Search the Community
Showing results for tags 'FILM'.
-
15 Minute Pit Stops In 2025, it will only take 15 minutes to recharge your car. In these circumstances, what would you do with those 15 minutes to recharge yourself while you recharge your car? Send in your pitches for a 3 to 5 minute original short film that tells the story about a future where you have 15 minutes to yourself to do whatever you want while you wait for your car to recharge. A total of 3 pitches will be chosen to make into short films. If your pitch is one of the winners, you will receive a production budget of $15,000 to produce and deliver your short film in three weeks. Your pitch should be in English and include an original title, a written script, a concept explanation, a budget breakdown of your proposed 3 to 5 minute film, your biography, and links to your previous work. Bids may also include visuals such as story boards, mood boards, or sample images. The finished films will be promoted through a paid social media campaign and live on BASF’s website.
-
Hi guys Long time reader, first-time poster on the forum. Recently shot a short film, you can see here: https://vimeo.com/322197103 Would love some feedback. For context, I shot it as a one-man band, on Alexa Mini with Zeiss Superspeeds and glimmer glass. A lot of neg fill, 2 x astra litepanels and 1 x litepanels gemini.
-
F.S. Aaton A-Minima Kit A-Minima BW Tap 4 Mags Power Base Grip Rods Cables 2 Batteries Charger Pelican case 19 A-Minima Spools. All running well. Just been serviced. Email sales@broadcastsolutions.com for pricing.
-
I am getting yellow lines on my film, I checked the wheels they seem fine they spin, is it the gate ? is it because i shot in expired film ? i hate it i shoot a 400ft roll and the yellow line is present in the whole film. i wanna know whats wrong with my CP-16r, has anyone experienced with this problem before? video:
-
Hey Everyone, I'm looking for a 16mm film synchronizer, if anyone has one they would be willing to part with cheaply. I don't need anything fancy, and a 2 bank is fine. Just need something that works. Let me know if anyone has one they would be willing to get rid of. Best, Derick
-
Hi! I've been hunting around to find some interesting expired film stocks to shoot on. I found a lot of 16mm 500T Vision 2 - "ESTAR" base for sale. I did some research and found some Kodak write-ups about this ESTAR base stock - polyester stock, interesting... The only film I've ever shot entire projects on is 35mm and 16mm Vision 3 (as well as experimenting with some expired Vision 2 stocks). I've never heard of this ESTAR base film before. Any one have any knowledge on this? Also, any idea how it might hold up? - seller says it was stored cold and is factory sealed. Of course, I'd test it ahead of any real shooting, but I'm curious if any one has any idea if it's worth it before I buy the lot? Could be fun to do it regardless as it is selling for fairly cheap! Attached is a photo of the label - curious that it doesn't even have a film code starting in "7." Could this be an experimental stock?
-
Hello everyone, I've managed to lose my 1014 XL-S battery cover, meaning I can't use the camera. First question, is does anyone have a junk 1014 XL-S I can buy to use for parts? Second question is does anyone know whether the battery covers for any other models are interchangeable? Eg the 814 or 514 XL S? I know the 1014 standard isn't a fit (I think). Thanks for any help! D
-
Hi, I'm a filmmaker from Switzerland, I have 7 unopened cans of Kodak Vision 250T and 7 cans of Fuji Reala 500D left over from my grad film project in 2004. Both are 16mm single perf, 122m (400ft). Stored in freezer since. Current condition unknown. Selling for 30 swiss franks per can (=30 USD). Serious buyers only please! Online bank transfer in advance. Minimum order: 3 cans. Shipping to USA costs ca. 40-80 USD, depending on weight. Europe is less. I will be travelling to the UK and US in Feb/March, could possibly bring stock personally (not sure about x-rays?). Best regards Bernie
-
"The number of ads shot on film and processed at Cinelab doubled in 2018 to around 350, and there was an increase in pop promos to 50-plus, many shot on Super 8 and Super 16 as well as 35mm." https://www.broadcastnow.co.uk/tech/film-stages-digital-fightback/5135915.article#.XEHdhn_xPh0.twitter So film is far from dead.
- 1 reply
-
- 1
-
-
- film
- processing
- (and 8 more)
-
Hi, that was the Laboratory of Self-taught Cinema - Experimental (STCL-X) in Brindisi, Italy. Me and my sister (the actress) founded the Lab as a way of gather all the filmmakers of the area, either professionals (I am an Electric, she's an Actress), either kids. Consider that the area of the Lab is dangerous, as robberies and gunfights happens very often (another robbery few hours ago), so this was mainly an effort of grabbing kids from crime. Eventually the Lab died in less than twelve weeks. However we were able to make two test: one digital on Blackmagic Micro Cinema Camera, and the other on Film (old and damaged 7219, on AATON XTR and Angenieux 12-120). I performed cinematography, lighting, I also operated the camera, directed the shoot and loaded the magazine. You can download HD Telecine and 2K 16bpc DPX scans of the film test here, as the project is licensed (CC) BY-NC-SA This was our film test. It was just to try the Camera and Lens, and also to try my intended look for our next project. Then the following is an actual short; my sister improvized a monologue while I was preparing the scene. Blackmagic Micro Cinema Camera and Angenieux 12-120. I want to put also the files of this one online, soon.
-
Hello everyone, My friend Fred and I wanted to go out and do a camera test on my ARRICAM. My other friend and her dog were in town visiting at the time, and we thought they had a cool story to tell. One thing led to another, we ended up making this tiny little documentary call Zema. Check it out if you are interested: Shot in one day with only available light. Tested 6fps, 24fps and 48fps on Kodak 5207 and 5219 stock with Zeiss Superspeeds MKIII. Film processed at the Kodak lab Pinewood Studios. Would love to hear your thoughts. Share it if you like it! Cheers, and have a nice day! Tsering
-
In my opinion the look of 16mm Kodak film is the most unique look in movies......with DCP projection obviously.....and thus I would call it THE filmic look bar none. ....digital is nowhere near looking like 16mm as opposed to digital being used alongside 35mm in many films and more successfully copied by Arri Alexas etc with all the subsequent manipulation in post. I read it all the time in American Cinematographer how DPs want to mimic film look etc when not allowed to use film for whatever budget reasons etc. For fun I watch movies and determine what they were shot on checking IMDB for confirmation. To me Arri Alexa stuff all looks the same (big generalisation but I'm sure u know what I mean) and 35mm stands out to me with colour palette mainly plus the way highlights look....65mm I can't tell the difference in the small cinema screens where I come from and less still on my TV.....but 16mm screams out at me as unique and unmatched no matter how big or small the screen. Don't pick out my generalisations and argue them but rather the spirit of the debate I am hoping to start..... -
Hi There! I'm selling two batches of expired, unopened 16mm film stocks. Most are vintage stocks. Shipping is free and they would be shipped using the US postal service only to the lower 48 states. Batch 1: 12 Rolls of Expired Vintage 16mm Film Stocks - 100' rolls $119.00 5 X Vision 3 500T/7219 2 X Vision 3 200T/7213 2 X Kodak ESTAR Base HQ Microfilm 1 X Kodak EXR 50D/7245 1 X Kodak Ektachrome/7242 1 X Kodak Kodachrome II One of the Vison 3 500T boxes has the paper worn and torn off but appears completely unopened. Buy: https://www.etsy.com/listing/650732138/12-rolls-of-expired-vintage-16mm-film Buy: https://www.etsy.com/listing/650732138/12-rolls-of-expired-vintage-16mm-film Batch 2: 11 Rolls of Vintage Expired 16mm Film Stocks - 100' rolls $139.00 3 X Kodak Ektachrome/7242 (perforated both edges) (100 ft) 3 X Kodachrome 25 (100 ft) 2 X Eastman Ektachrome Commercial / 7252 (100 ft) 2 X Eastman Color Negative / 7254 (perforated both edges) (100 ft) 1 X Kodachrome II (100 ft) Buy: https://www.etsy.com/listing/653128152/11-rolls-of-vintage-expired-16mm-film Buy: https://www.etsy.com/listing/653128152/11-rolls-of-vintage-expired-16mm-film
-
Hello Everyone, I'm back from South America and need to sell my Arriflex 16SR camera with the Arri Talbot sound blimp by December 20th. Shipping is FREE. I can only ship to the lower 48 states. Shipping will be done via Amtrak (so you must be close to an Amtrak station or willing to travel to the closest one). Amtrak is a great, safe way to ship heavy items. You can pay by credit card or Paypal through Etsy: https://www.etsy.com/listing/195118392/arriflex-16mm-film-camera-arri-sound Please feel free to ask me if you have any questions about any of these items and I will answer as best I can. There are no shipping costs for local pickup in Valrico, Florida. Arriflex 16SR + Accessories It works fine and it works great with the blimp below. I bought this used from a dealer. The viewfinder is clear with no yellowing. The camera runs smoothly. 1 - Arriflex 16SR 16mm motion picture camera 1 - Eyepiece with eye cup 2 - 400' cartridges 1 - Battery Adapter 1 - Power cable 1 - Power adapter for plugging the camera into an outlet, NO LENSES ARE INCLUDED. ARRI BAYONET MOUNT. THIS IS NOT A SUPER 16 CAMERA. Arri Talbot SR Sound Blimp 1 - Arri Talbot SR Sound Blimp with connector cables inside I'm selling a very unique Arri Talbot Sound Blimp for the Arriflex 16SR camera. It reduces the noise level to absolute ZERO! When the camera is inside, you plug in the wires and you are able to completely control the camera from the buttons on the outside of the blimp. The blimp also has rails on the front. I've never seen one of these anywhere else. It's extremely heavy so you'll have to use it on a heavy duty tripod. These two items are being sold together. You can view and buy on Etsy: https://www.etsy.com/listing/195118392/arriflex-16mm-film-camera-arri-sound
-
Hi there, I finally have gotten my Eclair ACL kit to work, and it has been out on a handful of jobs. I love it. Thing is, I am now making a video tap for it, to try to modernize and make it an alternative to the alluring SR's, and 416's of the world. One issue though is that the repairman that made my conversion, Bernie at Super 16 Inc, made the frame lines by hand. And that's all good for myself using it privately, but it does come across as a bit unprofessional in the working world. My question is, is there anyone in the Los Angeles area that potentially could make me a custom ground glass to replace what I already have in the camera? Preferably someone that knows Aatons internals (since they are basically an Eclair). //C
-
Managed to get a couple rolls developed, this being the first time I've shot 16mm. There is some grading, any tips are greatly appreciated!
-
Hi everybody! I've just published on amazon the dissertation of my BA and it's about chemical images in the digital post: I've actually tested that is more comfortable to composite and color footage from motion picture film (5219 in my test) rather than digital one (r3d). I think you are the best people I can share this with, and I hope we could start a discussion about that. You can find it here https://www.amazon.com/Improving-digital-industry-workflow-chemical/dp/1723717606/ref=sr_1_1?ie=UTF8&qid=1542138841&sr=8-1&keywords=luca+bonicalza and in all local amazon's website. The price is to cover the print costs (and I hope in a looooong time even the production ones!) Thank you and bests Luca Bonicalza -
I haven't purchased re-can/shortend film from overseas or Canada, but I'm wondering if getting packages x-rayed is a concern. Anyone have experience in this?
-
Hello, Does anyone know of a camera technician in Los Angeles who works on 16mm cameras, specifically Eclair NPR and Beaulieu? I need someone to remove the ground glass, mark it (with a pencil is fine), and replace it in an Eclair NPR camera that's already been (partially) modified to super 16mm. The eyepiece has an issue as well, where one side of the frame is cut off, I assume because of the lens re-centering in the super 16 conversion. The image on my test reel looks great, but my framing was off because of the inaccurate ground glass markings and eyepiece problem. Also, I have a Beaulieu 16mm clockwork camera and need to figure out why my focusing has been occasionally off even though I've got the eyepiece diopter calibrated - at least the way I think it needs to be calibrated. I'm looking for a camera technician in Los Angeles who would go over the camera with me and possibly convert it to Ultra 16mm. The Eclair has been to Bernie O'Dougherty who gave it a clean bill of health, but he was too swamped to do mark the ground glass. The cameras and I are in Los Angeles. Thanks for reading and considering this! -Roko (brand new member)
-
Hi All, I'm still really new to the forum so I hope this is the right place to post this. I was wondering if anyone had any advice on buying 35mm in bulk. I'm still a student and I love having the student discount with Kodak, but is the student deal the best I'm going to find? I'm assuming for fresh stock it probably is. I know a lot of people on here shoot with expired stock, does anyone have any suggestions on where to find expired stock in bulk? Thanks so much, Thomas
-
Selling an Arri Alexa XT in great condition with approximately 1600 hours. Comes with: Arri Alexa XT Camera Package Includes: Arri Alexa XT Camera Body Serial # 6714 Anamorphic 4:3 License & Open Gate Pair of Rods 15mm 12V Power Supply #12VPS Alexa Electronic Viewfinder #AEVF1-5992 Alexa Shoulder Pad #ASP4 Alexa 15mm Bridge Plate #BP-13 Alexa Bridge Plate Adapter #BPA2 Alexa Ethernet RJ45 3M #CBLE-KC153 Alexa Viewfinder .65M #CBLE-KC151 Alexa 12V Accessory XLR4 L2 #CBLE-KC154 Alexa 24V Camera Power F2 XLR3 #CBLE-435P USB3 Cable #CBLE-USB3 Alexa Viewfinder.35m #CBLE-KC1Alexa Center Handle #CCH150 Alexa Center Handle #CCH1 4X Codex 512GB XR Capture Drive #CXCD5 Alexa XT SXS Adapter #CXSA Codex Single Dock USB3 #CXSDK ARRI EL3 Eyepiece Leveler #EL3 Alexa Handle Extension 2 #HEB2 Alexa Leveling Block #LB1 Arri Lens Support 15mm #LS10 Base Plate Arri VEB3 Viewfinder Ext Bracket #VEB3 Alexa VMB3 Viewfinder Bracket #VMB3 Alexa Wedge Adapter #WA1 Asking $29,500 USD OBO Please feel free to message for pictures or more info
-
I'm going to shoot a short silent horror film this fall and I'd love to capture the feel of an old print that's been dragged through Hell and back. My two questions are: what would be the best frame rate to use and how can I get a blown out look like you'd see in a film from the very early 1900's? Should I overexpose the film or ask the lab to mess with the print?
-
Hello, I am looking for an Arri mag, 60/200 ft which is for the 35-3/2C, but also fits the 235. I am attaching a pic to show which one i am talking about. thx in advance Kimon
-
I'm looking for SR3 | 416 Fiberscreens. In particular - 1.66 and 2.35 or 2.39 Does anyone have these and looking to sell?
-
I have a box of (6500 feet) discontinued properly-stored Fuji Reala 16mm 500Daylight film. LOOKING FOR LOCAL TORONTO, CANADA SALES!!!! Will entertain shipping bulk. Was used to shoot ETERNAL SUNSHINE OF THE SPOTLESS MIND, SLUMDOG MILLIONAIRE and WALK THE LINE... The World’s First Motion Picture Film with Fujifilm’s 4th Color Layer Fuji Reala 500D is the world’s only 500-speed daylight-balanced negative film. Its high speed allows shooting in very low-light daylight and also at f-stops offering greater depth of field. Its speed compensates for the wider apertures required with anamorphic lenses and the effective light loss attendant on “over-cranking” for slow motion effects. This is the world’s only film with Fujifilm’s patented color optimized 4th layer technology. A special advantage is the ability to remove “green spike” from un-corrected fluorescent and sodium lighting mixed with daylight sources.
