Post Production

2,595 topics in this forum

1. What lens do you use for 8mm scans? (Retroscan or other scanners.)

   By Daniel D. Teoli Jr., September 27, 2022
   • 22 replies
   • 2.4k views
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   • Robert Houllahan
   • February 1
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3. Aja Kona 3 Vs Blackmagic

   By Guest Rodrigo Martins, July 23, 2008
   • 22 replies
   • 9.5k views
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   • Keith Mottram
   • July 30, 2008

4. power windows

   By Demian Barba, January 26, 2005
   • 21 replies
   • 6.6k views
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   • Sam Wells
   • February 6, 2005

5. 2K RGB vs. HDCAM-SR 4:4:4

   By David Mullen ASC, December 19, 2007
   • 21 replies
   • 5.8k views
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   • David Mullen ASC
   • December 30, 2007

6. 16mm 4K scan edit workflow for digital and film out 23.98 or 24p?

   By Brian Rose, April 24, 2016
   • 21 replies
   • 6.8k views
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   • Tyler Purcell
   • April 27, 2016

7. D.I. Cost Question.

   By Alessandro Machi, April 5, 2007
   • 21 replies
   • 3.1k views
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   • Michael Most
   • April 10, 2007

8. Buying a new computer for post production

   By David Edward Keen, March 16, 2017
   • 21 replies
   • 6.4k views
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   • Brian Drysdale
   • March 19, 2017

9. Apple Final Cut VS Adobe Premiere?

   By Nooman Naqvi, May 18, 2006
   • 21 replies
   • 5.2k views
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   • Tenolian Bell
   • June 1, 2006

10. 2K scans for 2 perf at 1868 x 780?

    By Mike Nichols, October 2, 2008
    • 21 replies
    • 3.3k views
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    • Mike Nichols
    • October 7, 2008

11. Changing NLEs from Adobe to Davinci Resolve

    By Vital Butinar, January 31, 2019
    • 21 replies
    • 5.1k views
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    • Tyler Purcell
    • October 29, 2019

12. Modern Day IB Process

    By Phil Jackson, October 11, 2023
    • 21 replies
    • 878 views
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    • Frank Wylie
    • October 15, 2023

13. One-light telecine first, grading later. Advice?

    By Guest Zulkifli Yusof, January 18, 2007
    • 21 replies
    • 3.9k views
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    • thomas-english
    • February 25, 2007

14. Spot the scanner

    By Phil Rhodes, March 26, 2021
    • 21 replies
    • 2.7k views
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    • Perry Paolantonio
    • June 11, 2021

15. having trouble preserving saturation when exporting

    By Jamie Metzger, April 9, 2009
    • 21 replies
    • 3k views
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    • Jaan Shenberger
    • April 16, 2009

16. Super 16 to DVC-PRO HD

    By Benjamin_Lussier, October 8, 2007
    • 21 replies
    • 2.8k views
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    • Saul Rodgar
    • December 13, 2007

17. Kinescope 2005

    By ATRsea, July 6, 2005
    • 21 replies
    • 3.9k views
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    • Tim Tyler
    • July 8, 2005

18. 3-perf to 4-perf

    By lucas Loureiro, December 18, 2006
    • 21 replies
    • 3.4k views
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    • Max Jacoby
    • December 21, 2006

19. Can you rate the quality of Telecine (link to footage x 2)

    By Stephen Perera, March 26, 2018
    • 21 replies
    • 4.9k views
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    • Stephen Perera
    • April 1, 2018

20. Problem with DPX to ProRes 422 workflow on a Filmfabriek HDS+

    By Guy Burns, February 12, 2020
    • 20 replies
    • 3.3k views
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    • Robert Houllahan
    • February 19, 2020

21. is this the way to go???

    By seth christian, October 28, 2006
    • 20 replies
    • 3.1k views
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    • seth christian
    • November 2, 2006

22. Scratch

    By Roberflowers, January 5, 2007
    • 20 replies
    • 3.2k views
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    • Otis Grapsas
    • January 20, 2007

23. 16mm transfer options in Australia?

    By Patrick Cooper, March 17, 2020
    • 20 replies
    • 3.9k views
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    • Jon O'Brien
    • April 30, 2023

24. just finishing a D.I. for my last film

    By David Mullen ASC, September 25, 2006
    • 20 replies
    • 3.7k views
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    • Evangelos Achillopoulos
    • October 23, 2006

25. D5-HD vs. DigiBeta (telecine workflow options)

    By Ben Hayflick, September 8, 2004
    • 20 replies
    • 5.2k views
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    • Ben Hayflick
    • September 14, 2004

26. Add Film grain in digital

    By Eloy Zecca, May 8, 2015
    • 20 replies
    • 7.5k views
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    • Carl Looper
    • June 21, 2015