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Showing results for tags 'Super 16'.
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Hi, I'm a student cinematographer with a shoot coming up, on 16mm with the Arri SR3. I have a couple of shoots planned during the blue phase of magic hour (civil twilight and the blue hour), on a beach. I think I'm correct in saying that I need to shoot with daylight colour balance to match the blue tones in the sky as tungsten will make them even cooler? I was wondering if anyone has any thoughts on the different aesthetics of 500T and 250D? (aside from the obvious sensitivity and colour balance differences). Is there any particular advantage (visual or otherwise) to shooting 500t with an 85 or 250d straight up? All the best, Connor
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I know there are many Krasnogorsk haters on this forum but I wanted to share this awesome project by Russian DP Max Ivanov. It's been 2 years in the works and so much effort has been put into this with a ton of custom machined parts and boards. Here are the specs as shared on the Instagram page for the project: - Camera works with 7-12V batteries (it has a 2-pin lemo connector for power input) - Swiss 100 watt BLDC Motor. (BLDC motors have longer service life and were installed on the Aaton A Minima, XTR Prod, Arri 416.) - Motor controlled and stabilized by a microcontroller - Sync is accurate to 0.001fps at 25fps. (between 0.01-0.001 at other framerates) - Framerates: 1-50 fps - Video tap is based on GoPro internals which allows to record the tap feed in-camera. (Max said he will be adding a cable clamp / adapter since it uses the unreliable micro-hdmi connection from the gopro internals) - Optical viewfinder can be used at the same time as the video tap - Wi-Fi control which allows to set framerate and run/stop wirelessly via your phone - Electronic footage counter. (Maintains footage count after being powered off and has a reset button) - Super 16 gate with ground glass adjustment mechanism. FFD can now be easily tuned and will be precisely set on every model. Max will also be selling a set of tools for calibrating the FFD on this camera so you will be able to calibrate it yourself (I can already hear some of you complaining about how nobody should attempt to do this on their own unless they're a trained technician) - Super 16 viewfinder with correct markings - PL Mount Obviously not a camera for every situation, like narrative projects or basically anything with dialogue. However, I think it's perfect for more abstract projects like music videos or fashion films, especially when you need to move fast and do dynamic handheld stuff. I have one preordered and am super excited to test it out once it's ready! (I think the current eta is March/April) -
I'm so sorry to sell my lovely baby but I need some money for a next project. For sale : - 1 Arriflex 16 SR1 PL mount, upgraded in Super 16 by P+S Technik ( Munich). "Evolution Upgrading Program" by P+S Technik was a complete change of electronic mother board, new speed controller with screen ( intervallometer function on ), new mechanics, new viewfinder with better magnification, new black painting on whole camera body and magazines. - 2 Super 16 magazines. - 1 battery ( new cells) - 1 Arri battery charger - 1 VSU speed controller - 2 handgrip-trigger ( one broken, other one is ok) - 1 blimp - 1 matte box - 1 soft foam shoulder pad - 1 changing bag I join also some spare parts : - 2 new and unused lightmeters - 1 Arri SR2 motor - 1 normal 16 gate - 1 normal 16 ground glass Kit located in Europe ( Czech Republic). If you want to visit me for a local pick-up, you are welcome !! price : 3000 euros + shipping taxes. Lens is not included in the package ! Only here for the picture ! High Res pictures, informations and demo videos on demand : dartwiller@yahoo.fr -
Hey everyone! I have the BP-7 15mm studio baseplate for my SR3 and am looking to trade it for the 19mm version - the BP-6. Anyone out there interested in that trade? I just accidentally bought 19mm accessories for my SR3 thinking that the baseplate takes 19mm rods and just realized that I made a big mistake 😅
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Both lenses purchased / serviced at Visual Products. Both are in excellent condition. The Optex 4mm comes with a hard carrying case. The Angenieux is fitted with a PL mount from Visual Products. I can show footage shot on these lenses per request :) Photos here: https://www.dropbox.com/sh/h9so9a2cnrr4gaq/AACgNdHIlGbOv8v7PxkUmb-Da?dl=0 - Optex super cine 4mm (2,500$) - Angenieux 17.5-70 (1,750$) Will accept paypal / can ship anywhere in the US. Thanks, Tanner Pendleton pendleton.tanner@gmail.com 978-340-2012 -
Offered for sale is a very clean used Aaton XTR Plus super-16mm camera system. The camera had a top-to-bottom overhaul at the Aaton factory in Grenoble approx 15 yrs ago and has been maintained by Abel Cine Tech since then. It has been stored for a few years and will get a service checkout in my shop prior to sale. At present it runs very quietly and draws .5 amp at 12.8 Volts without a magazine, which is right where it should be. This is a personal DP unit that has never been in rental service AFAIK. Package Consists of: Aaton XTR Plus camera body (# 16xx) w/PL mount , 1.66/ TV viewing screen, time code, hand grip, thread-in support rods. 1-Custom integrated B&W video assist with interchangeable cameras (included camera is B&W SD composite video). Mount is C-mount. Video tap has manual controls for image size, focus, centering and iris. 2-400' DX magazines 1-Media Logic Xtal speed control (6-54 fps in .001 frame increments) 1-Oppenheimer Np-1 battery adapter 4-NP-1 Ni-Cad batteries (power cycled and tested, may need replacement soon) IDX 4-place charger for NP-1 1-Aaton 16V battery for frame rates btwn 37-54fps (new cells) 1-16V charger Camera power cable for external batteries (XLR 4-pin) Aaton Origin-C time code clock w/cables Canon 8-64mm T2.4/PL mount Super-16mm zoom lens Canon 2-stage 4x4" clamp on 95mm filter holder sunshade for 8-64mm Tiffen 4x4" filters: 85; 85ND3, 85ND6 Cases for all Price: US$ 10,500.00 + shipping (Equip is located in Seattle WA USA) Email for more photos etc.: cp@seriousgear.com Charles Pickel www,seriousgear.com
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FOR SALE: ARRI SR2 SUPER-16 w/ Color Tap + Zeiss S16 Zoom Lens - FULL Camera Package Parting ways with my S16 Arri SR2. This camera has been incredible to own and I'm sure I'll regret selling it down the road but the time has come. The camera is in great working condition. I've never had a single problem with it. I'm selling it along with my Zeiss Vario-Sonnar 12-120mm S16 zoom lens. It's an incredible lens for 16mm. The 12-120 covers all your bases. It also has a macro function at 12mm that allows you to focus as close as you want. Along with that is everything else you need. You won't find a more complete package out there. See the list below. The camera, lens, mags, and batteries were all serviced in July of '19 by Du-All Camera in Brooklyn and have been lightly used since then. I'd be happy to answer any questions you may have. VIEW PHOTOS HERE: http://austincomer.com/sr2 Includes: CASE 01 (1550 Pelican Case ) - Arri SR2 Camera Body (Super 16 - PL Mount) - Top Handle Color Video Tap by B Camera Canada - Eyepiece w/ Blue Star Genuine Chamois Eye Cushion - Zeiss Vario-Sonnar 12-120mm S16 Zoom Lens w/ Zoom Stick - Arri SR2 Extension Eyepiece - 1.78 & 1.33 Ground Glass CASE 02 (1650 Pelican Case) - (2x) Arri SR2 400' Magazines w/ Covers - Arri SRI2 Onboard Battery Adapter - (3x) Onboard Batteries - (2x) Battery Chargers - Right Hand Grip w/ Run/Stop Switch - Cinematography Electronics Precision Speed Control 2 - S16 Chrosziel Matte Box (swing away - 4x5.65 filter holder - 4x5.65 rotating filter holder) - French Flag for Matte Box - Dovetail Base Plate - Arri Sliding Camera Base Plate - (2x) 18” 15mm Rails - (2x) Tiffen 85 4x5.6 Filters w/ Cases - Tiffen 85ND.3, 85ND.6, and 85ND.9 4x5.6 Filters w/ Cases CASE 03 (1510 Pelican Case) - Dinky Dolly Block Battery *Unsure if it's in working condition* - Charger for Block Battery *Unsure if it's in working condition* - A handful of cables and adapters for camera and video tap (Including: BNC to HDMI Convert Box, Hirose to BNC/Power Cable for Onboard, 2x Hirose to BNC/Power Cable for Block Battery, Power Cable for Block Battery, and more) CASE 04 (Standard Case) - Arri Follow Focus Kit *Rough Shape. Unsure if it's working condition* EXTRAS - Camera Essentials Harrison Film Changing Tent - Alan Gordon Camera Comfort Cushion (Shoulder Cushion) $15k obo for the full package. -
Hey everyone! I'm getting a super 16 camera in the near future and am in the market for some lenses, preferably something more budget friendly. Does anyone have any primes they're looking to get rid of? Ideally looking for a set of 3 fast lenses, something like a 7mm, 16mm, and 25mm. Thank you!
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Hi Everyone, I have a couple of excellent and rather rare Super 16 Cine Kowa lenses that are looking for a new home. A few marks on the housing but generally in good condition. 1x 16mm T 1.25 (Arri Bayonet) 1x 9mm T 1.35 (Arri Bayonet) 1 x adaptor (Arri bayonet to Aaton mount) Not really sure of the value, there do seem to be various adaptors (MTF / Fotodiox) available. I think they do offer coverage for micro four thirds - Can anyone confirm that? Open to offers. I'm based in London (SE22). Thanks, Ollie
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Hello, (A summary of my questions are bullet pointed below the first paragraph) I am looking at buying a Bolex with the purpose of doing a few short films and music videos over the next 12 months . This will also be the first 16mm film camera I own and I good starting point before I move on to a 16sr3 advanced. I have done my research on the camera and most answers say the SBM, EBM and Rex 4 and 5 models are the best to convert to super 16. However I feel I need to ask a more basic question on what people in this forum would suggest, as I can ask more direct questions and hopefully get more specific answers. I know the basic benefits of converting to Super 16, but I'm more interested in what bolex model people would suggest is the best for the job. I could spend between £1,200-£1,500 on the camera but obviously if a cheaper option is just as good that'd be fantastic. I have seen some super 16 SBM for around $2,999 so yes! So here are my questions in summary. -What is the best model in my price range to buy to convert to super 16? -This may sound stupid but I know the issues with the beamsplitter and the widening of the viewfinder with conversion, but can a PL mount be put on the camera without it having undergone the conversion, as have read and seen people putting Zeiss super speeds on these cameras. - If the new faceplate reads bolex H super 16, what bolex model was that before the conversion (again may sound stupid). I do have more questions on the topic, but once I get a reply I may ask more ahah. I am hoping to do a project in late June this year so If anyone has any information they might think is helpful that would be much appreciated. Many thanks, Will
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Late Spring Cleaning, items from Super 16 Arriflex 16SRII for sale. ARRI LWS-2 Rods with extensions. These are the convertible rods that work with Arriflex 16SR, 16SRII and 16SR3 cameras, in Regular 16 and Super 16. Asking $275 Van Diemen 4x4 Matte Box (with 15mm rod mount), 2 Stage, both Stages rotate, with 4 donuts for different sized lenses. Asking $250 Schneider #85 4x4 Filter, used once. Asking $99 Tiffen #25 Red 4x4 Filter, never used. Asking $125 Thanks for looking, let me know if you have any question. Shipping is free for residents in the lower 48 here in the US, actual shipping and handling cost will be added to international sales. Best, -Tim -
I know this is going to sound dumb, but I have an Eclair NPR camera and I cannot find the serial number on it. I removed the motor, I looked all over the place and I couldn't find it. This specific unit was modified by Les Bosher, so they may have removed the plate or something. They changed the tourret and maybe the serial number was there. I want to send the camera to service and it would be nice to know what the serial number is so I can have more info about the camera. Thanks
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Hello! I am new to cinematography.com but very much enjoy getting to know the community! So I have a few lenses I would sell or trade - one is this - in my opinion really amazing S16 wide angle: I just don't use it often enough - so better off with someone who might need it regularly. Century Precision Optics 6mm T1.9 Series 2000 Super 16 Arri PL Mount Film Lens Super wide angle lens for Super 16 or cropped Sensors (like Red, F55, Blackmagic Pocket or S16 film etc). Very fast at T 1.9 with as little distortion as possible for a lens that wide. Has nearly 330 degrees focus throw and works like a charm. Arri PL mount, smooth focus and aperture gears. Glass is in excellent condition, no fungus, nothing visible inside the lens. Some sings of use on the mount and also on the outer body (as you see in the images). This is a professional and solid lens - excellent built quality and excellent visual performance. Should there be any questions, don't hesitate to ask. Asking for 1700$ Better quality pics: https://www.dropbox.com/sh/1dlpmg2rid771m3/AABGsUyFTzvwto2QczEtRQtxa?dl=0 Located in Vienna, Austria - pickup or shipping worldwide -
Hello All, I just completed a new short film shot on 16MM Kodak film via an Arri SR3 HS. I wrote and directed this fun little horror short, and my producing partner, and friend, Evan Samaras did the cinematography (say hi in the comments, Evan). Not only did Evan and I work behind the camera, but also in front of it. The short features only two characters played by us. Due to COVID-19, we wanted to make something small with a minimal, to non-existent, cast and crew. We have submitted the film to some festivals so, for the time being, it is only up privately with a password on our Vimeo page. The link and password are below, for your viewing pleasure. Please let me know your thoughts and critiques. Anything feedback would be greatly appreciated. Password: SRF2020 Thank you all in advance! Keep shooting! -
London based DP looking to buy some Super 16mm lenses/lens PL mount for SR3. Anyone have any links? Considering primes and zooms.
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If you know, you know.. Really sad to see this go. https://www.dropbox.com/s/jnz4okgnq2gsgyd/IMG_7799.jpeg?dl=0 https://www.dropbox.com/s/ewl4t07f9pcc1g2/IMG_7800.jpg?dl=0 Comes with IKONOSKOP SP-16 body, c-mount, rechargeable battery, 12v dc, 3m remote cable currently set up for a shoulder type rig. Will also include original small rods/plate. Angenieux 17-68 2.2 dogleg finder Angenieux 25mm 1.4 Ikonoskop 9mm t1.5 w/ parallax viewer I bought it in 2015, second hand. Used a handful of times, maybe 3 rolls of film. But it's such a neat camera, easy to use, some footage can be seen online vimeo/youtube. I have a roll 400' can of Fuji REALA 500D I can include also, stored since purchasing the camera. $5000(CAD) I prefer to sell locally, but want to find a good owner, regardless. I also am selling a.. Beaulieu R16 with 400ft mag and new upgraded external battery/charger Beaulieu 4008 ZM4 (needs recelling) Canon 514xl-s Thanks for looking! -
Hey everyone, any idea of who might do Super 16mm & Ultra 16mm conversions to an ARRI SR2 HS in Europe? Thanks!
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Brand new in a box Arri Ultra 16 50mm lens. Arri Carl Zeiss Planar 50/ T1.3 lens for Super 16mm film and Super 16 size sensor (BMPCC, etc) New in a box. £6,500
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Super 16 Reflex Bolex H16... The conversion has been made and ready for action!
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Canon 11-165mm PL Mount Super 16 Format T2.5 Amazing Zoom Lens Good shape lens, amazing technically. Includes hard case. £3500 (EU) or $4200 (US) – I am based in London but will be in New York soon so can ship it from there if that helps. Technical Specs Focal length 11-165mm Max aperture (T) 2.5 Close focus 3' Image Circle 16mm Front diameter 95mm Weight 2268g Length 190mm Mount PL Mount -
For Sale : Optex 5.5mm Super 16 Lens. $3,850.00
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Up for sale is the Eclair NPR Super 16mm camera package in great condition. Package comes with these: - Camera converted to Super 16, with a PL Mount & "C" Mount; ground glass re-centered for S16. - Lens converted from its "CA" Mount to PL Mount. - Battery, cable and charger replaced and tested to be fully functional. Items also included: - Angenieux 9.5 / 95mm... 1:2.2 lens PL Mount + sun visor and directional rod. - Protective cover and soundproofing / blimp... for camera. - 2 120meters magazines. - Perfectone motor. - 1 Flight case. - Facsimile of the original instructions for use. The Price is 2550 GBP. Items location is the UK. Camera and lens conversion fully done by Les Bosher; battery, cable and charger with modern components also replaced and tested by him. Camera recently serviced (20th January, 2019), and operation checked by the same camera engineer, it's all ready to shoot. No issues. Images below shows the items that come with the package. Attached Images:
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I have 3x Aaton XTR Prod S16mm Camera Packages Available. All cameras have been serviced in the past 6 months and are in very good working order. Camera Package Includes: Aaton XTR Prod Super 16mm Camera Body (75fps max) Carry Handle w/ Built In Tools 3x 400' Magazines w/ Throat Covers Aaton VR 46 Color CDD Video Tap 1.33/1.78 Ground Glass Aaton Swing-over Finder Heated Eyecup Aaton Extension Finder Extension Eyepiece Leveler Arri BP-3 Right Side Start/Stop Handle 6" Screw Type Mini Rods (LWS 15mm) 8' XLR Power Cable 2x 1' Eyepiece Heater Cable 2x 1' Aaton 2 pin Accessory Cable (Start/Stop Handle) 2x 5amp Fuses Mag Port Cover Lens Port Cover Flight Case For Camera Body Flight Case For 3x Magazines $3,495 Please DM For Additional Information/Pictures
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S16 Canon 8-64mm T2.4 Zoom. PL Mount. Recently purchased this zoom, but rarely use it. Very good condition. Asking $4000 or make me an offer.
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Hello Everyone, I just released my latest short film, POKERS, that I wrote, directed, and co-starred in, along with my producing partner and DP (who is also a member of this forum). It's a 9 minute short about four men sharing their perspectives on their shared occupation during a game of poker. It was shot on 16MM Fujifilm Eterna 250 via Arri HR3 HS in Super 16. I would love it hear any feedback and criticism. I am still very new to filmmaking and look forward to learning and growing. I hope you enjoy it:
