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Found 53 results

  1. Hey guys, I have a SpeedBooster for the Pocket and the Micro for sale, Canon EF lens version. Asking price is 450€ I'm in Italy and I can ship to Europe for fair prices and even WW if needed (postal or UPS). BTW I also have a brand new Wooden Camera cage for the BMMCC plus the Wooden Camera PL Mount Pro kit for it in another thread.
  2. Hey guys, I'm selling a brand new Wooden Camera cage for the BMMCC plus the Wooden Camera PL Mount kit for it. Asking price is 80€ for the cage, 250€ for the adapter or 300€ for everything ! ! ! ! I'm in Italy and I can ship to Europe for fair prices and even WW if needed (postal or UPS). BTW I also have a SpeedBooster for the Pocket and the Micro, Canon EF lens version for sale in another thread.
  3. Hi all, I wrote a how-to guide to set up the Blackmagic Micro Cinema Camera for wireless DISTANCE-ACCURATE focus pulling via SBUS. It will give you the same kind of control like a Preston or a WCU. It took me two months of research and tinkering to come up with this setup. I hope this guide will be helpful you. http://www.jack-lam.com/blog-post-2-1.html I’d love to hear what you think. Jack
  4. Hello! I am new to cinematography.com but very much enjoy getting to know the community! So I have a few lenses I would sell or trade - one is this - in my opinion really amazing S16 wide angle: I just don't use it often enough - so better off with someone who might need it regularly. Century Precision Optics 6mm T1.9 Series 2000 Super 16 Arri PL Mount Film Lens Super wide angle lens for Super 16 or cropped Sensors (like Red, F55, Blackmagic Pocket or S16 film etc). Very fast at T 1.9 with as little distortion as possible for a lens that wide. Has nearly 330 degrees focus throw and works like a charm. Arri PL mount, smooth focus and aperture gears. Glass is in excellent condition, no fungus, nothing visible inside the lens. Some sings of use on the mount and also on the outer body (as you see in the images). This is a professional and solid lens - excellent built quality and excellent visual performance. Should there be any questions, don't hesitate to ask. Asking for 1700$ Better quality pics: https://www.dropbox.com/sh/1dlpmg2rid771m3/AABGsUyFTzvwto2QczEtRQtxa?dl=0 Located in Vienna, Austria - pickup or shipping worldwide
  5. Hello, I am looking to sell the following items. I am willing to possibly split into different package prices, depending on need. I am looking for 2600 for everything below. Everything is in excellent condition. Bmmcc original price $995.00 Asking $750.00 https://bhpho.to/2y8CVWf Rawlite olpf - orig. price $350.00 asking $250.00 http://rawlite.com/ Bmpcc speedbooster ef Original price - $649.00 Asking - $475.00 https://bhpho.to/2nh2Rst One little remote lite Original price - $189.00 Asking - $125.00 https://amzn.to/2JNnNPh Smallrig Bmmcc cage Original Price - $79.00 Asking - $50.00 https://bit.ly/2l9SvaX Shijan angle hdmi clamp Original price - $30.00 Asking - $20.00 https://bit.ly/2JEDTyL NPF bridge Starving Artist Original price - $29.00 Asking - $20.00 https://bit.ly/2l9DJ3C 2 x Sandisk 128GB card Original price - $129.90 Asking - $90.00 https://bhpho.to/2iaZlNI 2 x NPF-970 battery Original price - $251.98 Asking - $180.00 https://bhpho.to/2fg0Ho4 NPF battery charger Original price - $34.90 Asking - $25.00 https://amzn.to/2sVxeGe 3 x LP-E6 battery Original price - $192.00 Asking - $140.00 https://bhpho.to/2bjAhOs LC-E6 battery charger Original price - $52.95 Asking - $40.00 https://bhpho.to/2bwFGnu Alphatron EVF Original price - $1,395.00 Asking - $500.00 https://www.filmtools.com/alphatron-...f-035w-3g.html Subtotal Original Price - $4,377.73 Subtotal Asking Price - $2,665.00
  6. Hello all - I'm completely new to these forums, and already excited to start delving deep into all the information here. Just wanted to share a trailer for my feature, DON'T. STOP. RUNNING. which, as is often the way with microbudget indies - I wrote, directed AND shot... Never again...! I used a BMPCC and a range of M43, C Mount, M42 and Arri B-mount secondhand and new lenses, and was amazed to see the quality we could get from that little camera. We shot, for the most part, outside in a British summer (occasional bits of sunshine interspersed with long periods of slate grey skies) with just a sun direction app, a couple of reflectors and an Artem smoke gun. I'd love to know what people think of the trailer - a bit of feedback and critique is the best way of learning! Thanks, Alex.
  7. Selling my Blackmagic Ursa 4.6K EF bought 15 months ago in Prague official dealer Syntex.cz package which includes: Blackmagic Design Ursa Mini 4.6K EF original Blackmagic Shoulder Kit original Blackmagic Viewfinder original Blackmagic VLock Battery Plate 2x Transcend CFX650 128GB CFast 2.0 Lexar CFast memory card reader 2x Rolux 160Wh battery Rolux battery charger Sony VTC-14 style camera plate - unbranded SmallRig rossete cheeseplate 2x carbon rods 1620 Pelicase I ask 6500,- USD Dropbox file with pictures: https://www.dropbox.com/sh/rtxgypjmk9a3uhg/AACxc9iwzFiLVFmdM5_l2y0la?dl=0 Camera is currenty sitting in Prague Czech republic and I am willing to sell it woldwide. Ask me for more information or Dng from camera
  8. Hey all I recently purchased an analog to sdi mini converter from blackmagic design for my Aaton XTR Prod. Tried it out the other day and I'm having trouble getting a signal to my monitor. Any ideas or possible solutions? Thanks!
  9. Hi all! I’m DPing a short road trip film next year that takes primarily in a car in the desert. I have some experience shooting in a car before, but would love any advice, input, or words of wisdom that you all may have in regards to doing it right and/or better. Moreover, if any of you have any car scenes from any film or show in mind, I’d love to hear them so I can study them as a reference. This is a low budget indie short film, so any advice on car rigging on a budget is much appreciated. I’m primarily looking at the Blackmagic Micro Cinema Camera as our main camera as it can easily mount to the hood and doors with a standard suction mount, and it's small enough to mount inside the car for various creative angles. In conclusion, I would just love to hear about your experiences shooting in a car, rigging cameras inside/outside a car, and any wisdom you might’ve learned through the process that you wouldn’t mind sharing. Thank you all in advance! All the best, Dante
  10. Hi, for sale is Canon 7-63mm T2.6 zoom lens. Serial number is 10303 (so it's been made around 2003) Lens is very sharp, even wide-open, has no noticable breathing when focusing. Lens is designed for Super16 image size, film or digital sensor. It has Arri PL mount, and 95mm front diameter. Lens has got installed Chrosziel damper for fluid zooming. Lens is in mint condition, with minimal signs of usage on barrel and absolute pristine glass. Comes with lens support, both caps, in custom metal case. Footage ------ I live in Bratislava, Slovak Republic. Shipping only to EU. PRICE: 3300 € + 150 € shipping. ------ PHOTOS
  11. hey guys ! my question is why do you buy a camera when you can rent it ! ?? if you buy a camera like bmpcc you have to buy a lot of accessories !! with this money ! we can rent a better camera and better lenses for doing great job ! so now ! help me ! should i buy a bmpcc for 780 $$ ?? :))) thanks a lot
  12. Hi everyone, I'm writing a piece on the history of colour correction/grading through the ages and was wondering if any of you have been in the business long enough to have first hand experience of grading with film before it went digital? If any of you have any information about who to talk to or know of anywhere that still processes film (preferably in London), please let me know!
  13. Hi All!, So I'm doing a project in an upcoming month or so and I need suggestions. I'm shooting most likely on a BlackMagic 2.5k camera and am looking to achieve a "gritty" look. I understand that it's not just the camera or lenses solely that would help achieve this but I'm curious if there are any suggestions as far as lenses that would help me in the right direction. I've shot multiple times with Rokinons on different cameras and have noticed this has creating a "gritty" dark look but I'm looking for a step up from this. Also what filters would help with this too. ND filters I presume? Thank you!
  14. Hi, I'm planning on applying to a film school this summer, for a directing course. My main focus has always been directing, with cinematography being both a fascinating hobby and something I've had to do for the ultra low budget films I've made. Now, the requirements are that you submit at least two films, of which at least one "made on film (16mm, super 16mm or 35mm)". I've got plenty of digital films to submit, but nothing on film. So I have to make a new one. I've never shot anything on film and, as much as I'd like to have this experience, it would be very expensive. Even with clearance stock, if you factor in renting the camera, developing, scanning, then making the final prints, it would run into the thousands. So I've thought that, since I would be scanning the film anyway and edit it in an nle, I could forgo shooting on film and shoot digitally instead, making a final print on film. The Blackmagic Pocket Cinema Camera has the right sensor size, dynamic range and resolution, so the way I figured, it would look very close to film. And the grain would be in the final print anyway. Might be a weird or crazy plan, but that's why I'm running it people who've worked on film before. Any suggestions welcome! Thanks, Paul. P.S. Regarding the ethics of it, I'm applying to a Directing course. Directing is the same, no matter the medium. If it was a Cinematography course it would've been a different story, but as it is, I seems like a pretty random requirement.
  15. Hello, I was would love to hear your thoughts on the best way to expose a bar scene. We're using a the 4k Blackmagic Production Camera and I have no idea how it responds to be under-exposed. The Arri Amira produced very good results in low-key scenes on our last film but the type of film we're doing needed a lighter camera. I've attached an image of the location. As you can see we have a ton of space and there is a beam that we can G-clamp lights to and also a ledge. OTS right there is a bar which has air-conditioners above it which would be OK to tape fluourescents to. We can't damage the walls! The scene is a guy who takes a girl to a really crass, tasteless joint full of pink neon and cocktail umbrellas (I actually like bars liek this but there you go). The director wants to go walkabout with the camera with a DJI Ronin so the lighting has to go above. I was going to gel Osram De Luxe fluorescents behind the bar and high on the walls and then stick a 1k PAR above the table Bob Richardson style. Once that is done, I was thinking just get a rim light raking the room from the far side and have put a four bank Kino Flo through some 216 to fill the profile shot of the couple at the table. If this sounds like an insane way to do it, feel free to correct me, I'm relatively inexperienced and open to suggestion. I liked what Dante Spinotti did for bar scenes in LA Confidential. He somehow achieved great modelling and depth. Many thanks and good luck to you all! Best regards, Haydn
  16. I've been working with video as an amateur now for 5 years. After I graduated college last year I decided it was time to move from a DSLR to a more cinema oriented body. I went with the Canon C100 and thanks to a grant I won in my last semester, I was able to purchase the Atomos Ninja Blade 2 as well. Right now, I am working as a DP on a small-budget horror feature. After this is through, I have my projects I'd like to embark on, BUT I may lose the Ninja Blade (because the grant was through the school and they want to/have the right to keep it). I understand this severely limits the recording capability of the C100. I read a thread the other night on this forum discussing the Blackmagic Pocket Cam. Now, I am wondering if I've made a mistake choosing the C100. Or if maybe the BMPCC would make my projects cheaper to achieve as I'm yet to purchase any of my own glass or rigging for the C100. My problem, I suppose, is this: Do I press on with the C100 and buy rigging and some glass for it (and unfortunately a new Ninja Blade) or do I liquidate and invest in the BMPCC and some glass for it? Or do I just sit tight with what I have and rent until I have enough money for something substantially better than either?
  17. Selling my old Gear as i have a raven now. Looking to get $1250 for this setup. All items have cosmetic wear. Sigma 18-35mm is Nikon mount, Speedbooster is the pocket cinema camera version and both have no issue. The pocket camera glass in front of the sensor needs replacement or just removed; Would have done this but would rather sell at a give away price. Location NYC PM me if interested Cheers
  18. Hey guys, what are your thoughts on the new Blackmagic Ursa? In need of 4K so I can be more flexible with clients when they want to zoom in on an image. Is it worth the buy? Thanks!
  19. Hello, I am selling the following items. Payment by Paypal, pictures available on request. Here's my e-mail: olivier@theblacksheep.be Blackmagic Hyperdeck Shuttle 2 + Tilta 15mm support and V-Lock plate + Dtap cable It's HD 10bit Prores 422HQ (or uncompressed 4:2:2) recorder placed inside a dedicated Titla 15mm rods support with a V-Lock plate on the back. Great system, I used it with a FS100/700, C100, D800,... The connector of the SDI output of the Hyperdeck is broken. Everything else works perfectly. On the Tilta plate, only the Dtap is active, the other outputs never worked well (I taped them off to avoid using them). Included is a Dtap to DC cable to power the Hyperdeck from the V-Lock plate (it's the same cable for the BMCC). Price: 200 EUR + shipping (33 EUR to most countries) Blackmagic HDLink Little magic box that converts SDI to DVI/HDMI. Accepts 1DLut. Usually used in post-production but I used it as a 1D Lut Box on a camera via a HawkWoods 5V dtap cable. No AC power included (takes DC 5V 2.A, easy to find on Ebay). Price: 100 EUR + shipping (13 EUR to most countries) Petrol PLMD-2 Monitor Bag Brand new, unused Monitor Bag from Petrol. Price: 90 EUR + shipping (from 17 to 50 EUR) Small HD DP6 Canon battery plate Brand new, unused Canon LP-E6 battery plate for the Small HD DP6. Price: 20 EUR + shipping (9 EUR to most countries) Fotodiox Tough Mount Replacement Mount for Sony E-Mount cameras (2 available) Brand new, unused replacement mounts. Here's for more infos: https://fstoppers.com/diy/fixing-son...-e-mount-42714 Price: 30 EUR + shipping (9 EUR to most countries) Atomos Spyder Monitor Calibration System I'm selling an Atomos Spyder Color Calibration System. Brand new in Box. This allows you to calibrate the monitor of the Atomos Shogun, Blade, Samurai,... Here's a link to a review: http://www.provideocoalition.com/rev...ration-system/ Price is 100 EUR + shipping (9 EUR to most countries). All the best, Olivier
  20. Hello everybody ! I wrote a table comparing most of our favorite cameras and their technical specifications (Sensor info, recording info, weight, Mount, Power Consumption, Price ...). I was bored searching in the manuals and documentations, so this should make it a bit easier ! DIGITAL CAMERA COMPARISON Next time, I'd like to make it dynamic with an auto ranking when we click on a particular category. Cheers, Romain
  21. I have five (5) brand new Blackmagic DeckLink Studio breakout cables (item CABLE-BDLKSTUDIO) still in their packaging. I'm selling them for $75 each. Let me know if you need one.
  22. I recently aquired a BMCC, which lends a couple of questions. Now, I see that it is common to use adapters with this camera. Which lenses are great choices for this camera? And are there fully manual zooms under $1000? Also, is Metabones speedbooster with EF lenses a good option, or are the lenses just too big for the sensor? Thanks.
  23. Good evening guys. So, I am looking into optimizing what I get out of my RAW files. And I am not sure I am doing that right now. My workflow now, is 2,5k RAW in Resolve, and then exporting for further editing in Premiere and AFX. What kind of bitrate would you use going from Resolve into Premiere? And what is sufficient for web and cinema use? Thanks!
  24. Blackmagic Production Camera 4k ef mount Like new with original box. Only 1 day of use. Perfect condition MAKE AN OFFER (usd) 4K Super 35mm Sensor with Global Shutter Records 4K (3840x2160) & HD (1920x1080) ProRes 422 Codecs (HQ, 422, LT, & Proxy) Compressed CinemaDNG RAW (4000x2160) Canon EF Lens Mount Built-In SSD Recorder 6G-SDI Output for Ultra HD via One Cable 5" Touchscreen LCD (800x480 Resolution) In the box: Blackmagic Design Production Camera 4K (EF Mount) Sun Shield Camera Strap Turret Dust Cap 12V AC Adapter Possibility of buying a Kingston HyperX Savage - Solid state drive - 240 GB with the camera. Buyer pay shipping cost. I live in Montreal Canada. email me @ js.francoeur@hotmail.com
  25. Good night guys, we're shooting a short film in about a month, and I'm planning to use a BMCC 2.5K. It's a low budget film so we'll be using some LED panels and Rokinon lenses. However, there's a night scene, so I'd like to know if there's any recommended exposure settings that you suggest. I haven't visited the location at night yet, but I know it's not pitch black, and that there are some practicals. Also, we're not looking for a high contrast/ very dramatic look, mostly soft light. The only time I've shot night scenes with the BM I used ISO 800 and played with wide apertures (T/1.5 the widest) and I found it delivered a decent image. However, even after the color grading there was some noticeable noise. Is there something specific that you suggest so I can improve the image quality or is that about the best I can get? Thanks in advance guys. Daniel
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