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Showing results for tags '16mm'.
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Hi all, I'm looking to purchase an orientable Angenieux viewfinder for the Eclair NPR. I have the original Kinoptic viewfinder which is being laser brightened soon, but I would love to have an orientable vf in the kit. Let me know if anyone has any leads! Thank you, Tristan
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Hello peeps, I've been trying to find this info for a long time, but I couldn't find anything. I already checked all the threads on the CP section, so I have to ask: Does anyone knows what's the focal flange distance of the CP-16r? Thanks
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Hello peeps, I've been trying to find this info for a long time, but I couldn't find anything. I already checked all the threads on the CP section, so I have to ask: Does anyone knows what's the focal flange distance of the CP-16r? Thanks
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Sell my faithful Bolex rex 3 Super 16. It is serviced and converted to super 16 in January 2018 at Bolex in Switzerland. It is only used for two personal movies after that. With you get pistol grip, C-PL mount adapter, 3 rolls of Kodak Vision 3 250d and 3 rolls with Fujifilm Eterna 250t. (100ft) Not interested in selling anything separately. Sells everything for 3500$ Will Ship worldwide for the buyers bill. It will be shipt from Norway. If you are interested send me a email skildeh@hotmail.com will post some pics later
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Hey Everyone, Im selling my Bolex H16 Reflex camera body. It has been full serviced, so no need to send it for any type of repair. The prism was replaced with a bran new one when I sent it for a CLA. Camera comes with: -Pistol Grip -Flat base adapter -Filters -Single frame trigger Asking price is $550 + shipping I can send more pictures on request
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I am getting yellow lines on my film, I checked the wheels they seem fine they spin, is it the gate ? is it because i shot in expired film ? i hate it i shoot a 400ft roll and the yellow line is present in the whole film. i wanna know whats wrong with my CP-16r, has anyone experienced with this problem before? video:
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Hey Everyone, I'm looking for a 16mm film synchronizer, if anyone has one they would be willing to part with cheaply. I don't need anything fancy, and a 2 bank is fine. Just need something that works. Let me know if anyone has one they would be willing to get rid of. Best, Derick
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I have never dealt with Cinelab before. I was mainly interested in their Xena 2k scans as they are better at reading underexposure and I was running and gunning at night and mainly just using a beater handheld cam I acquired and was more of a camera/scratch test and comparing scans to a certain degree. I sent in 100' of 7219 to be processed and scanned at 2k thinking this would cost around $70. I initially selected DPX but the decided ProRes would be more than fine. I tried to call and emailed Robert as soon as it went out and said I didn't update the order form to ProRes my apologies. There is no drive. I would just like an upload to Dropbox in ProRes and because I am not particularly attached to the negatives, I didn't include return shipping. Days later no response. Filled out their order form which said nothing about minimums on it and they pricing sheets are somewhat unclear and very scattered. I didn't think twice about it and figured if they had a problem they would call or reach out. I woke up this am to $161 charge. Thinking this was a mistake I reached out with an email with my form attached and also in line with the previous emails I sent before. This was the response I got: HI Charges were: $115 min charge for process and a 2K scan 2.00 for DPX frames $30 for a thumb drive for DPX frames (we don't upload DPX) $14 for UPS shipping. I can change that to ProRes and do an upload which will save $32 So 100' of 7219 cost me $161 because they never saw the email that I sent and also just started assuming things and billed me for items and services that I never was asked about. I understand that my order form was initially filled out incorrect but I tried to call and email to no avail. This honestly could have just been taken care of with a phone call or email to clarify, especially if there is no drive, no request for a drive to be purchased and at least have this brought to my attention. I talked to a few other DPs and asked them what they thought. "Shady as hell" seemed to be the general consensus. -
Hey there looking to buy a complete Arriflex 16mm package, have been looking at the Arriflex 16SR1-3 series. Must be willing to ship to Sydney, Australia. Cheers Sam
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Hey everyone, I wanted to see if anyone could help me out. I wanted to know if anyone could recommend the best export settings from Adobe Media Encoder for a 16mm scan. I am fine with grain, in fact I love it. I have a project thats completely hand processed kodak 7222, and the results are quite grainy. The problem I have is that when I export the h.264 file for web, the grain just becomes ugly blotches and pixels. I've tried for many hours to get the best export, including raising my bit rate and everything. I know there must be a good method, because i've seen film scans that have quite a bit of grain on the web, but the detail is preserved, so i'm completely at a loss. Any advice would be greatly appreciated. Thanks in advance, Derick -
Hi, I'm a filmmaker from Switzerland, I have 7 unopened cans of Kodak Vision 250T and 7 cans of Fuji Reala 500D left over from my grad film project in 2004. Both are 16mm single perf, 122m (400ft). Stored in freezer since. Current condition unknown. Selling for 30 swiss franks per can (=30 USD). Serious buyers only please! Online bank transfer in advance. Minimum order: 3 cans. Shipping to USA costs ca. 40-80 USD, depending on weight. Europe is less. I will be travelling to the UK and US in Feb/March, could possibly bring stock personally (not sure about x-rays?). Best regards Bernie
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"The number of ads shot on film and processed at Cinelab doubled in 2018 to around 350, and there was an increase in pop promos to 50-plus, many shot on Super 8 and Super 16 as well as 35mm." https://www.broadcastnow.co.uk/tech/film-stages-digital-fightback/5135915.article#.XEHdhn_xPh0.twitter So film is far from dead.
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Hey All, I'm looking for a Bolex H16 SBM in good condition. These seem to have become quite rare and are sold on ebay for ridiculous prices above the 3000$ mark. So if any of you can offer me a good deal for one, I'd be very happy. I'm located in Germany and willing to pay for shipping. Thank you!
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Im planning on shooting a double feature sometime soon on 16mm and I was wondering what the best film stock is for emulating the colors you see in movies like The Texas Chainsaw Massacre, The Evil Dead, Etc.
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Selling my pride and joy. I upgraded cameras and need to part with this one. I'm just going to copy and paste the ebay description and a link. Included: -Arri SR2 with super 16 modification -Gold mount piggy-back adapter with working D tap -3x Batteries -4x mags -Side handle (not working) -1x Dual Charger -Power/ misc cables -Arri T Bar -electric eyepiece warmer -Cinematography Electronics SR speed controller. 2-75 fps -extra fuse -start/stop cable -niner splitter box Please see listing for more details and photos https://www.ebay.com/itm/Arri-SR2-Super-16mm-Camera-Package-Fully-Functional/223314481085
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In my opinion the look of 16mm Kodak film is the most unique look in movies......with DCP projection obviously.....and thus I would call it THE filmic look bar none. ....digital is nowhere near looking like 16mm as opposed to digital being used alongside 35mm in many films and more successfully copied by Arri Alexas etc with all the subsequent manipulation in post. I read it all the time in American Cinematographer how DPs want to mimic film look etc when not allowed to use film for whatever budget reasons etc. For fun I watch movies and determine what they were shot on checking IMDB for confirmation. To me Arri Alexa stuff all looks the same (big generalisation but I'm sure u know what I mean) and 35mm stands out to me with colour palette mainly plus the way highlights look....65mm I can't tell the difference in the small cinema screens where I come from and less still on my TV.....but 16mm screams out at me as unique and unmatched no matter how big or small the screen. Don't pick out my generalisations and argue them but rather the spirit of the debate I am hoping to start..... -
Hi, I was wondering whether anyone knows a good place to buy 2 inch plastic film cores for an Arri SR2? I can only see a few for sale on eBay with quite high shipping prices. Quite a lot to pay for something that will be sent off to the lab. Also, could anyone enlighten me to the different uses of 2 inch vs 3 inch film cores? are 2 inch to hold 100' rolls and 3 inch for 400'? Many thanks!
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Hello Everyone, I'm back from South America and need to sell my Arriflex 16SR camera with the Arri Talbot sound blimp by December 20th. Shipping is FREE. I can only ship to the lower 48 states. Shipping will be done via Amtrak (so you must be close to an Amtrak station or willing to travel to the closest one). Amtrak is a great, safe way to ship heavy items. You can pay by credit card or Paypal through Etsy: https://www.etsy.com/listing/195118392/arriflex-16mm-film-camera-arri-sound Please feel free to ask me if you have any questions about any of these items and I will answer as best I can. There are no shipping costs for local pickup in Valrico, Florida. Arriflex 16SR + Accessories It works fine and it works great with the blimp below. I bought this used from a dealer. The viewfinder is clear with no yellowing. The camera runs smoothly. 1 - Arriflex 16SR 16mm motion picture camera 1 - Eyepiece with eye cup 2 - 400' cartridges 1 - Battery Adapter 1 - Power cable 1 - Power adapter for plugging the camera into an outlet, NO LENSES ARE INCLUDED. ARRI BAYONET MOUNT. THIS IS NOT A SUPER 16 CAMERA. Arri Talbot SR Sound Blimp 1 - Arri Talbot SR Sound Blimp with connector cables inside I'm selling a very unique Arri Talbot Sound Blimp for the Arriflex 16SR camera. It reduces the noise level to absolute ZERO! When the camera is inside, you plug in the wires and you are able to completely control the camera from the buttons on the outside of the blimp. The blimp also has rails on the front. I've never seen one of these anywhere else. It's extremely heavy so you'll have to use it on a heavy duty tripod. These two items are being sold together. You can view and buy on Etsy: https://www.etsy.com/listing/195118392/arriflex-16mm-film-camera-arri-sound
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I've been trying to set up my gmt-s to drive a smart slate. the Origin C+ is definitely feeding data to it (show ID, start TC etc), however I've noticed that the FPS is definitely controlled by the tiny dial inside the GMT-S (see attached photo). Does anyone have a diagram or know what dial settings = what base timecode FPS?
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Managed to get a couple rolls developed, this being the first time I've shot 16mm. There is some grading, any tips are greatly appreciated!
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I tested Vitafilm film treatment to see what curative effects it has, if any, on film decomposing with vinegar syndrome. films tested: Kodachrome B&W stock Test results: https://danieldteolijrarchivalcollection.wordpress.com/2018/11/25/test-results-for-vitafilm-treatment-of-vinegar-syndrome-16mm-films/ Notice: Weblink is safe for work. Website is not safe for work. If you are offended by adult topics do not wander from the link and you will be fine. -
Hello, I'm looking for a super16 lens that would be equivalent to 35mm in 35 format. Preferably I would want either an Optar Illumina or Zeiss 16mm since I have other Illumina lenses and it would match well. I would be open to something a little wider too like a 12mm. If there are no sellers, does anyone know a good source to buy such lenses?
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I've had a lot of fun with this camera, but would like to upgrade to a Bolex after discussion on this forum. Up on ebay at the moment: https://www.ebay.co.uk/itm/273566611007 For examples of footage from this camera see http://www.vimeo.com/16mmlondon (Not all clips are from this camera, but are clearly described if they are) PM me if interested as I will giver preference to people on this forum. Cheers Glen
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I'll be shooting a short hopefully this autumn or winter. It takes place in a forest and I want to shoot it in natural light. But because of the weather these upcoming months, I've started to wonder if I'm actually able to do so. For so far, I'll be using my only lens, a zoom lens which its widest aperture is f 3.8. And a 0.6 ND filter, because I love the DOF touch it gives. I'll be shooting on Vision 3 7222. What can I do to avoid using a lighting setup?
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I currently have a Krasnogorsk K3 (converted to S16) and a Canon Scoopic 16M. I've used both several times over the last couple of years and have learned a lot with them. I've managed to get some good results, however, although there are things about both that I like, they each have things about them that I dislike. K3 + Rugged, cheap, large choice of M42 lenses available, Super 16, stable speed control, compact, reflex - Wind up, tricky to load, light leaks, Standard Meteor lens 'soft' (i.e slightly out of focus) at widest settings, unstable registration, reliability issues 16M + Easy to load and use, electric, affordable (but not cheap), reliable, good registration, reflex (but dim in low light), good macro, not too bulky, - Fixed lens - soft at widest setting, speed noticeably unstable (probably fault with my camera), dim reflex at higher f stop The common problem with getting sharp images with wide angle views is the biggest problem I have with these. So, I'm still looking for my 'perfect' camera. I'd like a hand held, reflex, electric camera with changeable lenses. Hopefully easy/quick to load. Super 16 preferred, but not essential. I'm also on a limited budget, maximum £1500 I guess. Two possibilities I can think of are: Beaulieu R16 and Bolex EBM (£££?) I nearly got a R16 with an (Angineux?) motorised lens, but I was put off the motorised lens due to reliability and dislike of controlling lenses with motors rather than manually. I don't know much about either of those, would they be better choices or do they have their own issues that cause user's problems? Have I missed other possible options that may be suitable? Thanks for any help you can give.
