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Looking to find parts for my Arri SR1. right hand grip base plate mounting adapter for the hot shoe (not sure the correct name, but to connect rails) mag covers

$1,000 Or Best Offer. This item is currently located with a friend in North Hollywood, CA. I'm based in Brooklyn, NY. For sale is this very rare Arri 3C Crystal Pistolgrip Motor. It's in very good condition for it's age. These were only made circa 1982 for the Arri 3C, but are compatible with the 2C as well. 24 or 25 fps crystal switchable. Or, switch to variable mode (non-crystal) for other speeds. I was told the 4-pin port is for connecting a speed controller for getting crystal sync at other speeds. Runs forwards or reverse (via switch). Powers from 12V 4-pin XLR connector. No power cable included. The motor has captive screws for attaching to your 2C or 3C. Needed phenolic gear is also included. Photos: https://flic.kr/s/aHskUsmaU7 Thanks, Rich

Hi, I've got for sale my trusted Super16 camera kit. I've bought it in fall of 2010 from Mr. David Odd. as his personal camera. He had it converted to Super16 by P+S Technik in 2008 and had installed color video tap by Visual Products, inc. Since 2010 I've shot with this camera about 10x 400 ft of film. Here is footage What's in kit: Arri SR1 Super16 camera, 180 degree fixed shutter - HDTV 1:1,78 gate (brighter, from SR3) - Visual Products color video tap PAL - PL mount - wideangle PS Technik eyepiece (made by Voigtlander) 3x super16 magazine 1x spare magazine (not converted to super16) 1x SR3 magazine (with TC) LWS 15mm support rods (2x) Arri BP-7 base plate (for 15mm studio) CE - Precision Speed Control 2 (for other frame rates than 24 fps) Arri VSU - variable speed unit (not as exact as CE) 2x 12V old batteries (as spare, needs recelling) 12V NiCd charger 12V discharger handle, incl. remote switch --------- I live in Bratislava, Slovak Republic. Shipping only in EU. Price is 1700 € + 150 € for shipping --------- PHOTOS

For sale TOBIN TCS TXM-22A Crystal Sync Motor for Arriflex 16s and 16-M Cameras Bought from Du-All Cameras 3 years ago. Used a couple of times and tested recently. Works flawlessly. Item is in great Condition, with only minimum scratches here and there, barely seen. Serial number 9440 Paid US$ 995.00 (see price label on picture). It's on eBay at US$ 800, but open to Make Offer: http://www.ebay.co.uk/itm/TOBIN-TXM-22A-CRYSTAL-MOTOR-FOR-ARRI16S-and-ARRI-16-M-CAMERAS-/172541639598? Feel free to contact me with any questions.

Hi There, Some of you may remember that almost a year ago I was moving to South America and sold of a bunch of my film equipment on here. I had an Arriflex SR16 with sound blimp for sale but the buyer backed out at the last minute and I had to put the camera in Storage before I left. Now I'm back in the states for 3 months and have it for sale again but now I'm thinking maybe I should keep it but here is the problem I'm having... This one is a bayonet mount camera and I have been unable to buy lenses for it. One reason being that they aren't that easy to find. Now that I live a more carefree life, I want to start doing more short documentaries and films and I'm thinking maybe I can still use this camera if I convert it to super16 and maybe convert the lens mount to one where I can buy more readily available lenses. I like that this one works perfectly, has some accessories and I have the special sound blimp to go with it that reduces the camera noise to zero. Or should I trade it for a super16 camera with a lens mount with more readily available lenses?

Hello, I have 3 Cooke lenses in the Arriflex Standard mount. The lenses are all in good shape with nice optics and smooth movement on focus and aperture rings. Cooke Kinetal 9mm - $600usd + Shipping Cooke Kinetal 25mm - $700usd + Shipping Cooke Speed Panchro Series II 50mm - $3100usd + Shipping The 9mm and 25mm include front caps only, the 50mm includes only a rear cap. I am open to an offer on all 3 together.

$500, Or Best Offer. A set of two very rare 400' Fromm Shoulder Mags. For Arri 35mm 2C or 3C. Previously owned by Ron Dexter (see pics). I didn't buy them from Ron, but from an Operator in Los Angeles in 2009 as part of a 3C kit which has just sold. Tested/checked out by a technician when I bought them but have not been used. Comes with two spare drive belts and one shoulder bracket that attaches under the mag. NO CASE included. Will not sell one, only selling as a set of two. These are currently in Secaucus, NJ. May be able to meet a buyer with them in Brooklyn or Manhattan to exchange for cash if you don't want to go to Jersey.

Camera Essentials camera raincover sale is underway! For a 20% discount on our website: coupon code is RAIN (for raincovers only) Alexa, Epic, Sony F55/F5 Weather Protectors We still have some FILM camera raincovers at a deep discount, attached is the list with prices We also have a few sample raincovers, along with some raincovers for Steadicam (the clear vinyl kind) While supplies last.... Patti Harrison Camera Essentials www.cameraessentials.com cameraessentials@gmail.com Raincover Sale 2017.pdf

Hello, I'm looking into getting a 16mm camera in the near future. Like a SR II, III, or a Arriflex 16mm camera BL or other. I just want to know, can PL lense be mounted onto any or all of these cameras? Like can a PL camera lense be mounted onto a Arriflex 16mm BL Camera for example? I would also like to rent anamorpic squezze lenses, like Hawk lenses to capture a true anamorpic widescreen image at 2:40. Will any of those types of lenses work for any of the cameras I listed above? Thanks everyone Zane

Looking to buy Arri SR3 or Arri 416. Anyone know where I can find either? Thanks

Hey everyone, I am currently selling an Arriflex SR Regular 16mm camera package. Here are the contents: Camera: Arriflex 16SR Regular 16mm Camera in Arri B/S mount Three magazines Batteries XLR cables Other power cables and battery chargers Magazine covers Eyepiece cup Handgrip Monitor: Sony B&W monitor Accessories Mounting equipment Cables Film: Some 16mm scratch film Crystal Control Speed: Crystal Control Speed that allows any framerate up to 75p. Cables for that and other accessories PM me with your best offer or if you want to see pictures! Or email me at tonymdupre@gmail.com Thanks!

Hello, I am in the market for a Cinema Electronics motor for the ARRI IIC. Please contact me if you have one for sale. Thanks.

Hi, I need to let go of the best camera I've ever handled. Since I have access to another 416 I can't motivate keeping it no matter how much I'd like to :) Complete list of what's included can be sent, it's a nice big kit with three mags, three batteries, all important accessories like shoulder support and hand grip etc (it's a lot) and two cases that fit it all. There's more stuff then in the attached picture. Runs like a charm, was just out shooting with it tonight without any problems. I've never had any camera related issues with it (only user error before I learnt to load it correctly…). Price is 8000€ + shipping and I'm not taking any offers at the moment, so please only contact me if you're seriously interested. EU-sale preferred. I'm based in Stockholm, Sweden. Pick up would be great, coffee/tea included if you come :) Please contact me here or with the contact info on my website linked in my profile. Take care/Kalle

http://www.ebay.com/itm/331828427604 I'm selling this great Arriflex 35BL-III package. I just shot a small feature film on it; the camera's been working great and all components dependably. It was also just serviced (the shutter belt was replaced with an original ARRI part by Visual Products; I can send you the work order if you'd like). Included along with the camera are the following items: 400' Magazine (x2), with case 1000' Magazine, with case B/W Video Tap (note: this video tap attaches to and replaces the viewfinder; worked perfectly while operating a Steadicam) 12" Extension Viewfinder Handgrip with run switch Baseplate Cinematography Electronics Speed Control unit and cable (note: I do not have an attachment bracket for this, though one can be easily rigged) Miscellaneous: 2 power cables, 12" carbon fiber rods, 18" aluminum rods, new internal memory battery and box of fuses The camera is Normal 35mm with an Academy gate. Included is a 1.85 green glow ground glass. The mirror shutter has normal wear for its age, but is functionally great. I have two more 400' mags that I'd be willing to toss in to this sale just for the extra shipping cost (though, I have no case for them and one is missing a protector).

For sale is my personal Lomo anamorphic round front set: 35mm Lomo Anamorphic T2.4, PL-mount 50mm Lomo Anamorphic T2.4, PL-mount 75mm Lomo Anamorphic T2.4, PL-mount All lenses are optically and mechanically in perfect condition with smooth aperture and focus operation. All have stainless PL-mounts, and focus gear rings. No scratches, no fungus, The lenses are ready for shooting. Also included: 2 Cases, front and rear caps. New York City checkout can be arranged. Price: $25,000.00 Contact woftam@erols.com

For sale is my beautiful 2-perf (Techniscope) Arri 3C (IIIC) camera package. This camera was never a rental and it looks like it's hardly ever been used, it's in such beautiful condition. I've owned it since 2009 and during that time I found and bought an original Arri factory 2-perf conversion kit, which was installed by the technicians at Clairmont Camera in North Hollywood. I'm guessing everyone here knows why 2-perf is so great. But just in case... basically you get twice the run time from the same amount of film. A 400' roll of 35mm film running at 24 fps lasts about 8 minutes instead of the usual 4 minutes. A 200' short end is suddenly not a pain to work with since it lasts about 4 minutes. So that means you spend half as much money on film stock and processing since that's paid by the foot, too. The aspect ratio is naturally 2.40:1 at the gate so it's well suited to that cinemascope look, but much less expensive than anamorphic on film stock/processing (not to mention lens rental costs). If you wanted to shoot 1.85:1 on this camera, you could have the ground glass pencilled with two vertical lines to create 1.85 within the 2.40, and you'd still have roughly twice as much negative area than if you shot 1.85 on Super 16. I know of a feature film that just wrapped which did exactly that. Some recent and beautifully-shot 2-perf films: "Hunger", "Shame", "The Place Beyond the Pines", "American Hustle", "The Fighter", "Silver Linings Playbook", to name a few. Includes: - Arri 3C Camera body with PL mount port cap, body (magazine) port cap, in custom shipping case - Custom-made by Shurco 2-perf 2.40:1 Arri-3 style ground glass, with clear plastic case - Panavision (PV) Mount (PL mount currently installed, centered on Academy, not Super) with some shims - Cinematography Electronics Crystal Motor Base (could also be used with an Arri 2C, best motor you can get for these cameras) - Arriflex 3C Crystal Handgrip Motor (12V) with screws and gear (could also be used with an Arri 2C, a very rare item) - Italian Flatbase Motor Adapter Plate for above handgrip motor (ECE - ROME), untested - Custom Samcine Hand Held Support Brackets for IIC/IIIC in small hard shipping case - 2x 400' Arri 3 mags in a 2-hole mag case - 4x 200' Arri 3 mags in a 4-hole mag case. Note, two of the mags need some minor servicing. One looks like it's never been used - 2x 400' Fromm Shoulder Mags with spare rubber belt drives and 1x adjustable shoulder bracket (no case) - Jurgen's Orientable Video Door for 3C with Sony Color CCD camera - Arri Hand Held Door for 3C - Arri Orientable Door for 3C - Arri Straight Door for 3C with 2x Anamorphic desqueeze lever - Flat cover for above Straight Door if anamorphic dequeeze module is to be removed - Wide Angle Deniz Eyepiece with rubber eyecup that has shutter that can close - Spare Arri Eyepiece with rubber eyecup -push eye against eyecup to open shutter type, helps prevent light leaks - 1x Jurgen's Extension Eyepiece - 1x Arri Extension Eyepiece - 1x Arri Right Handgrip (no on/off switch) Arri Rosette style attachment - 1x Rosette to Rosette extension arm (adapter bracket needed/not included to use with above handgrip). Bracket pictured in hand held mode is not included) - 1x Unknown Brand Balance Plate Top A35/S35 switchable, like BP-9 (for 15mm rods) - 1x Van Diemen Balance Plate Bottom (Dovetail) ~12" - 2x 12V 4-pin XLR to 4-pin XLR power cables, one with a pigtail - 3x Power Cables for Jurgen's Video Door - 2x Medium Carbon Fiber rods (15mm) - 2x Medium rods (15mm) - 2x Short rods (15mm) - 1x SR2/SR3 type LWS 15mm bracket with 2x screw-in extension rods (for attaching to front of CE Flat Crystal Motor Base - Arri grease The inching knob (shutter/frame advance knob) has three holes drilled in it which was done to attach a hand-crank module from Clairmont Camera for a commercial (shot before the 2-perf conversion). Due to the 2-perf conversion, the Cinematography Electronics Crystal motor base does not count footage correctly. Simply divide the readout by half for an accurate footage count. I've created an album on Flickr with quite a few photos. On the wide photo with everything, you may notice two smudges. I've erased two items which I realized after the fact have no relevance or use with this package. I've also included some frame grabs from a music video I made with this camera after the 2-perf conversion. It was a joy to shoot with, performing flawlessly with not one instance of a hair in the gate. It was almost entirely shot with short ends of 200' or less. If you're not familiar with the 3C, you could think of it as the final refinement of the 2C before the Arri 35-3 came out, mostly designed as a result of engineering Arri did to the 2C for the German WW2 film "Das Boot". It has an orientable door which keeps the horizon level as you reposition the eyepiece up or down (on the 2 doors here that let you swivel the eyepiece up/down). It has a more sturdy hinged door (not interchangeable with the Arri 35-3 door), unlike the metal prongs which hold the 2C door to the body. That design was never intended for the weight of a Jurgen's video door and I've seen a few 2C bodies that are wearing out where these prongs grip, making it risky that the door could fall off. The 3C came from the factory with a PL mount, and it has a very nice crystal handgrip motor which is often sought after since it works just as well on the 2C. Something else I like about the 3C, they have a variable shutter, something that's hard to find on a 2C. The 3C also has a rosette for mounting accessories, right by the inching knob. The 2C doesn't have that. This is a beautiful example of the very rare Arri IIIC. The 3C movement is the same as the 2C movement and motors, mags and of course ground glasses are interchangeable. It took me many years to assemble this package so at least initially, I won't consider splitting off pieces of it. That said, feel free to get in touch if you're interested in something, and I'll keep you in mind. Available for $6,500 Or Best Offer. Available to see in NYC or Los Angeles, if you cover shipping costs to LA. For convenience, preference will be given if there is a buyer in the NYC (1st) or Los Angeles (2nd) area who will pick up in person and pay cash. I live in NYC but have friends/family in LA who can coordinate a sale in LA for me. Please check out the pictures and shoot me a private message if you're interested or if you have any questions. Thanks for looking! Rich https://flic.kr/s/aHskwM83a3

For sale is an Arriflex / Carl Zeiss Standard Speed 40mm T2.1 Mark II PL mount cinema lens. This lens has had very little use and the condition shows. No scratches, marks, oil leaks, or any other possible issues. Just an excellent, near mint condition lens. The 40mm focal length is quite rare. Price is $4500 FIRM. Located in Los Angeles. Thanks for looking!

Up for auction Now. http://www.ebay.com/...-/272107471058? Package Includes: Arri Metal Flight Cases ARRICAM Lite 35mm Camera Body PL Mount Filter Mask 18,7 x 24,9 Camera Aperture Cover Gate 1.33 full aperture ANSI Ground Glass Format 1.85.1 RS Block 24v RS Block 12v LT Camera Handle LT Center Handle Magazine Port Cover LT Viewfinder Top Finder Block Short Eyepiece + Rubber Eyecup Extension Eyepiece LT Frame Glow Frame Glow Mask Format 1.85 LT S35 LT IVS Color Video Tap Case Containing (3): 400' LT Shoulder Magazine 400' LT Shoulder Magazine 400' LT Shoulder Magazine Package Details: This camera package is from the inventory of ARRI Film & TV Services Munich which has been its sole owner. The entire package is in impeccable condition and has been maintained by professionals in Germany for its entire lifetime. The camera performs at factory specifications and is free of any mechanical defects. There are very few ARRICAMs left in such good condition.

Up for auction Now. http://www.ebay.com/itm/-/272107471058? Package Includes: Arri Metal Flight Cases ARRICAM Lite 35mm Camera Body PL Mount Filter Mask 18,7 x 24,9 Camera Aperture Cover Gate 1.33 full aperture ANSI Ground Glass Format 1.85.1 RS Block 24v RS Block 12v LT Camera Handle LT Center Handle Magazine Port Cover LT Viewfinder Top Finder Block Short Eyepiece + Rubber Eyecup Extension Eyepiece LT Frame Glow Frame Glow Mask Format 1.85 LT S35 LT IVS Color Video Tap Case Containing (3): 400' LT Shoulder Magazine 400' LT Shoulder Magazine 400' LT Shoulder Magazine Package Details: This camera package is from the inventory of ARRI Film & TV Services Munich which has been its sole owner. The entire package is in impeccable condition and has been maintained by professionals in Germany for its entire lifetime. The camera performs at factory specifications and is free of any mechanical defects. There are very few ARRICAMs left in such good condition.

I just bought a motor for my Arriflex 2b. It is an Arriflex 24f constant speed motor. When I held the two together, the gear in the center of the motor and the gear in the camera are nowhere near each other, and it looks like there is another gear that is missing. I noticed the cine60 base has an intermediate composite gear, is this the same case in the Arri motor? Can I still purchase one of these gears should they exist? Thanks, Max May DP and Writer: Buteo-Gallus Films

For sale is my Arri 435es Free shipping anywhere in the world you'd like. I took a Job in England and can't take the camera with me. Very complete package in outstanding condition. Camera was recently completely overhauled with new electronics and circuits. It was just recently serviced by factory trained technicians and has not been used since. Included with the package are two 24v batteries which I just had completely re celled. It includes: (2) 24v Batteries Arri BP-8 Baseplate w rods Arri Dovetail IVS Color Video Tap NTSC Ground Glass & Glow Mask Extension Eyepiece Eyepiece Heater Cup Remote Control Unit 1 Finder Block 24v Power Cable RCU Cable - Long RCU Cable - Short Carrying Handle Short Eyepiece Eyepiece Heater Cable Lens Port Cap RS Block 24v RS Block 12v Silent Lens/IVSRS Mag Port Cover (1) 435 1000' Magazine (4) 435 400' Magazines Price $4000 USD

ARRI 235 4perf Super 35mm Film Camera Kit 6x 400ft Magazines + Transvideo 6.5” Rainbow monitor. USD $14,500 ONO Includes: ARRI 235 CAMERA. Ser.No #2006 235 RISER PLATE. Ser.No #2020 BP-9 35F 15mm BASEPLATE TOP. Ser.No #BPT908 235 UNIVERSAL VIEWFINDER UV-1. Ser.No #2111 TURRET PLUG PL MOUNT 235 DUST COVER GR.GLASS 535A/B-435ES/235 FORMAT MASK 535/B 435/ES 235/416 EYEPIECE EYECUP 235 SHOULDER PAD 235 CENTRE HANDLE SCH-1 KC-20: ARRI-POWER 24V 235 BATTERY CABLE 235 IVS VIDEO TAP /NTSC Ser.No #9513 IVS Blank & 100% VIDEO BLANK PLATES TRANSVIDEO RAINBOW 6.5” Monitor CABLE for Video+power /235 - Transvideo Rainbow monitor. 235 SHOULDER MAG 400’ x3 Ser.No #2170 Ser.No #2174 Ser.No #2176 235 STEADICAM MAG 400’ x3 Ser.No #2072 Ser.No #2112 Ser.No #2117 LOOP GUARD 435/35-3/235 x6 235 CAMERA CASE 235 400’ MAG CASE 235 400’ MAG CASE 235 400’ STEADI MAG CASE SHIPPING WORLDWIDE from Sydney Australia 4x cases: 1 - Magazines - 24 lbs. 14 inches x 12 inches x 17 inches 2 - Magazines - 26 lbs. 14 inches x 12 inches 17 inches 3 - Magazines - 25 lbs. 15 inches x 11 inches x 15 inches 4 - Camera - 41 lbs 25 inches x 16 inches x 15 inches regards, Andrew ajcam@me.com +61 414620249 More Photos: http://s1190.photobucket.com/user/ajcam1/library/?sort=3&page=1

Hello all, Anyone have an Arricam ST package for sale? Or know where I can find one? Thanks, James

Hi there everyone! greetings. I had sent my Arriflex SR3 for repairs at Arri NY. They did work on it and sent it back. I had barely shot 7-8 400ft cans and the same problem emerged again. I had paid close to $1000 for service and shipping. Does anyone think I need to be paying again for the same job to be worked again on? Don't they stand and vouch for their workmanship? I want opinions and experiences of cinematographers who own gear and have gone through these type of problems. thanks

ARRIFLEX 16SR 3A £2,500 GBP (ex VAT) Condition: Used Warranty: 3 Months Op hours- Various ARRI SR3A Camera Body Ground Glass SR MB17 ( B) 4" Matte Box + 4x4 trays French Flag Support Set of Mattes MB17 Top Flag SR LWS-2 Lightweight Support Donut 87mm 80mm insert ring Extension Viewfinder (Standard) SR3 Camera Battery Adaptor 24v/12v On-Board Adaptor Shutter Key (Fitted) Sr3 IVS PAL SR3 400'/122m Magazine x3 If you require any further information, please email me at Casey@esbroadcast.com.