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Showing results for tags 'film'.
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Looking for Dp to join my crew. Ready to shoot music video, films, etc
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Hi Name is Boris I’m a young director looking for a team in creating a film crew. I need a Dp/camera operator. I’m preferably looking for one located in Massachusetts. I shoot music videos, short films, etc. I’m trying to work ASAP
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Hey everyone, I'm getting ready for a film challenge where our entire short will be made on a single 100 ft reel of Kodak 7219 and shot on a Krasnogorsk-3. In preparation for the shoot I decided to do a lens test with the stock Meteor 5-1 lens on my original Blackmagic Pocket Camera. Surprisingly though, my footage all seemed to be about a stop under exposed. I know that the aperture of a lens doesn't always let in as much light as it should and that T-stops are supposed to correct for this, right? So is this the case here? Have those of you that use the Krasnogorsk-3 encountered this problem? Does this mean that when shooting I should meter for 250 instead 500 to get proper exposure? Any thoughts? -
Report on how to test film cleaning wipes for abrasion qualities: https://daniel-d-teoli-jr-archival-collection-ii.home.blog/2019/12/12/testing-film-cleaning-wipes-for-abrasion-qualities/
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I am selling my AATON LTR 54, I have had it a couple years and love it very much, however am needing to sell. I am based in London. I will upload more pictures when post is online and can send more to anyone who is interested via email. Last Year I got a full camera service with Alan Giles. All mags tested, body, motor and battery re-celled. The camera runs very smoothly and is in very good condition, having been fully serviced last year.The camera is in two flight cases, one for camera, and an accessories case. -Camera body -3x 400ft mags - 3 12v batteries -wooden aaton handgrip -aaton leather barney -matte box -Short and extended eye piece. -Battery charger. -15mm rod extensions. + a lot of accessories that'll be shown in pictures!
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Canon 11-165mm PL Mount Super 16 Format T2.5 Amazing Zoom Lens Good shape lens, amazing technically. Includes hard case. £3500 (EU) or $4200 (US) – I am based in London but will be in New York soon so can ship it from there if that helps. Technical Specs Focal length 11-165mm Max aperture (T) 2.5 Close focus 3' Image Circle 16mm Front diameter 95mm Weight 2268g Length 190mm Mount PL Mount
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I’m a new amateur filmmaker located in Massachusetts looking for places to rent nice 16mm cameras preferably eclair, arri, bolex. Anywhere in Massachusetts or near or anyone in mass. Also what’s the best place to learn how to film with film cameras
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Selling Price $12K Questions : email sales@broadcastsolutions.com 235 Camera body 4 Perf 235 IVS s/n 9532 S-35 Ground Glass 235 Medium Eyepiece extension s/n 2010 3 200’ 235 Shoulder Mag., s/n 2107, 2108, 2109 4 400’ 235 Shoulder Mag., s/n 2022, 2056, 2062, 2020 Riser Plate, Shoulder Pad 235 Low Mode Support 235 Right and Left side bracket 4 235 On Board Batteries (need recelling) 2 24v dual battery charger
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https://archive.org/details/storagepreservationmotionpicfilmteolijr.a.c.39- 2 replies
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Want to buy ARRI AVF-2 viewfinder or similar viewfinder that enables anamorphic de squeeze on the 435.
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I’m intending to do some double exposures on 16mm film with an Arri 416 camera. The most rudimentary method I could think of is just expose the entire roll (one stop underexposed, or however I feel is appropriate for the subject), make notes of the contents, and then reload the same film to shoot the second layer. But sometimes it would be really convenient to be able to just «rewind» the film right away to do the second layer. As far as I can see from the manual, there is no such function in the camera. I guess you could open the mag and do it manually, but it sounds cumbersome. Anyone done this and know a good method that I haven’t though of?
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I'm sure most of you have seen this beauty by now. Dropped out of nowhere yesterday and set the entire Internet ablaze. First of all, do yourselves a favor and avoid watching the trailer on YouTube or any other source than Netflix itself obviously. The trailer is apparently in 4K on the platform, I watched it on a big screen and it's obviously much less compressed and much more representative. The deaging can be seen from the opening of the trailer with Pesci and De Niro and at the end of it. Looks pretty darn impressive when viewed properly on Netflix. De Niro's skin looks a bit smooth on more compressed versions, it does not on Netflix itself. Otherwise, I've been checking out a bunch of set photos to determine how much was film and digital. The producer Emma Tillinger Koskoff pulled some numbers a while ago which were incorrect for some reason, ie 30% of the film being shot on 35mm, and that everything involving the deaging required shooting digitally. However, Thelma Schoonmaker said half of the film has them deaged. So that means half Alexa (as listed on IMDB) and half 35mm film. IMDB lists the following info: Arri Alexa Mini, Zeiss Master Prime and Cooke Panchro/i Classics Lenses Arricam LT, Zeiss Master Prime and Cooke Panchro/i Classics Lenses I don't know if anyone here knows Prieto or someone else involved with the film and can provide maybe more technical info? I also saw that Prieto tested some special rigs consisting of multiple cameras at a rental house. And you can see one of the rigs on the set photos, seemed like several Red cameras which are presumably there to capture facial data for the deaging. And the Alexa which is now being regularly used by Prieto and Scorsese for low light work (Wolf, Silence). Gorgeous work as expected and a film that's been in the works for a decade, Schoonmaker and others close to the project have said it's a different animal than Goodfellas and Casino despite the obvious initial similarities. The film is opening at NYFF late September too, presumably released in November on Netflix, Scorsese has been said to make a push for a wide release of sorts with possibly an exclusive theatrical window of a few weeks. -
I'm currently filming a western, shot in the west (Colorado), on film. It's called THE LAST RESORT. Shooting with a Canon 1014XL-S. Filming it on Kodak Tri-X 7266. On location. So far, the film looks amazing! This is a Warehouse 9 Production. I wish I could post a picture, but the image requirements are too small... I don't have a teaser yet, but check out my other film projects. https://vimeo.com/user2463860 -
Please email sales@broadcastsolutions.com for pricing and details.
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I just learned I have access to an Aaton LTR but that the batteries went missing. I've searched for batteries online to no avail and was wondering if anyone here knew anyone selling them? Let me know guys, Thank you!
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Does anyone know where I could find a dummy roll of 400ft 16mm to pratice loading? Thanks.
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For Sale : Arricam 235 Camera Package 4 Perf Please email sales@broadcastsolutions.com for pricing and details.
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For Sale : Arricam LT 3 Perf Camera Package Please email sales@broadcastsolutions.com for pricing and details.
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Hey there! I just created a small piece regarding film (photography) I'm looking for critique on this piece. I realized that when I scaled my C4K from the pocket 4k to a UHD timeline, some of my clips towards the end) apparently weren't scaled correctly so a white line pops up on the right side of frame. (Lame because it doesn't show up in premiere's editing windows) Also banding is insane with YT compression so a couple of shots you notice it quite a bit. (Tried to minimize it with grain added) Anyways, thanks for stopping by and drop any tech questions you have below as well!
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Hey, Looking to pick up an aaton a-minima top handle and or trans video monitor for the camera. Thanks, J
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Hello, I am looking for a used super 16 package with a PL mount. I'm interested in a SR2 or SR3 or an Aaton XTR Prod. If anyone is interested in selling please let me know! Thanks!
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For Sale : ARRIFLEX 235 Package LIKE NEW CONDITION. Email sales@broadcastsolutions.com for pricing and details. Package includes: (1x) Camera ARRIFLEX 235 Body (1x) Integrated Video Assist System IVS (PAL) (2x) Shoulder Magazines 120m (1x) Ground Glass (TV S35 Safe) (1x) Medium Extension Eyepiece
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Im about to shoot a short film on 16mm, and were gonna use back projection (the projection itself would be digital, and its material shot on digital camera). I would appreciate any advice since i never did this. my concerns are mostly two: 1. whats the best way to expose/ measure the projection? 2. should I take any special precautions to avoid flickering? or will it be fine just as long as the camera and the projector are set to the same frame rate? if i plan to use hand cranck, I imagine there is no way to avoid variable flickering, right? Thanks Daniel
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There is this old one ... https://variety.com/2009/digital/features/is-it-really-cheaper-to-shoot-in-digital-1118008522/ And a 2015 indie experience https://www.moviemaker.com/archives/moviemaking/cinematography/film-v-s-digital-is-the-expense-of-shooting-on-film-a-misconception What's your thoughts generally (not only on the articles...)
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https://vimeo.com/327032597 We are documenting events here in Japan prior to the 2020 games for practice. Thank you for all your input. We filmed Tokyo Marathon, I love Ireland Parade, Holi 2019, and most recent a Go Ruck event. Thank you for your time. Sincerely, LODI Team Japan
