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Showing results for tags 'KODAK'.
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Hey everyone, I'm looking for old, expired 400' rolls of 16mm that I can use to practice loading. I'm planning to start shooting 16mm more seriously and don't want to have to worry about potentially wasting brand new film while I familiarize myself with the process. Thanks!
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Hi to all, I am seeking for example of filter use on 16 mm. It can go from glimmer, black promised to effect filters like stars and else (ideally from footages, test or existing movies) Shooting soon on aaton xtr, zeiss 12 mm + zeiss zoom 20-120 + eventually 7219. A dance performance in a studio with natural light , about T'4 coming from outside with top windows. Thanks in advance -
Hey everyone, Like most in this forum I'm a hardcore film nut, and like to learn more every day, to understand the medium and improve. Now with the resurge of 65 film for Kodak, and people ramping up hand rolling short ends into their cameras, I was curious to know what companies that actually made 65 mm film. Kodak still does, but did Fuji ever venture into the IMAX / 65mm size? Were there other options? And also, has anyone ever made a black/white 65 mm stock? (clearly a VERY specific look but...) C
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Arriflex 435 ES - 4-perf, IVS video assist PAL, FEM (functionality expansion module), TimeCode module, Arriglow module - Base plate BP-8 + dovetail plate + 19mm rods long, short 3x 400ft magazine + case 1x 400ft magazine (35-III model) 3x 200ft magazine + case finder extension FE-3 finder extension FE-5 ground glass + arriglow: - super35 2,35 - super35 1,85 - super35 silent gate 1,33 - normal35 2,35 - normal35 1,85 - normal35 1,33 P+S Technik uRC - remote control for speed ramps Video-top 100% + SCA-2 (for steadicam low-mount) EasyLOOK video-assist system - digital system for recording and playback - generates Quicktime files on HDD - wireless option Transvideo TITAN transmitter + receiver set for analog SD wireless video Transvideo Rainbow II 6,5” monitor - bright PAL monitor - anamorphic desqueze support PHOTOS: https://photos.app.goo.gl/xaJqzid9JwCFyyxY8 Camera is located in Bratislava, Slovak Republic, EU Shipping within European Union will cost €550 Shipping outside EU is not possible at the moment. In case of personal pickup, I can supply old Kodak film stock (10 rolls) for free. Payment via PayPal, incl. buyer´s protection.
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Hi all....got back the 400ft of footage from Cinelab London for the personal project I'm shooting on my father - an athlete, still at nearly 82 years of age.....this is a personal project and family heirloom.....so Im putting my hands in my pocket and going for it....
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Hey everyone, I'm getting ready for a film challenge where our entire short will be made on a single 100 ft reel of Kodak 7219 and shot on a Krasnogorsk-3. In preparation for the shoot I decided to do a lens test with the stock Meteor 5-1 lens on my original Blackmagic Pocket Camera. Surprisingly though, my footage all seemed to be about a stop under exposed. I know that the aperture of a lens doesn't always let in as much light as it should and that T-stops are supposed to correct for this, right? So is this the case here? Have those of you that use the Krasnogorsk-3 encountered this problem? Does this mean that when shooting I should meter for 250 instead 500 to get proper exposure? Any thoughts? -
Looking to mimic 320T 5277,with a custom picture LUT,on my C300 Mii. I have the film stocks spatial frequency, relative log exposure, and wavelength (nm) and access to a testing facility. Could this info be transformed into a custom picture setting? I havent seen any exact LUT,in my research.
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Hello guys and gals, So, yesterday, while processing some Tri-X Super 8, something nightmareish happened during the second developpement after re-exposure : after 1 min in the 2nd developer (where the emulsion properly reacted and darkened), it slightly started to lift from the plastic and then it litteraly disloved into the developper : no floating gelatin flakes, just a plain black developer... The weird thing is that I already processed Tri-X this way, here is an example : https://vimeo.com/326184819 Here is my protocole, I have included as much info as I can : 1 – Soaking in a 25°C water bath. 2 – 1st Developer : Ilford Multigrad 1+9, 20min (continuous agitation on 1st minute, then 10sec each minute), 25°C. 3 – Hardening stop bath : Adox EcoStop 1+29 + 40ml/L of Tetenal Hardener. 6 min, 20°C, continuous agitation. (https://www.fotoimpex.com/chemistry/tetenal-hardener-to-be-added-to-the-fixer-or-stop-bath-1000-ml.html?cache=1564733928) 4 – Washing, runing water, 2 minutes. 5 – Bleach : Potassium permanganate 0,4% + Sulfuric Acid 10% equal part, 6 min, 20°C, continuous agitation. 6 – Washing, runing water, 2 minutes. 7 – Clearing bath, Sodium metabisulfite 6%, 2 min, 20°C, continous agitation. 8 – Washing, runing water, 2 minutes. 9 – Hardening stop bath : Adox EcoStop 1+29 + 40ml/L of Tetenal Hardener. 6 min, 20°C, continuous agitation. 10 – Washing, runing water, 2 minutes. RE-EXPOSURE : 2x1min 80W 1m in a white tank filled with water. 11 – 2nd Developer : Ilford Multigrad 1+9, 4min (stand), 25°C. The same solution I used as 1st developer. And that's where the emulsion dissolved.... Usually, after that, I use an hardening fixer for 5 minute, washing 10 min on runing water, rinse with distilled water, let it dry and digitalise with a Retroscann Universal. It's fastidious, but cheap ! Side notes : - Processing in Lomo Tank. - I know Ilford says not to use Ilford Multigrade for processing film (Universal PQ is recommanded instead), but through my test phase it was the only thing I had on hand, so I tried and it worked as you could see on vimeo. - I've never found any information about the shelf lif of the Tetenal hardener. As it is supposed to be mixed with Stop or Fix, I mixed it with the Adox Eco Stop to be sure I won't use an hardening bath tha is no longer working. Anyway, I mixed a new solution and it was still a disaster. - I use the hardener to compensate the softening of the emusion by the bleach. One bath before to strenghten, one bath after to reinforce. I thing the bleach isnt to blame, otherwise it the continous agitation in the clearing bath would have the same mechanical effect, so I guess it is a chemistery issue. The film is perfectly fine during re-exposure, bleaching is complete, after touching the film, the emulsion is normal. - I dont know why the developper is dissolving the emulsion on second use but work perfectly fine on the first one. So that's it, if anyone have an idea, i'm all ears ! Thanks ! Jérémy -
I'm sure most of you have seen this beauty by now. Dropped out of nowhere yesterday and set the entire Internet ablaze. First of all, do yourselves a favor and avoid watching the trailer on YouTube or any other source than Netflix itself obviously. The trailer is apparently in 4K on the platform, I watched it on a big screen and it's obviously much less compressed and much more representative. The deaging can be seen from the opening of the trailer with Pesci and De Niro and at the end of it. Looks pretty darn impressive when viewed properly on Netflix. De Niro's skin looks a bit smooth on more compressed versions, it does not on Netflix itself. Otherwise, I've been checking out a bunch of set photos to determine how much was film and digital. The producer Emma Tillinger Koskoff pulled some numbers a while ago which were incorrect for some reason, ie 30% of the film being shot on 35mm, and that everything involving the deaging required shooting digitally. However, Thelma Schoonmaker said half of the film has them deaged. So that means half Alexa (as listed on IMDB) and half 35mm film. IMDB lists the following info: Arri Alexa Mini, Zeiss Master Prime and Cooke Panchro/i Classics Lenses Arricam LT, Zeiss Master Prime and Cooke Panchro/i Classics Lenses I don't know if anyone here knows Prieto or someone else involved with the film and can provide maybe more technical info? I also saw that Prieto tested some special rigs consisting of multiple cameras at a rental house. And you can see one of the rigs on the set photos, seemed like several Red cameras which are presumably there to capture facial data for the deaging. And the Alexa which is now being regularly used by Prieto and Scorsese for low light work (Wolf, Silence). Gorgeous work as expected and a film that's been in the works for a decade, Schoonmaker and others close to the project have said it's a different animal than Goodfellas and Casino despite the obvious initial similarities. The film is opening at NYFF late September too, presumably released in November on Netflix, Scorsese has been said to make a push for a wide release of sorts with possibly an exclusive theatrical window of a few weeks. -
Some more items up for auction including a very beautiful Elgeet 1" f0.95 c mount lens! https://www.ebay.com/sch/analogfilms/m.html?_trksid=p3692 (If interested in the films, especially purchasing multiple rolls, feel free to PM me here) -
Hello! I have for sale: 5218 Vision 2 500T ~930' across 4 short end cans + (1) 400' factory sealed can 5205 Vision 2 250D ~ 1800' across 9 short end cans Please see photos for specific lengths per can. Sold as is; in LA for local pick-up. Willing to ship at recipients expense. Email me at jacobkubabojsza@gmail.com for quicker response. $300, OBO
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Hi! I've been hunting around to find some interesting expired film stocks to shoot on. I found a lot of 16mm 500T Vision 2 - "ESTAR" base for sale. I did some research and found some Kodak write-ups about this ESTAR base stock - polyester stock, interesting... The only film I've ever shot entire projects on is 35mm and 16mm Vision 3 (as well as experimenting with some expired Vision 2 stocks). I've never heard of this ESTAR base film before. Any one have any knowledge on this? Also, any idea how it might hold up? - seller says it was stored cold and is factory sealed. Of course, I'd test it ahead of any real shooting, but I'm curious if any one has any idea if it's worth it before I buy the lot? Could be fun to do it regardless as it is selling for fairly cheap! Attached is a photo of the label - curious that it doesn't even have a film code starting in "7." Could this be an experimental stock?
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Hi, I'm a filmmaker from Switzerland, I have 7 unopened cans of Kodak Vision 250T and 7 cans of Fuji Reala 500D left over from my grad film project in 2004. Both are 16mm single perf, 122m (400ft). Stored in freezer since. Current condition unknown. Selling for 30 swiss franks per can (=30 USD). Serious buyers only please! Online bank transfer in advance. Minimum order: 3 cans. Shipping to USA costs ca. 40-80 USD, depending on weight. Europe is less. I will be travelling to the UK and US in Feb/March, could possibly bring stock personally (not sure about x-rays?). Best regards Bernie
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Hi, that was the Laboratory of Self-taught Cinema - Experimental (STCL-X) in Brindisi, Italy. Me and my sister (the actress) founded the Lab as a way of gather all the filmmakers of the area, either professionals (I am an Electric, she's an Actress), either kids. Consider that the area of the Lab is dangerous, as robberies and gunfights happens very often (another robbery few hours ago), so this was mainly an effort of grabbing kids from crime. Eventually the Lab died in less than twelve weeks. However we were able to make two test: one digital on Blackmagic Micro Cinema Camera, and the other on Film (old and damaged 7219, on AATON XTR and Angenieux 12-120). I performed cinematography, lighting, I also operated the camera, directed the shoot and loaded the magazine. You can download HD Telecine and 2K 16bpc DPX scans of the film test here, as the project is licensed (CC) BY-NC-SA This was our film test. It was just to try the Camera and Lens, and also to try my intended look for our next project. Then the following is an actual short; my sister improvized a monologue while I was preparing the scene. Blackmagic Micro Cinema Camera and Angenieux 12-120. I want to put also the files of this one online, soon.
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Hello everyone, My friend Fred and I wanted to go out and do a camera test on my ARRICAM. My other friend and her dog were in town visiting at the time, and we thought they had a cool story to tell. One thing led to another, we ended up making this tiny little documentary call Zema. Check it out if you are interested: Shot in one day with only available light. Tested 6fps, 24fps and 48fps on Kodak 5207 and 5219 stock with Zeiss Superspeeds MKIII. Film processed at the Kodak lab Pinewood Studios. Would love to hear your thoughts. Share it if you like it! Cheers, and have a nice day! Tsering
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Hi, I have been looking everywhere and have found absolutely NOTHING on how to tear and and repair/lubricate old C and S mount cine lenses by Kodak and Schneider. These lenses aren't worth the cost of sending out, but are too expensive to toss. I'd love to learn how to work on them. If anyone has videos, manuals, advice or links to help, I'd be VERY grateful. John -
Could anyone help me understand what microfilm is? One of my professors just gave me a roll of this.
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Hi All, I'm selling 35mm short end recans. I came into this stock a few years back, a friend worked on the Wolf of Wall Street and was able to get me there recans. I thought I would use them on a project by now but haven't got around to it and they have been kept in safe storage. I'm looking to sell footage at below price points: Kodak 5219 Vision 3 500T Color Negative - 5,817ft (Price = .25/ft) Kodak 5260 Vision 2 500T Color Negative - 400ft (Price = .20/ft) Kodak 5212 Vision 2 100T Color Negative - 3,687ft (Price = .20/ft) Kodak 5201 Vision 2 50D Color Negative - 400ft (Price = .20/ft) Kodak 5217 Vision 2 200T Color Negative - 1,395ft (Price = .20/ft) Fuji 8583 - 400ft (Price = .20/ft) Fuji 8563 - 400ft (Price = .20/ft) All recans have over 250 ft of film, some are full 400ft recans. Please PM me or email hschleiff@gmail.com if interested in purchasing. I am based in NYC, but can ship if needed. Best, Harry -
Hi All, I'm selling 35mm short end recans. Selling all footage at .25/ft. and have the below stocks available: Kodak 5219 Vision 3 500T Color Negative - 5,817ft Kodak 5260 Vision 2 500T Color Negative - 400ft Kodak 5212 Vision 2 100T Color Negative - 3,687ft Kodak 5201 Vision 2 50D Color Negative - 400ft Kodak 5217 Vision 2 200T Color Negative - 1,395ft Fuji 8583 - 400ft Fuji 8563 - 400ft All recans have over 250 ft of film, some are full 400ft recans. Please PM me or email hschleiff@gmail.com if interested in purchasing. I am based in NYC, but can ship if needed. Best, Harry
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Full book https://photographysgoldenage.wordpress.com/2018/10/03/kodak-cine-photoguide/
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Hello everyone. I accidentally left the Wratten (85b) filter on while I was shooting with a Vision 50D in daylight. anyone could tell me what to expect? I am sure that the color temperature will be much warmer with red/yellow/orange overcast over the image. If so, there's any chance that i can slightly correct the "problem" in post prod? i've also used the automatic exposure of the camera and my biggest fear is that the image will look too much dark and underexposed to be used. Anyone with the same experience? Thanks for the attention.
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Hi All, I'm still really new to the forum so I hope this is the right place to post this. I was wondering if anyone had any advice on buying 35mm in bulk. I'm still a student and I love having the student discount with Kodak, but is the student deal the best I'm going to find? I'm assuming for fresh stock it probably is. I know a lot of people on here shoot with expired stock, does anyone have any suggestions on where to find expired stock in bulk? Thanks so much, Thomas
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Starting October 1st for Super 8!! So excited! "Update from the Film Factory: ⠀ KODAK EKTACHROME 7294 Color Reversal Film is back! Super 8 availability starting October 1st 16mm arriving later this year ⠀ Learn more at kodak.com/go/ektachrome" https://www.instagram.com/p/BoJRytzF1fA/?taken-by=kodak_shootfilm
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Finally i am back in Business. After ma Moviecam Compact was stolen from a British Guy (who actually is a registered Member here) :angry: i am a happy owner of a nice Film Camera again. It took me a few Years to save up for a new Camera as i am dealing with serious Health Condition (Heart Condition, kiddney failures etc...) and therefore my income comes from Health Insurance. A few days ago i could get a sweet ARRI SR2 Super16 - Advanced (12fps <-> 75fps) with two fresh recelled Batteries (recelling was just 4 months ago) a Charger, 2 Mags, a Ocular Extender and a Arri Lense Support Fork (for FF and MB) If i told you that the Camera was about 1800 US$ you probably wouldn't believe it, would you? haha. I also got a High Speed Zeiss 16mm lense for about 600$. i think it was a good Deal Your Oppinion?
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Kodak Cinematographer's Field Guide https://photographysgoldenage.wordpress.com/2018/07/27/kodak-cinematographers-field-guide/
