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Showing results for tags 'Super 16'.
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Hello All, I just completed a new short film shot on 16MM Kodak film via an Arri SR3 HS. I wrote and directed this fun little horror short, and my producing partner, and friend, Evan Samaras did the cinematography (say hi in the comments, Evan). Not only did Evan and I work behind the camera, but also in front of it. The short features only two characters played by us. Due to COVID-19, we wanted to make something small with a minimal, to non-existent, cast and crew. We have submitted the film to some festivals so, for the time being, it is only up privately with a password on our Vim -
London based DP looking to buy some Super 16mm lenses/lens PL mount for SR3. Anyone have any links? Considering primes and zooms.
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If you know, you know.. Really sad to see this go. https://www.dropbox.com/s/jnz4okgnq2gsgyd/IMG_7799.jpeg?dl=0 https://www.dropbox.com/s/ewl4t07f9pcc1g2/IMG_7800.jpg?dl=0 Comes with IKONOSKOP SP-16 body, c-mount, rechargeable battery, 12v dc, 3m remote cable currently set up for a shoulder type rig. Will also include original small rods/plate. Angenieux 17-68 2.2 dogleg finder Angenieux 25mm 1.4 Ikonoskop 9mm t1.5 w/ parallax viewer I bought it in 2015, second hand. Used a handful of times, maybe 3 rolls of film. But it's such a neat camera, e -
Hey everyone, any idea of who might do Super 16mm & Ultra 16mm conversions to an ARRI SR2 HS in Europe? Thanks!
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Brand new in a box Arri Ultra 16 50mm lens. Arri Carl Zeiss Planar 50/ T1.3 lens for Super 16mm film and Super 16 size sensor (BMPCC, etc) New in a box. £6,500
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Super 16 Reflex Bolex H16... The conversion has been made and ready for action!
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For Sale : Optex 5.5mm Super 16 Lens. $3,850.00
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Up for sale is the Eclair NPR Super 16mm camera package in great condition. Package comes with these: - Camera converted to Super 16, with a PL Mount & "C" Mount; ground glass re-centered for S16. - Lens converted from its "CA" Mount to PL Mount. - Battery, cable and charger replaced and tested to be fully functional. Items also included: - Angenieux 9.5 / 95mm... 1:2.2 lens PL Mount + sun visor and directional rod. - Protective cover and soundproofing / blimp... for camera. - 2 120meters magazines. - Perfectone motor. - 1 Flight case. - Facsimile of the original ins
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Canon 11-165mm PL Mount Super 16 Format T2.5 Amazing Zoom Lens Good shape lens, amazing technically. Includes hard case. £3500 (EU) or $4200 (US) – I am based in London but will be in New York soon so can ship it from there if that helps. Technical Specs Focal length 11-165mm Max aperture (T) 2.5 Close focus 3' Image Circle 16mm Front diameter 95mm Weight 2268g Length 190mm Mount PL Mount -
I have 3x Aaton XTR Prod S16mm Camera Packages Available. All cameras have been serviced in the past 6 months and are in very good working order. Camera Package Includes: Aaton XTR Prod Super 16mm Camera Body (75fps max) Carry Handle w/ Built In Tools 3x 400' Magazines w/ Throat Covers Aaton VR 46 Color CDD Video Tap 1.33/1.78 Ground Glass Aaton Swing-over Finder Heated Eyecup Aaton Extension Finder Extension Eyepiece Leveler Arri BP-3 Right Side Start/Stop Handle 6" Screw Type Mini Rods (LWS 15mm) 8' XL
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S16 Canon 8-64mm T2.4 Zoom. PL Mount. Recently purchased this zoom, but rarely use it. Very good condition. Asking $4000 or make me an offer.
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Hello Everyone, I just released my latest short film, POKERS, that I wrote, directed, and co-starred in, along with my producing partner and DP (who is also a member of this forum). It's a 9 minute short about four men sharing their perspectives on their shared occupation during a game of poker. It was shot on 16MM Fujifilm Eterna 250 via Arri HR3 HS in Super 16. I would love it hear any feedback and criticism. I am still very new to filmmaking and look forward to learning and growing. I hope you enjoy it:
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Offered for sale is a very clean used Aaton XTR Plus super-16mm camera system. The camera had a top-to-bottom overhaul at the Aaton factory in Grenoble approx 15 yrs ago and has been maintained by Abel Cine Tech since then. It has been stored for a few years and will get a service checkout in my shop prior to sale. At present it runs very quietly and draws .5 amp at 12.8 Volts without a magazine, which is right where it should be. This is a personal DP unit that has never been in rental service AFAIK. Package Consists of: Aaton XTR Plus camera body (# 16xx) w/PL mount , 1.66/ TV vie
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I came across this teaser for a documentary by Alexandre Favre called Bolex: The Last Employee and thought the readers of this forum might appreciate it. https://vimeo.com/150185992 The contemporary footage was shot using a Bolex modified for super 16, and the audio was recorded on a Nagra. The historical footage and commentary is interesting. Particularly the bit about small camera assembly lines being staffed by women, who were presumed to be more agile than men. The level of precision and craftsmanship that went into these machines is pretty inspiring. I'm looking forward to see
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Hi, I'm looking for any ARRI Zeiss Ultra 16 lenses for sale. Seeking a set of five or six lenses. Feet markings. Open to single lenses. Preferring in this focal range: 8, 9.5, 12, 14, 18, 25mm. Feel free to message or email me any offers or leads. jjwalker.work at gmail dot com. Thanks, -jj
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I'm looking for a Transvideo (or similar) monitor for a color video tap on an A-Minima. Anyone looking to sell one of these?
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Hello! I am new to cinematography.com but very much enjoy getting to know the community! So I have a few lenses I would sell or trade - one is this - in my opinion really amazing S16 wide angle: I just don't use it often enough - so better off with someone who might need it regularly. Century Precision Optics 6mm T1.9 Series 2000 Super 16 Arri PL Mount Film Lens Super wide angle lens for Super 16 or cropped Sensors (like Red, F55, Blackmagic Pocket or S16 film etc). Very fast at T 1.9 with as little distortion as possible for a lens that wide. Has nearly 330 degrees focus throw -
Hello, (A summary of my questions are bullet pointed below the first paragraph) I am looking at buying a Bolex with the purpose of doing a few short films and music videos over the next 12 months . This will also be the first 16mm film camera I own and I good starting point before I move on to a 16sr3 advanced. I have done my research on the camera and most answers say the SBM, EBM and Rex 4 and 5 models are the best to convert to super 16. However I feel I need to ask a more basic question on what people in this forum would suggest, as I can ask more direct questions and hopefully g
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I've had a lot of fun with this camera, but would like to upgrade to a Bolex after discussion on this forum. Up on ebay at the moment: https://www.ebay.co.uk/itm/273566611007 For examples of footage from this camera see http://www.vimeo.com/16mmlondon (Not all clips are from this camera, but are clearly described if they are) PM me if interested as I will giver preference to people on this forum. Cheers Glen
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Angenieux zoom f/2.8 15-150 mm : Very good condition. Lenses perfectly clear. No funguns, no scratches, nos cleaning marks, no inside separation. Focus runs smoothly. Possible to add a little crank on the side. PL mount Cleaned, lubricated and collimated at P+S Technik, Munich Producing perfect image. Will fit on Super 16 camera ( Bolex, Arriflex, Aaton) and digital camera as Panasonic GH4, GH5, BMPCC... Full coverage on Super 16 format. No vignetting on BMPCC. A must have !! This lens is mine, never rented, used on my documentary films with a great satisfaction. Located in Europ -
I currently have a Krasnogorsk K3 (converted to S16) and a Canon Scoopic 16M. I've used both several times over the last couple of years and have learned a lot with them. I've managed to get some good results, however, although there are things about both that I like, they each have things about them that I dislike. K3 + Rugged, cheap, large choice of M42 lenses available, Super 16, stable speed control, compact, reflex - Wind up, tricky to load, light leaks, Standard Meteor lens 'soft' (i.e slightly out of focus) at widest settings, unstable registration, reliability issues
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Hey, Long time reader.. Needing a little help to wrap my head around a possible video tap option for my ikonoskop SP-16 https://www.ebay.ca/itm/JURGENS-COLOR-VIDEO-TAP-35mm-Arri-35-3-C-Mount-Arriflex-SONY-CCD-Camera-WORKS/182862271583?ssPageName=STRK%3AMEBIDX%3AIT&_trksid=p2055119.m1438.l2649 Could anyone let me know a little more about this product? I'm wondering about power options, also just a general understanding of how it works in relation to a C-mount camera (how does the CCD work in relation to the film stock, where is my light going??? Also, Anyone see any reasons this won
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SALE ITEM and LOCATION CANON 7 - 63 w/ PL mount located in Bangkok, Thailand DESCRIPTION serial No:: 911006D This lens was part of a kit for S16 I have been collecting over the years, and it was no small task to source it in these conditions (I had to go through many duds before getting to this jewel). The Canon 7 - 63 really needs no presentation, it's the successor the much acclaimed "The Hurt Locker" zoom lens Canon 8 - 64. Most likely it's one of the best zoom lenses ever made for Super 16. Shall you want to dig it further, have a look here http://cinematechnic.com/resources/optics_f -
Hello, Newly graduated cinematography student is looking to buy Bolex camera (SB, SBM, EL) at a reasonable price. I'm interested in S16, but because of budget send me message if you have regular 16 Bolex :lol: Or veeeeery cheap Arriflex SR2. :unsure: Location: Belgrade, Serbia (but I have friend of mine in Berlin, Germany) PM.
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I'd like to find a 2-perf, 3-perf or Super 16 camera. My budget is $3,000-5,000. My first choice would be for a 2-perf with a lens, second choice is a 3-perf with lens and third choice is a Super 16 with a lens. My range on price is with the expectation that a 2-per or 3-perf with a lens is going to be on the high end of my budget while a Super 16 with no lens should be at the low end. Of course if someone has an Arricam ST 2-perf with some Cooke lenses they like to sell me for $3,000, I'd be happy to be proven wrong on my price estimates. :D Seriously, if I'm way off on my price ex
