportunity to purchase. I was wondering if anyone could highlight some pros/cons with this model? I believe it is just the H16 Reflex. It sounds like it runs fine and everything seems to be working, but regardless I plan on sending it to get serviced just to make sure everything is working properly. I'm only aware of Du-All Camera (if anyone has any other suggestions, please let me know). Are there any specific limitations or things I should be cautious of? The lenses seem decent, but I think I'd like to buy some better primes later on. Thanks in advance!
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For sale is our full Super 16mm ARRI SR3 Advanced Highspeed kit. This is a full kit including everything you need to shoot. We purchased the camera in 2014 and have used it on a couple of shoots. In 2016 we had it professionally serviced by Panavision in Sydney, one of the batteries was also repacked in 2016 by battery world. See the gear list (Picture) for everything included in the kit with a description of the condition. It was most recently used for a short film in January 2019. As you would expect the kit has got standard wear and tear, the previous owners were Panavision UK. This wear and tear is cosmetic only and does not effect the functionality of the camera. The lens is in mint condition, no fungus or haze. The focus and aperture ring is smooth. We are based in Adelaide, South Australia. Can post via (insured) courier at buyers expense or local pickup. Payment via bank deposit, PayPal (2.6% surcharge) or cash. No returns. For further information please contact Liam Harvey (telecaster7007@gmail.com) or Declan Brown (dbrown5012@gmail.com) serious enquiries only. We are also including 2300ft of 16mm film, the Kodak stocks are old/expired stock, the Fuji stock was bought in 2014 with the camera and has been refrigerated since we got it. We used some fuji stock from the same batch at the beginning of this year and the footage was perfect. The kit is priced to sell at $10,000 AUD We want to sell this is as a kit, so please refrain from asking us about the prices of individual items. Link to a gallery of items in the kit: SR3 Album
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Hi, I work at a teaching facility where we have six Arri-S kits with matte boxes. We've been able to maintain all the equipment for a very long time, but one thing we're running out of and can't seem to find are the trays that hold the 2 x 2" filters. We're down to one per matte box, instead of the two they can hold. Does anyone know where I can obtain more? Or is there a relatively sturdy DIY replacement? Could a holder be 3-D printed? Thanks for any advice! Lev
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I’m intending to do some double exposures on 16mm film with an Arri 416 camera. The most rudimentary method I could think of is just expose the entire roll (one stop underexposed, or however I feel is appropriate for the subject), make notes of the contents, and then reload the same film to shoot the second layer. But sometimes it would be really convenient to be able to just «rewind» the film right away to do the second layer. As far as I can see from the manual, there is no such function in the camera. I guess you could open the mag and do it manually, but it sounds cumbersome. Anyone done this and know a good method that I haven’t though of?
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Can anyone please help me identify a two (round) pin (plus earth 'flange') connector on an RCA Holywood cine projector. The plug (though the plug contains copper pin sockets) has Nettle T80120 written on it. The plug is 120/240v and there is one socket on the projector (with copper pins) as well as earth 'blocks'. There is also a transformer with a plug (bakelite-falling apart) and I also need another plug (to standard three pin uk plug) to plug into the transformer to provide 240v. For images of the socket and the plug, please see: https://drive.google.com/file/d/1XC-CEt4hgsNrMVI-tXjdva_kQ3HN9pnC/view?usp=sharing I'd be particularly interested if there is a modern (i.e. non bakelite) version available. Thank you Andy -
Hey everyone, I've had a handful of rolls developed from my Bolex H16 RX, and all have had a vertical purple line throughout each frame on the left hand side. There's a faint line on the right hand side as well, but less prominent. The line is more apparent in underexposed footage. Image attached of an underexposed clip. Anyone know what this might be? Some sort of a light leak, or is something scratching the film? Thanks in advance for any help.
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I just learned I have access to an Aaton LTR but that the batteries went missing. I've searched for batteries online to no avail and was wondering if anyone here knew anyone selling them? Let me know guys, Thank you!
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Does anyone know where I could find a dummy roll of 400ft 16mm to pratice loading? Thanks.
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Hi Guys, I own a Krasnogorsk K-3, I purely use it for fun, not professionally. I've put about three rolls through it at this stage, and although I'm happy with the quality of the footage, I notice a large dust build up on all the the footage, as well as some continuous straight scratching on the right side of the film. Have been quoted £400 to have the camera professionally cleaned and serviced, but it's not worth that so I'm not really willing to fork out that much just for a camera that I use for fun. Was wondering if anyone here has experience of cleaning this camera themselves? And if they could give any advice to potentially fixing this at home? I gave the camera a good blow with compressed air, and a little brush the last time I put a roll through it, but still got the recurring issues. Any other help would be massively appreciated! I have attached some images for reference. Best, Jack
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Hi, I just want to share link to Paul-Anthony Mille´s posthouse: http://kafardfilms.fr/film-stocks-processing/ He is doing so far, the cheapest work in Europe. 16mm - 400ft = 200 € 35mm - 400ft = 150 € (Prices are for developming, cleaning and 2K/4K scanning) Development is done by Hiventy lab, Paris and Paul is doing scans at his posthouse. I have not met Paul in person yet, I just want to share this cheap and great quality alternative on market ? Many people already know Paul, but for those who not, this is the solution to keep you shooting film
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Hey, Looking to pick up an aaton a-minima top handle and or trans video monitor for the camera. Thanks, J
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Hey, I'm looking for an Aaton 16mm camera. If you have one for sale please send me an email: hello(at)moritzmatlik.com Thank you!
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Hi everyone, I own an Aaton LTR 7, and I was hoping someone would be able to offer some advice on a bridge plate / rig that would be compatible. The wooden grip handle that came with the camera constantly comes loose and is more annoying than practical for handheld shooting. I'd prefer to just sort a set up with rails and moose bars that I can adjust more easily. I found an ARRI BP-5 on ebay but it seems that they work best with 35mm / Digital cameras. Can anyone recommend an alternative bridge plate that could work? Any suggestions/ recommendations would be super appreciated! Thanks -
Hello, I am looking for a used super 16 package with a PL mount. I'm interested in a SR2 or SR3 or an Aaton XTR Prod. If anyone is interested in selling please let me know! Thanks!
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Hello Everyone, I just released my latest short film, POKERS, that I wrote, directed, and co-starred in, along with my producing partner and DP (who is also a member of this forum). It's a 9 minute short about four men sharing their perspectives on their shared occupation during a game of poker. It was shot on 16MM Fujifilm Eterna 250 via Arri HR3 HS in Super 16. I would love it hear any feedback and criticism. I am still very new to filmmaking and look forward to learning and growing. I hope you enjoy it: -
Im about to shoot a short film on 16mm, and were gonna use back projection (the projection itself would be digital, and its material shot on digital camera). I would appreciate any advice since i never did this. my concerns are mostly two: 1. whats the best way to expose/ measure the projection? 2. should I take any special precautions to avoid flickering? or will it be fine just as long as the camera and the projector are set to the same frame rate? if i plan to use hand cranck, I imagine there is no way to avoid variable flickering, right? Thanks Daniel
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I'm a student making the transition from digital to film and my next project will be shot entirely on 16mm. I'm interested in purchasing a working ARRI SR I or II. My budget is around $1200. I reside in the U.S. You may email me at willjacobscinephile@gmail.com
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Angeniuex 17.5-70mm f/2.2 PL Mount Purchased and serviced at Visual Products Good condition asking 1,750$ OBO Zeiss Distagon T* 9.5mm f/1.3 PL Mount Purchased and serviced at Alan Gordon Excellent condition asking 2,000$ OBO Both lenses are in nearly the same condition as when I bought them. The reason I'm selling is that I just haven't been using them as much as I'd like. I can send more photos upon request :) pendleton.tanner@gmail.com 978-340-2012
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